Zine of the project documenting and tracing the Ambedkarite movement in the 1970s.
The book brings Greta in her own words, collecting her speeches that have made history.
15 writers explore the experimental, interdisciplinary and radically transgressive field of contemporary live art in South Africa.
Part of the Library of Performing Rights (P3041).
A film documenting the unsanctioned live performance in Tate Britain: in the run up to the international climate talks in Paris as the artists invited Tate to reconsider their sponsorship deal with BP, and to begin to erase this scar from their skin.
Part of LADA Screens 9. The film was availble online between 30 April and 13 May 2016 on the LADA Screens Channel.
Exhibition catalogue. Attenborough Arts Centre, 10th May – 14th July 2019.
Part of the Library of Performing Rights (P3041)
Combines extracts from over 70 international practitioners, companies, collectives and makers from the fields of dance, theatre, music, live and performance art, and activism to form a sourcebook for students, researchers and practitioners.
Doctoral thesis printed in limited edition of 20 copies; focuses on performative practices and the performativity of artists and their activist counterparts in the Umbrella Movement (2014).
Part of the Library of Performing Rights (P3041)
A collection of historical essays, critical papers, case studies, interviews, and comments from scholars and practitioners that shed new light on the field of collaborative art.
This is a book of truth and action. It has facts to arm you, stories to empower you, pages to fill in and pages to rip out, alongside instructions on how to rebel – from organising a roadblock to facing arrest.
Publication charting the artistic practice of Jian Jun Xi.
Part of the Library of Performing Rights (P3041).
Key intellectuals—inspired by the new movements and by the seminal work of the scholar Cedric J. Robinson—recall the powerful tradition of Black radicalism while defining new directions for the activists and thinkers it inspires.
Documentation from the Live Art event by disabled artists in the birthplace of the modern Olympic Games, May 2012
Part of the Library of Performing Rights (P3041).
Documentation from the Live Art event by disabled artists in the birthplace of the modern Olympic Games, May 2012
Part of the Library of Performing Rights (P3041).
How-to guide for people looking to make a stand. Included are solid pieces of advice, practical tips and inspirational stories from those who have already successfully stood up and made a difference.
Part of the Library of Performing Rights (P3041).
When students at Oxford University called for a statue of Cecil Rhodes to be removed, following similar calls by students in Cape Town, the significance of these protests was felt across continents. This was not simply about tearing down an outward symbol of British imperialism – a monument glorifying a colonial conqueror – but about confronting the toxic inheritance of the past, and challenging the continued underrepresentation of people of colour at universities.
Part of the Library of Performing Rights (P3041).
Assembling a remarkable group of scholars, these essays explore how the circulation and exchange of “vectors of the radical” shape the avant-garde.
Because of Love tells the story of the artist’s childhood in Italy in an orphanage and at the hands of his abusive family, his journey to London as a young man, his return to Italy many years later as an accomplished artist, and, in between, the story of his life and loves and his becoming an artist.
Published on the occasion of the Idit Elia Natham exhibition at Standpoint Gallery, London. 16 January – 14 February 2015.
Part of the Library of Performing Rights (LPR) (P3041).
Since its inception nearly 25 years ago, the feminist art movement has transformed the art world. Now, two professors of art history bring together 18 influential historians, critics, and artists to create this landmark volume.
Part of the Library of Performing Rights (LPR) (P3041).
This anti-systemic manifesto, a quiet and thoughtful polemic, is a satire that uses anti-colonial theory to build a critique of dominant culture and the rising tide of Islamophobia.
Part of the Library of Performing Rights (LPR) (P3041).
Publicaition in honor of the 10th anniversary of FemLink-Art.
Part of the Library of Performing Rights (LPR) (P3041).
Exhibition catalogue; Hirshhorn Museum and Sculpture Garden, Smithsonian (24 October – 26 May 2014); Musée d’art moderne Grand-Duc Jean (5 July – 12 October 2014); Kunsthaus Graz (15 November 2014 – 15 March 2015).
Published to accompany a major exhibition at Tate Britain, this fully illustrated catalogue explores the history of attacks on art in Britain, from the reformation of the sixteenth century to the present day, demonstrating how religious, political, moral and aesthetic controversy can become arenas for assaults on art.
From the activist, Pussy Riot member and freedom fighter, a raw, hallucinatory, passionate account of her arrest, trial and imprisonment in a penal colony in the Urals for standing up for what she believed in.
nitially galvanized by the sweeping obliteration of architecture and art under the Communist regimes of the Soviet Union and eastern bloc countries, Gamboni investigates other instances of destroyed art and architecture around the globe, uncovering a disquieting and surprisingly widespread phenomenon.
Part of the Library of Performing Rights (LPR) (P3041).
Archive documenting the photographer's work up to 2006.
Part of the Library of Performing Rights (LPR) (P3041).
An eyewitness account of the financial meltdown and ongoing grassroots rebellion.
Part of the Library of Performing Rights (LPR) (P3041).
Issue dedicated to the Universal Declaration of Human Rights. 2008.
Part of the Library of Performing Rights (LPR) (P3041).
Eight short videos from 2003. Includes: Whirl-Mart, Virgin on the Ridiculous, Prayers to Products, Cleaning the MCA, Taking 'Back' Action, UK Stop Shopping Tour, Re-Call Cup Fault, Cleaning Wall St
Part of the Library of Performing Rights (LPR) (P3041).
Documenting The Gluts trip to Copenhagen during the COP 15 Climate Summit.
Part of the Library of Performing Rights (LPR) (P3041).
A book of stories, stories written by activists from the front lines of resistance against capitalism and economic globalization. In German; for the English version see P0424.
This item is part of the Study Room Guide: A Bi(bli)ography of Insurrectionary Imaginati by John Jordan (P0793) and the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)
Part of the Library of Performing Rights (LPR) (P3041).
Published on the occasion of the eponymous exhibition, held at the NGBK Berlin, from November, 4th to December 23rd 2005. In German and English.
Part of the Library of Performing Rights (LPR) (P3041).
Presents a thematic history; every chapter explores a specific theme through pictures, offers explanations to contextualize them while offering additional bibliographic references in relation to the theme, for further research. In French and English.
Part of the Library of Performing Rights (LPR) (P3041).
Interviews with squatters, eco-activists, musicians, and anarchists of all kinds in England and Scotland.
Part of the Library of Performing Rights (LPR) (P3041).
Catalogue; 24-27 November 2005, Bangkok, Thailand.
Part of the Library of Performing Rights (LPR).
The illustrated volume examines the creation of stories, accounts, images, songs, street theatre, paintings, and ideas that pay witness to authoritarian pasts.
Part of the Library of Performing Rights (LPR) (P3041).
Deals very with the struggle to form new, functioning ideologies for the emerging, digital future. Extract from the book The Global Empire.
Part of the Library of Performing Rights (LPR) (P3041).
An Investigation into the political efficacy of Pussy Riot’s art.
Immediately after Nadezda Tolokonnikova and Maria Alekhina were released, Verwelius contacted the two, setting into motion an extraordinary photo shoot: using the activists’ stories and sketches of the prison camp, he depicted their living and working conditions there as an impressive picture series. In English and Dutch.
This collection of essays considers various artists who have withdrawn from the art world or adopted an antagonistic position toward its mechanisms.
Starting with the questions: Does it Work? and How Can We Know? this article explores the effect and affect, or affect, of activist art.
Offering an incisive rejoinder to traditional histories of modernism and postmodernism, this book examines the 1960s performance work of three New York artists who adapted modernist approaches to form for the medium of the human body.
Introduction to Loher's play, with particular emphasis on Innocence – the play and Michael Thalheimer's 2012 production.
A LADA screening programme for the 2016 Venice International Performance Art Week: a collection of documentation and artists’ films looking at pain and performance.
Includes:
Marina Abramovic – On ‘Rhythm O’, 1974, 2013, 3’07” ; Ron Athey – Ron’s Story, 2001, 4’44”; Marcel.Li Antunez Roca – Epizoo, 1994, 8’29; Franko B – Don’t Leave Me This Way, 2009, 5’03”; Wafaa Bilal – On ‘Shoot An Iraqi’, 2007, 2’21”; Rocio Boliver – Times Go By and I Can’t Forget You: Between Menopause and Old Age, 2013, 4’18”; Cassils – The Powers That Be, 2016, 2’24”; Bob Flanagan – Cystic Fibrosis Song, 1990’s 1’32”; Regina Jose Galindo – Lucha, 2002, 3’37”; jamie lewis Hadley – this rose made of leather, 2012, 9’10”; Nicola Hunter & Ernst Fischer – Passion/Flower, 2012, 4’02”; Oleg Kulik – Dog House 1996, 4’10”; Martin O’Brien – Taste of Flesh, 2015, 2’59”; Kira O’Reilly – Wet Cup, 2000, 2’29”; ORLAN – Successful Operation, 1990, 6’16”; Petr Pavlensky – Radical Artist In Court – Ukraine Today News Item, 2015, 1’57”
Selected images from the exhibition Translated Acts, curated by Yu Yeon Kim at the Haus der Kulturen der Welt and the Queens Museum of Art in 2001.
This engaging study examines the issue of crisis in European performance since the collapse of global financial markets in 2008. The book’s chapters examine diverse performances of crisis primarily in three cities with a loaded past and present for Europe, as idea and geopolitical reality: London, Athens and Berlin.
Inckudes: A Conversation With My Father, Songs for Breaking Britain, Equations for a Moving Body.