Part 2 of a serialised story.

Combines extracts from over 70 international practitioners, companies, collectives and makers from the fields of dance, theatre, music, live and performance art, and activism to form a sourcebook for students, researchers and practitioners.

An occasional publication that aims to collate and investigate ideas around place, or more specifically: “indeterminate geographies”. In the second issue, the topic is ‘suburb’.

Brings together writings and words from the project which looked through the lenses of science, ecology, and poetry, to explore the ways we relate to soil. 

Part of Library of Performing Rights (P3041).

Exhibition catalogue.

Presents Woodman's work from his entire career, including artists' portraits, studios, exhibitions, installations and performances, collaborations with artists, social documentation and more recent and personal works. 

A map of small businesses.

This collection of writings by the author of Capitalist Realism, argues that we are haunted by futures that failed to happen. Fisher searches for the traces of these lost futures.

Seventh issue in the Urban Pamphleteer series, gathering perspectives, provocations and vignettes on London’s LGBTQ+ night-time spaces

A detailed record of the years the artist spent researching professional mourning, which culminated in a performance co-commissioned by the Park Avenue Armory and Artangel.

Part of the Library of Performing Rights (LPR) (P3041).

A fat activist with more than 30 years experience, lifts the lid on a previously unexplored social movement and offers a fresh perspective on one of the major problems of our times.

On NDAs, established in early 90's.

NODM Forum article – on New Year's resolutions.

Catalogue of an exhibition of artwork commissioned for particularly notable and challenging sites throughout Britain & Northern Ireland.

Inspired by a ritual known as Matam, which takes place in the Shiite ceremony of Ashura, the performance transcends its origins, becoming an action that opens the body to a trance state of rhythm & ritual practice.  

Exhibition publication; 3 May – 1 July 2017, The Koppel Project, London.

Part of the Something Human Study Room Guide on Southeast Asian performance (P3334).

Video: a deeply poetic array of cinematic images

Interviews with squatters, eco-activists, musicians, and anarchists of all kinds in England and Scotland.

Part of the Library of Performing Rights (LPR) (P3041).

Volume 1, Issue 4.

Part of the Library of Performing Rights (LPR) (P3041).

Interviewing DJs, party hosts, producers, musicians, artists, and dancers, Lawrence illustrates how the relatively discrete post-disco, post-punk, and hip hop scenes became marked by their level of plurality, interaction, and convergence. He also explains how the shifting urban landscape of New York supported the cultural renaissance before gentrification.

Publication documenting the work of the WRG in 2013 and 2014.

Exhibition catalogue; comprises essays and a section containing documents, hitherto unpublished interviews and a gallery discussion. Exhibition: 27 January – 1 May 2017, Museum Tinguely, Basel.

Publication on the project conducted in October 2016. The artist made hand-sewn garments, wearing only one until the next one was made, and exploring the relationship between art and ecology.

A loophole in the Postal Services Act says you can open other people's mail under certain circumstances. This is that certain circumstance.

Publication about the Public Wisdom programme: exploring ageing, creativity and the public realm. 

Part of the Know How: The Study Room Guide on Live Art Live Art practices and methodologies in relation to working with older individuals and communities. (P3140)
 

Phase 1 report on the project which seeks to challenge ageist attitudes that, being old, residents will not wish to enjoy up-to-date work, and provides care home residents with access to top level arts experiences, even if they are physically or mentally frail.

Part of the Know How: The Study Room Guide on Live Art Live Art and working with older individuals and communities. (P3140)

Review of LIFT 2014.

A vibrant introduction to theatre that engages with stories, conditions and experiences of migration.

The book presents over 100 covers of The Communist Manifesto, compiled from the Museum of Ordure’s collection. The launch included a sound performance by the Curator and Acting Director of the Museum of Ordure, R Y Sirb.

A PhD thesis offering a new account of the emergence of performance forms, including Happenings, participatory art, performance art and performances for the camera, in visual art and related contexts at the ICA.

Inspired by the true story of the strange life and lonely death of Mr. Ernest Boulton – one half of the infamous Victorian cross-dressing duo Fanny and Stella – this play is an intimate meditation on the fine art of keeping one’s nerve as the lights go out.

created during the residence at Camden Arts Centre, 31st August – 6th September 2006.

Documentation from a live exhibition featuring eleven leading female artists from the island of Ireland, offering unprecedented access to a huge body of live performance work by some of the most radical and exciting women artists emerging from the Irish cultural context.

Curated by Chrissie Cadman, Amanda Coogan and Helena Walsh

12:53

An account of Western theatre buildings in the 21st century: theatres stripped of their primary purpose, lying empty, preserved as museums, or demolished. 

The book explores what it means to create and experience urban performance – as both an aesthetic and a political practice – in the burgeoning world where cities are built by globalization and neoliberal capital.

Now in paperback and with a new preface by Susan Bennett, the book explores an interdisciplinary range of topics, including: theatre and urban policy development; architecture, trauma, and memory; urban performance history; site-specific performance and urban politics; sexuality and nationality in urban performance; and environmental performance theory.

Includes performance description. From Centerfold.

Found in miscellaneous article folder #5B

This item is part of the 'Glimpses of before: 1970s UK Performance Art' Study Room Guide by Helena Goldwater (P2497)

From New Dance.

Found in miscellaneous article folder #5B
This item is part of the 'Glimpses of before: 1970s UK Performance Art' Study Room Guide by Helena Goldwater (P2497)

Third publication for the research project exploring physical and emotional relationships to work, focused on the process, findings and analysis of an 18 month long investigation into the physical and emotional affects of complaining, receiving complaints and not being able to complain in the context of work.

Published alongside an exhibition at the Peltz Gallery (6 February – 3 March 2016).

Introduction to PAF; includes contributions by Hugh O'Donnell, Kris Grey, Fabiola Paz, Victoria Gray. 

A biography and tribute to a colourful unique and larger than life character, written by his close friend.

What is the quality of participation in contemporary art and performance? Fair Play: Art, Performance and Neoliberalism explores this question through the work of important contemporary artists and organizations including Marcus Coates, Phil Collins, Jeremy Deller, Michael Landy, Grayson Perry, Rachel Whiteread, Lone Twin, Punchdrunk, Tate Modern and the National Theatre. 

On Monday 28 May 2012, Noëmi Lakmaier undertook a slow and exhausting test of endurance – an attempt to crawl from Toynbee Studios towards ‘The Gherkin’.

Film: Hydar Dewachi. 14:39
 

Beginning with discussions of the pioneering generation of artists such as Ronald Moody, Aubrey Williams and Frank Bowling, Chambers candidly discusses the problems and progression of several generations, including contemporary artists such as Steve McQueen, Chris Ofili and Yinka Shonibare. 

Published to mark the 20th century of the Arts Catalyst, this article showcases some of the institution's landmark projects. In misc folder 5A.

A photobook of never before published images from the 2011 action 'Version 1'.

One of a series of works looking at people and their relationship with water in an urban setting.

2014, HD video, 31’ 19”

Documentation of a day of screenings, conversations and presentations which explore, recover and communicate the history of performance art in London and the UK in the 1970s. The day includes a screening of William Raban’s film 72-82 (a history of art and performance at Acme Gallery, London), followed by a panel discussion with William Raban (Professor of Film at London College of Communication), and special guests; a conversation with Hilary Westlake and David Gale (Lumiere & Son); lectures by Naseem Khan, Anne Bean, andMarcia Farquhar; with a keynote by the historian Carolyn Steedman (Emeritus Professor of History, University of Warwick).