Documentation of the evening celebrating the life and Live Art of the brilliant and inspirational artist Katherine Araniello who died on Monday 25 February 2019.
A document showing ways to prevent sexual violence and support survivors of sexual abuse.
Zine of the project documenting and tracing the Ambedkarite movement in the 1970s.
Draws on Wojnarowicz’s work to explore the role of abandoned landscape in this explosion of queer culture in NYC.
Part of the Library of Performing Rights (P3041).
A collection of ‘found’ writings about and around Live Art that were originally published, shared, sent, spread and read between January 2015 and December 2017. Selected through recommendations and an open call for submissions, Volume 5 reflects the dynamic, international contexts that Live Art and radical performance practices occupy.
Part of Library of Performing Rights (P3041).
Returns to Satoshi Nakamoto’s canonical text on a peer-to-peer electronic cash system as a Rosetta Stone that reveals the far-reaching implications of decentralisation.
The first book of the women’s liberation movement to put forth a feminist theory of politics.
Four books published as part of STRONG LANGUAGE, published by Tim Etchells:
M John Harrison: Real Dreams
Courttia Newland: That Small Death
Joolz Denby: Dandelion
Selina Thompson: 12 Race Card Answers
A selection of articles from the seventies, eighties, nineties, and the year 2000. The result is a fascinating chronicle and invaluable record of a turbulent period that gives an overview and survey of British art and its reception over the past thirty years which is wholly unprecedented in its scope.
This major survey charts the development of live art across six continents since the turn of the twenty- first century, revealing how it has become an increasingly essential vehicle for communicating ideas across the globe in the new millennium.
The result of five years of practice-based creative research focused on the UPRISING project, the book presents a number of methods for the creation of politically charged interactive public events in the style of a how-to guide.
Part of the Library of Performing Rights (LPR) (P3041).
Assembling a remarkable group of scholars, these essays explore how the circulation and exchange of “vectors of the radical” shape the avant-garde.
The Library of Performing Rights is a unique resource containing over 250 items submitted by artists, activists and academics from around the world that examine the intersection between performance and Human Rights.
The catalogue is available here and is continuously updated.
Please note the Library is currently housed in the Study Room but is a touring Library so please contact LADA before your visit to check it is not out on the road.
Generally recognized as the most comprehensive and accurately translated collection of situationist writings in English, this book presents a rich variety of articles, leaflets, graffiti and internal documents, ranging from early experiments in “psychogeography” to lucid analyses of the Watts riot, the Vietnam War, the Prague Spring, the Chinese Cultural Revolution and other crises and upheavals of the sixties.
The first publication to address queer feminist politics, methods and theories in relation to the visual arts, including new media, installation and performance art. Despite the crucial contribution of considerations of 'queer' to feminism in other disciplines of the humanities, and the strong impact of feminist art history on queer visual theory, a visible and influential queer feminist art history has remained elusive.
Siona Wilson investigates the charged relationship of sex and labour politics as it played out in the making of feminist art in 1970s Britain.
Illuminates ways of devising more socially, economically, and ecologically just versions of now.
See also PVI Collective DVD Showreel catalogued under D1790.