Video documentation of the book launch, as part of LADA Screens. Includes 4 videos.
The first issue of the ADHD artist zine.
Eight issues of the interview zine about performance.
The first substantial survey of its kind, the publication brings together documentation of performances, drawings, videos, installations, and sculptures, as well as writings, interviews and visual essays by the artist. A series of commissioned critical essays show her to be a prolific maker of acts, objects, and multiple ‘selves’.
The 7th issue of the newspaper is the first one to focus on a region; it commits to reconsidering Americas colonial stories and their marks on its present global condition. In multiple languages.
Part of the Library of Performing Rights (P3041)
What is the role of pleasure and pain in the politics of art? Polgovsky Ezcurra approaches this question as she examines the flourishing of live and intermedial performance in Latin America during times of authoritarianism and its significance during transitions to democracy.
Part of the Library of Performing Rights (P3041).
Second edition of the anthology consisting of texts written by artists active within the field of dance and choreography in the Nordic countries.
In Nordic languages and English.
A comprehensive study of queer identities and communities across Asia, re-envisioning the queer through Asian perspectives.
Part of Library of Performing Rights (P3041).
A collection of manifestos originally published in 1938, in which the artist and philosopher attacks conventional assumptions about the drama.
Draws on recent debates about sexuality, race, and affect to examine how matter that is considered insensate, immobile, or deathly animates cultural lives.
Examines the construct of memory, the passage of time, and the “end of history.”
Marks the finissage of Abboud's solo exhibition The Horse, the Bird, the Tree and the Stone at Bildmuseet (Sweden, 21 May – 17 September 2017) and the inauguration of her solo show The pomegranate and the sleeping ghoul at Darat al Funun-The Khalid Shoman Foundation (Jordan, 10 October 2017 – 11 January 2018).
In 2014, artist Gustaf Broms composed a list of nine questions that he started to circulate to fellow performance artists. The responses collected are as diverse and wide-ranging as the artists and their own approaches.
a linguistic kaleidoscope of caustic cartoons, crackpot prophecies and demented erotica. a dense, poetic blend of the hallucinogenic and the hardboiled… dirty jokes, venomous poetry and tall tales that corkscrew deep into nightmares. a short story etc. collection for the depraved, the depressed and the death obsessed.
Maps connections across performances that question the borders of the human whose neurodiverse experiences have been shaped by the diagnostic label of autism, and animal-human performance relationships that dispute and blur anthropocentric edges.
Contemplates the interactions of humans with many kinds of critters, especially with those called domestic.
At the height of the AIDS epidemic, Wojnarowicz began keeping audio journals, returning to a practice he'd begun in his youth. The publication presents transcripts of these tapes, documenting the artist's turbulent attempts to understand his anxieties and passions, and tracking his thoughts as they develop in real time.
Part of the Library of Performing Rights (P3041)
Examines five performance/artworks: The Artist is Present (2010) by Marina Abramović; The Deer Shelter Skyscape (2007) by James Turrell; CAT (1998) by Ansuman Biswas; Journey to the Lower World by Marcus Coates (2004); and the work with pollen by Wolfgang Laib.
A collection of 14 essays by international scholars and practitioners from across the disciplines of Philosophy, Literature and Theatre and Performance Studies, addressing the nature of the relationship between philosophy and performance.
Arguing that traditional feminism is wrong to look to a natural, 'essential' notion of the female, or indeed of sex or gender, Butler starts by questioning the category 'woman' and continues in this vein with examinations of 'the masculine' and 'the feminine'.
Compiles the correct answers of six UK naturalisation exams.
Part of the Library of Performing Rights (LPR) (P3041).
The author's concerns – which include the social meaning of illusion and the cultural manifestation of power – take the reader from Eleanora Duse to Laurie Anderson; from the puppet theatre of Kleist to Kantor's theatre of the dead; and from the Kutiyattam temple dancers in Kerala to Womanhouse in Los Angeles.
Surveys the changes in acting and performance during the crucial transition from the ecstatic theatre of the 1960s to the ironic postmodernism of the 1980s.
Festival / exhibition catalogue. 6-18 October 2017.
In Croatian and English.
While considering repetition in relation to the difficult pleasures we derive from the theatre, this book explores ways of accounting for such experiences of theatre in memory and writing.
Despite the problematic politics of cultural exchange in the theatre, interculturalism is not a one-sided process. Using the metaphor of the hourglass to discuss the transfer between source and target culture, Pavis asks what happens when the hourglass is turned upside down, when the `foreign' culture speaks for itself.
Part of the Library of Performing Rights (LPR) (P3041).
The essays explore the broad range of poetico-philosophical questions that have long been circulating in the Cixousian universe: the self and the other, autobiographies of writing, love's labors lost and found, sexual difference, feminism and feminine hours, the prehistory of the work of art and reading the visual arts, animal (w)rites and trans-species relations, literary theory, post-colonial theory, death and life.
Key member of the Italian Autonomist movement and a close associate of Félix Guattari argues that the Marxist/Hegelian concept of alienation and the communal bonds arising from the collective experience of the workforce are under erosion in today's technological society,
A polemical thinking-through of the whole concept of theatre as a ‘space’, and a politically motivated exploration of how, and where, that theatrical space meets the real world that surrounds and suffuses it.
Three drunks in bad wigs and jumble-sale clothes endlessly enact the events surrounding the supposed or imagined death of one of their friends as if, by replaying the events, their truth or otherwise might be revealed.
High quality multi-camera performance documentation recorded at Trent Polytechnic, Nottingham, June 1989, 70 mins. approx.
An object consisting of two parts: a publication of articles and transcripts which reflect upon the 15 years of discourse that brought dance and choreographic practice and theory together in Dansbaren; and a tablecloth of topics—a tool for continuing dialogues which invites the reader to lay it on the table, welcome others to the table, and put dance and choreography discussions, literally, on the table.
Offering an incisive rejoinder to traditional histories of modernism and postmodernism, this book examines the 1960s performance work of three New York artists who adapted modernist approaches to form for the medium of the human body.
First of the four special editions of the journal, focusing on Documenta 2017. Compiling research, critique and literature, the publicaparallels the work on the exhibition and helps frame its concerns.
Part of the Study Room Guide on Live Art and Displacement (P3107).
The artist investigates cultural transfer and displaced identity through installation, sculpture, video and performance, culturally stereotyping artefacts such as flagpoles, Moroccan tea glasses and India ink in her art. Exhibition catalogue.
Part of the Study Room Guide on Live Art and Displacement (P3107).
Exploring theater works created for, by, and with refugees, this hybrid collection of essays combines newly commissioned scholarly work with examples of writing by refugees themselves.
Part of the Study Room Guide on Live Art and Displacement (P3107).
This book focuses on this award-winning artist's relationship to Europe and the Mediterranean and explores how one relates to a particular place. Published to accompany exhibitions at the Whitechapel Gallery (Sept 2015 – Jan 2016) and IMMA (Oct-Dec 2016).Part of the Study Room Guide on Live Art and Displacement (P3107).
The book looks at theatre and performances that often occur quite literally as bombs are falling, as well as during times of ceasefire and in the aftermath of hostilities. Includes interviews with artists, short play extracts, and photographs.
Part of the Study Room Guide on Live Art and Displacement (P3107).
Explores how artists engaged with the sonic conditions of modernity through dramatic form, characterization, staging, technology, performance style, and other forms of interaction.
Feature on Duets on Ice, Landfall and Dirtday!.
Video documentation of contributions to the Performing Idea Symposium, investigating the shifting relations between performance practice and discourse, event and writing; Toynbee Studios, 5-9/10/2010.
Includes nine files, containing videos of contributions on In Silence, Performative Writing, Reciprocal Aesthetics and Living Archives.
A concise overview of the shifting roles of theatre and theatricality in Scottish culture, asking important questions about the relationship between Scottish theatre, history and identity, and celebrating the recent emergence of a generation of internationally successful Scottish playwrights.
A vibrant introduction to theatre that engages with stories, conditions and experiences of migration.
Includes:
Dual performance to Skype camera
Blood, 2013 (1:47); Block, 2013 (1:48); Lançar- to throw 2013 (0:39); Alinhar – to Align, 2013 (0:58); Cloud try 3, 2013 (0:51); Red line, 2015 (0:50); A short story, 2015 (1:04); Annunciation 1 & 2, 2015 (2:08)
Dual performance to the camera
Skull-line, cranial suture, 2014 (0:46); Measuring the room, 2014 (1:27); Tables, 2015 (2:05); To do with you, 2016 (2:20); Push, 2011 (1:25); Dictionario (excerpt), 2011; And –And, 2016 (3:44)
A collection of contemporary food writing by a star cast of authors, including Nigella Lawson, Anthony Bourdain, Jane Grigson, Umberto Eco, Alice Walker, and Isabel Allende.
Found in miscellaneous article folder #5B
This item is part of the 'Glimpses of before: 1970s UK Performance Art' Study Room Guide by Helena Goldwater (P2497)