Catalogue > By Keyword > Tania Bruguera

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The Twenty-First Century Performance Reader

Editor: Teresa Brayshaw, Anna Fenemore, and Noel Witts | Reference: P4028 | ISBN: 978-1138785342 | Type: Publication

Combines extracts from over 70 international practitioners, companies, collectives and makers from the fields of dance, theatre, music, live and performance art, and activism to form a sourcebook for students, researchers and practitioners.

Assuming Boycott: Resistance, Agency and Cultural Production

Editor: Kareem Estefan, Carin Kuoni and Laura Raicovich | Reference: P3407 | ISBN: 978-1944869434 | Type: Publication

The essential reader for today's creative leaders and cultural practitioners, including original contributions by artists, scholars, activists, critics, curators and writers who examine the historical precedent of South Africa; the current cultural boycott of Israel; freedom of speech and self-censorship; and long-distance activism. It is about consequences and causes of cultural boycott.

What We Made: Conversations on Art and Social Cooperation

Author: Tom Finkelpearl | Reference: P3119 | ISBN: 978-0822352891 | Type: Publication

Examines the activist, participatory, coauthored aesthetic experiences being created in contemporary art.  In a series of fifteen conversations, artists comment on their experiences working cooperatively, joined at times by colleagues from related fields, including social policy, architecture, art history, urban planning, and new media.

Part of the Study Room Guide on Live Art and Displacement (P3107).
 

What’s the Use?: Constellations of Art, History and Knowledge - A Critical Reader

Editor: Jorinde Seijdel, Steven Ten Thije, Nick Aikens, Thomas Lange | Reference: P3109 | ISBN: 978-9492095121 | Type: Publication

This publication takes as a starting point the premise that art is best understood in dialogue with the social sphere, and examines how the exchange between art, knowledge and use has historically been set up and played out.
Part of the Study Room Guide on Live Art and Displacement (P3107).
 

Truth is Concrete A Handbook for Artistic Strategies in Real Politics

Editor: steirischer herbst & Florian Malzacher | Reference: P2651 | ISBN: 978-3-943365-84-9 | Type: Publication

This publication charts very different tactics and strategies, written by practitioners from all over the world, mapping the broad field of engaged art and artistic activism in our times. Essays by Stephen Duncombe & Steve Lambert, Alanna Lockward, Florian Malzacher, Chantal Mouffe, Gerald Raunig and Jonas Staal.

activism Ahmet Öğüt / The Silent University Andre Lepecki Andrea Fraser Andrew Boyd Andy Bichlbaum / The Yes Men Anna Jermolaeva Antanas Mockus art Artúr van Balen / Tools for Action Benjamin Foerster-Baldenius / raumlaborberlin Carl Hegemann Charles Esche Christine Gaigg Claire Tancons Collective Authorship concrete knowledge Corina L. Apostol / Artleaks Corrupt Tour Diedrich Diederichsen direct action Dmitry Vilensky / Chto Delat? Erdem Gunduz Federico Geller Florian Schneider Frank Apunkt Schneider / monochrom Gabriella Csoszó / FreeDoc Ganzeer Geert Lovink Gregory Sholette Guillermo Gómez-Peña / La Pocha Nostra Hans Haacke Hector Aristizábal Iconoclasistas Inna Shevchenko / Femen International Institute of Political Murder Irit Rogoff Isabelle Fremeaux Jacob Wren Janez Janša Janice Kerbel Jasmina Metwaly / Mosireen Collective Jean-Luc Moulène Jeudi Noir Jisun Kim Joana Mazza / Observatório de Favelas Joanna Warsza John Jordan Jonathan Allen Justin Hoffmann Kàddu Yaraax Kalle Lasn / Adbusters Katherine Ball Khaled Hourani Khaled Jarrar Kostis Stafylakis / Kavecs Krzysztof Wodiczko Kuba Szreder Lawrence Liang Leah Borromeo Leónidas Martín Lexxus Légal Liberate Tate Lucifer / Church of Kopimism Marina Grzinic Marina Naprushkina / Office for Anti-Propaganda Marina Vishmidt Matteo Lucchetti Michal Murin Mierle Laderman Ukeles Minerva Cuevas Mladen Stilinović Ned Rossiter Neil Cummings Neue Slowenische Kunst Noah Fischer Nuria Guell Occuprint Oliver Marchart Omer Krieger Philipp Ruch / Center for Political Beauty Public Movement Rabih Mroué Raivo Puusemp Reverend Billy & The Church of Stop Shopping Richard Reynolds Robyn Orlin Saki Bailey / Teatro Valle Salam Yousry and Slavoj Žižek Santiago Cirugeda / Recetas Urbanas Sérgio Miguel Franco / Pixadores Shared Inc. Sibylle Peters Srđa Popović / CANVAS Stefano Harney Stephen Wright Stevphen Shukaitis Susan Schuppli / Forensic Architecture Tania Bruguera The Haircut Before The Party The Institute for Human Activities the laboratory of insurrectionary imagination The Pinky Show the vacuum cleaner Thomas Meinecke Toma Sik Tomislav Medak Udi Aloni Ultra-red WochenKlausur Wu Yuren Yekaterina Samutsevich / Pussy Riot

Live Forever: Collecting Live Art

Author: Teresa Calonje, et al. | Reference: P2522 | ISBN: 9783863355807 | Type: Publication

A collection gathering the voices of some catalysts of contemporary performance: artists, cultural engineers, curators, collectors.

Tania Bruguera

Author: Lucrezia Cippitelli and Domenico Scudero | Reference: P2483 | ISBN: 9788874900510 | Type: Publication

A collection of essays on the installation and performance work of Cuban artist Tania Bruguera. Contributors: Domenico Scudero, Lucrezia Cippitelli, Irma Arestizabal, Roberto Pinto, Simonetta Lux

Useful Art

Author: Kathy Noble, Tania Bruguera | Reference: A0464 | Type: Article

See D1703 for Bruguera in conversation at Performance Matters: Trashing Performance. This item is referenced in the Dreams for an Institution Guide (P2313).

Tatlin’s Whisper #6: Havana version

Author: Tania Bruguera | Reference: D1534 | Type: DVD

Tatlin’s Whisper #6 (Havana version was a participative action at the central courtyard of the Wifredo Lam Centre (the institution that organizes the Havana Biennial). A stage with a podium, two microphones, and a huge golden-brown curtain as a background were placed at one end. The set was reminiscent of the staple set used by Fidel Castro for his speeches. The microphones were connected to an amplifier with speakers, one of them at the building’s entrance, pointing to the street. Two actors, a woman and a man dressed in Cuban military uniforms, stood at each side of the podium. The woman had a white dove in her hands. Admission to the event was free, but the space was filled with people from the Cuban art world, mainly young artists, students, writers, and Cuban and international visitors to the Biennial. Two handed disposable cameras were handed out to the public by Bruguera to document the event. Then people were summoned to speak their minds on the podium for one minute. In other art contexts this would not have any special relevance. In Cuba, it was an historic event: for the first time in half a century a free public tribune was allowed for people to express their ideas.This documentation has been presented with permission of the artist as part of the Performance Matters, Performing Idea, Performance Lecture Archive; an interactive video archive housed at the Whitechapel Gallery between 2-9 October 2010. The archive looked at examples of the performance lecture as a form of artistic and critical expression and its potential to address a broad range of cultural issues and philosophical ideas.

Documenta11_Platform5:Exhibition Short Guide

Editor: Documenta und Museum Fridericianum Veranstaltungs-GmbH | Reference: P0326 | ISBN: 3-7757-9087-X | Type: Publication

This item is part of the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)