Art as We Don’t Know It showcases art and research that has grown and flourished within the wider network of both the Bioart Society and Biofilia during the previous decade. The book features a foreword by curator and art historian Mónica Bello, and a selection of peer-reviewed articles, personal accounts and interviews, artistic contributions and collaborative projects which illustrate the breadth and diversity of bioart.
Brochure for the Live Art programme at the Liverpool Biennial 2002 (18-21 September).
Combines extracts from over 70 international practitioners, companies, collectives and makers from the fields of dance, theatre, music, live and performance art, and activism to form a sourcebook for students, researchers and practitioners.
An intimate collection of letters, poetry and postscripts by artists and writers that seeks to connect, exchange and witness through the action, idea or form of a love letter. The book builds on a programme that took place at Bios, Athens (2015).
A LADA screening programme for the 2016 Venice International Performance Art Week: a collection of documentation and artists’ films looking at pain and performance.
Includes:
Marina Abramovic – On ‘Rhythm O’, 1974, 2013, 3’07” ; Ron Athey – Ron’s Story, 2001, 4’44”; Marcel.Li Antunez Roca – Epizoo, 1994, 8’29; Franko B – Don’t Leave Me This Way, 2009, 5’03”; Wafaa Bilal – On ‘Shoot An Iraqi’, 2007, 2’21”; Rocio Boliver – Times Go By and I Can’t Forget You: Between Menopause and Old Age, 2013, 4’18”; Cassils – The Powers That Be, 2016, 2’24”; Bob Flanagan – Cystic Fibrosis Song, 1990’s 1’32”; Regina Jose Galindo – Lucha, 2002, 3’37”; jamie lewis Hadley – this rose made of leather, 2012, 9’10”; Nicola Hunter & Ernst Fischer – Passion/Flower, 2012, 4’02”; Oleg Kulik – Dog House 1996, 4’10”; Martin O’Brien – Taste of Flesh, 2015, 2’59”; Kira O’Reilly – Wet Cup, 2000, 2’29”; ORLAN – Successful Operation, 1990, 6’16”; Petr Pavlensky – Radical Artist In Court – Ukraine Today News Item, 2015, 1’57”
Endurance was a three-day programme of screenings, performances and exhibition exploring the physical and mental limits of human experience (24 April – 26 June 2008 at VIVID, Birmingham). This forder includes flyers, programme and booklet with programme notes and texts by Tracey Warr, Kay Winwood, Deborah Kermode.
Publication devoted to the history and contemporary forms of Irish performance art in the north and south of Ireland.
Study Boxes contain hand picked selections of DVDs, books and other materials from the LADA Study Room around specific themes. Installed in Festival hubs and other locations, and curated in dialogue with partners, each Study Box can hold between four to ten items and can be used by audiences for a quick browse or a day-long study. After the events the Boxes are returned to the Study Room and listed in this Guide so that users can explore these themes and materials during their visit to the LADA Study Room.
Investigates the extent to which performance can represent the ‘unrepresentable’ of trauma.
A small selection of study boxes curated by Live Art Development Agency for the Live Collision Festival in Dublin, April 2014. Boxes were based around live art history, disability, activism, bodily functions, race, queer performance.
An exchange between the live body and ubiquitously distributed data-driven systems
since 2009, Johnny Amore has been taking portraits of artists who are active in the international performance and live art scene
Shit, piss, blood, sweat and tears is a new Study Room Guide compiled by Lois Keidan on the theme of bodily functions in performance. The Guide consists of notes from Lois Keidan's presentation for Blackmarket No 11 2008, with added images and recommendations for further research and study
Article written by Amy Sharrocks for the 'Performance Research on Falling' journal. Located in Miscellaneous Articles Folder 5A. This item is part of the Study Room Guide: On Falling by Amy Sharrocks (P2249)
NRLA documentation.
This item is part of the Study Room Guide On shit, piss, blood, sweat and tears by Lois Keidan (P2195)
Publication accompanying the homonymous symposium: a collaboration between Plymouth Arts Centre and artist Marina Abramovic to produce a performance event that explored the history and future of the artist’s work. Newspaper-style publication in large folder.
La Porta Live Art screening programme – 10th December 2011.
Sacred at Chelsea Theatre: Bodily Functions – The Body in Performance, selected highlights of documentation of the body in performance from the Live Art Development Agency Study Room and Documentation Bank. This item is part of the Study Room Guide On shit, piss, blood, sweat and tears by Lois Keidan (P2195)
Art Gwangju 2011 Live Art Development Agency screening programme – a small selection of artist’s films from LADA’s documentation bank
*currently unavailable*
Festival documentation. 2nd-21st March 2010
'Talking Heads' are short presentations by artists to camera about their practice and approaches to making. The 'Talking Heads' films are part of the Agency's 'Documentation Bank' Collection, which consists of an extensive range of artists' 'Talking Heads' films, documentation of artists' works and a selection of Agency projects: http://www.thisisliveart.co.uk/resources/collections/documentation-bank. This item is part of the Study Room Guide On shit, piss, blood, sweat and tears by Lois Keidan (P2195)
This film is part of the Agency’s ‘Documentation Bank’ Collection, which consists of an extensive range of artists’ ‘Talking Heads’ films, documentation of artists’ works and a selection of Agency projects: http://www.thisisliveart.co.uk/resources/collections/documentation-bank.
Fierce Festival, Birmingham 22nd-27th March 2011.
Shown at The Lowry Theatre at Manchester International Festival 2011
Artists an practitioners are interviewed by Franko B: Small Acts at the Millennium. Italian arts magazine, this article is printed in English.
Louise Gray sniffs out the latest projects by Curious, Kira O Reilly and Third Angel.
Kira O’Reilly, “Stair Falling” performed 3-19 July 2009. “Marina Abramovic Presents …” Manchester International Festival Whitworth Art Gallery. This item is part of the Study Room Guide: On Falling by Amy Sharrocks (P2249) and the Study Room Guide On shit, piss, blood, sweat and tears by Lois Keidan (P2195)
One thing that all Kontejner’s projects have in common, at least from an entirely subjective viewpoint, is precisely that very direct, unequivocal focus on that which is “human, all too human” or phenomena that coexist with the standards of humanity. In this sense, Kontejner’s work is a permanent cabaret with acts that deal with the transgression of social conventions, with passions and fears related to machines and cybernetic mechanisms, obsessions with sensual pleasures and obstacles that prevent us from indulging in them…- Maroje Mrduljas, architecture and design critic, Zagreb.
Performance and Cocktails26 August 2010Royal Vauxhall Tavern7.30 DJ Father ClothHostess: Amy LameToilet Attendent: Harold Offeh8.35pmDominic Johnson: DepartureWendy Houstoun: StarbuckedHelena Hunter: The Other Room9.10pm DJ Father Cloth9.30pmRajni Shah: Song of LettersRoy Kerr: In Third PlaceSpecial Guest Kira O’Reilly9.55 DJ Father Cloth10.10pmH. Plewis: Rom Dot ComMitch & Parry: Oceans ApartNeil Bartlett: Sleeping Beauty10.40pm show ends – DJ Father Cloth11.30pm Last Orders
SPILL Festival of Performance: On Agency. Kira O’Reilly as festival thinker-in-residence.
Curated by the Live Art Development Agency for Liveworks, at Performance Space Sydney 10 – 14 November 2010.
‘Talking Heads’ are short presentations by artists to camera about their practice and approaches to making. The ‘Talking Heads’ films are part of the Agency’s ‘Documentation Bank’ Collection, which consists of an extensive range of artists’ ‘Talking Heads’ films, documentation of artists’ works and a selection of Agency projects: http://www.thisisliveart.co.uk/resources/collections/documentation-bank.
Essays and creative texts accompany the photographic and textual documentation.
This item is part of the Study Room Guide On (W)Reading Performance Writing by Rachel Lois Clapham (P1433), the Study Room Guide On Disability and New Artistic Models by Aaron Williamson (P1529) and the Study Room Guide in Search of a Documentology by Marco Pustianaz (P1115)
Documentation of performance from Queen Mary’s Outside AiR project.
An original and inventive resource for anyone interested in contemporary performance practices and their relationships with audiences.
Offers a series of reflections on a number of performances created by artists for an 'audience of one'.
Study Room Guide is about participation and socially-engaged works, in which the frame proposed by the artist is open, and allows participants to make their involvement their own, taking it to a point that the artist could not have reached alone.
Event documentation, Hebbel, Berlin.
Presented in a specially designed box and cellophane wrapped. Shelved in Oversize publications section.
This item is part of the Study Room Guide On shit, piss, blood, sweat and tears by Lois Keidan (P2195)
Guide to UK companies and artists creating work available for international touring.
Guide to UK companies and artists creating work available for international touring.
Reports from a weekend of live art at the Bluecoat. 5-7 April 2008.
Festival documentation. This item is part of the Study Room Guide On Disability and New Artistic Models by Aaron Williamson (P1529)
An engaging, critical and thought-provoking approach to how current technologies are changing our perceptions of the body, the self and the interactions between bodies.
This item is part of the Study Room Guide in Search of a Documentology by Marco Pustianaz (P1115)
Issue 8 of liveartwork DVD, a publication showcasing contemporary live art.
This item is part of the Study Room Guide On Disability and New Artistic Models by Aaron Williamson (P1529), the Study Room Guide On Social Engagement and Participation by FrenchMottershead (P1290) and the Study Room Guide: The More You Ignore Me The Closer I Get by Robert Pacitti (P1100)