Catalogue > By Keyword > Susan Sontag

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Love on Me

Artist/Author: Jon John | Digital Reference: EF5347 | Type: Digital File

Draws strength from conversations with the performance artist Ron Athey and readings from Illness as Metaphor, by Susan Sontag.

Please note that Queen Mary University of London holds the entire archive of the late artist.

The Art of Cruelty: A Reckoning

Artist/Author: Maggie Nelson | Reference: P3523 | ISBN: 978-0393343144 | Type: Publication

Questions whether or not focusing on representations of cruelty makes us cruel. In a journey through high and low culture, the visual to the verbal, and the apolitical to the political, Nelson offers a model of how one might balance strong ethical convictions with an equally strong appreciation for work that tests the limits of taste, taboo and permissibility.

Absolute Wilson

Artist/Author: Katharina Otto-Bernstein, Robert Wilson | Reference: D2089 | Type: DVD

film about the life of Robert Wilson

Martha Wilson Sourcebook: 40 Years of Reconsidering Performance, Feminism, Alternative Spaces

Artist/Author: Martha Wilson | Editor: Martha Wilson | Reference: P2125 | ISBN: 978-0-916365-85-1 | Type: Publication

Martha Wilson Sourcebook is the first in a new publication series by ICI that offers a fresh perspective on social, political, and cultural issues impacting artists’ practices. Each compendium is comprised of articles, letters, newspaper cuttings, extracts from books, and images that an artist selects from their own archive and annotates with personal commentaries on the themes that arise. By using this subjective approach as a lens through which to rediscover pivotal debates in art and reconsider seminal texts, as well as to introduce little-known or out-of-print material, the Sourcebook series places emphasis on the histories and theories that have had a formative influence on an artist’s thought process.

The Artist’s Body

Editor: Tracey Warr/Amelia Jones | Reference: P0116 | Type: Publication

Survey of key work by artists who have used their own body to create their art, from the 1940s to the 1990s. With introductory essays by Tracey Warr and Amelia Jones. Includes biographical information on contributors. This item is part of the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)