Genesis has selected h/er unseen and personal photographs to illustrate h/er journey of life as continuous creativity.
Limited edition; 352 / 1323. In glass cabinet.
A manifesto for the active and creative pedestrian – envisioning a walking that is neither a functional necessity (to shops, to work) nor a passive appreciation of (or complaint about) the urban environment.
A provocative history of live art traces the precedents of contemporary multi-media events to Bauhaus experimentalism and surveys the Futurists’ manifesto-like events, the Dadaists’ cabarets, and later “happenings” and “spectacles.”
Exhibition catalogue, Anna Banana: 45 Years if Fooling Around with A Banana; Open Space (September 19-October 24, 2015), the Art Gallery of Greater Victoria (September 19, 2015 – January 3, 2016), Pratt Institute Libraries (March 3-April 10, 2016).
A correspondence between The Victorian Woman and THE MAN. During the summer of 2016, The Victorian Woman traveled on an epic month-long journey to Southeast Asia in an attempt to liberate herself from THE MAN. Their daily correspondence in the form of relief printed and hand-drawn postcards reflects their emotional struggles and curious revelations as they attempt to reconcile the nature of their relationship.
Guides the reader through a thicket of seemingly arcane meanings of nonrepresentational art forms, and brings clarity to the intentions and agendas of these artists, as well as to their real world contexts.
How have avant-gardes been shaped by racism and contributed to racist power and imperialism? How have the claims made by avant-garde political and artistic groups to liberate humanity been indebted to religious intolerance? And how has the vanguard commitment to radical cultural action contributed to war, terror, and destruction?
Assembling a remarkable group of scholars, these essays explore how the circulation and exchange of “vectors of the radical” shape the avant-garde.
They were the bestselling singles band in the world. They had awards, credibility, commercial success and creative freedom. Then they deleted their records, erased themselves from musical history and burnt their last million pounds in a boathouse on the Isle of Jura. And they couldn't say why. Wildly unauthorised and unlike any other music biography, THE KLF is a trawl through chaos on the trail of a beautiful, accidental mythology.
A collection of essays, documents, & bibiliography reagrding performance art edited by people associated with a Toronto-based arts organization.