In Spanish and English – re-catalogued on 24.11.2010
| Artist / Author | various |
|---|---|
| Editor | Roberto Pinto |
| Publisher | City Council of Milan |
| Reference | P1530 |
| Date | 2002 |
| Type | Publication |
Contemporary Theatre Review, Volume 31 Issue Number 4 November 2021
. An introduction to performance in the territory of art: far from proposing a linear history, the volume offers a series of thematic and transversal approaches to performance.
In Spanish.
Combines extracts from over 70 international practitioners, companies, collectives and makers from the fields of dance, theatre, music, live and performance art, and activism to form a sourcebook for students, researchers and practitioners.
Publication on the artistic research platform aiming to explore family relationships within the context of migration and to contribute to the development of telepresence (technologically mediated presence) as an artistic idiom.
Part of Library of Performing Rights (P3041).
Includes instructions from more than 35 artists’ walks along with a section that features the insights and philosophy of Elastic City Founder who spent 14 years presenting and refining walks. The section, titled ‘Creating Your Own Walk,’ covers conceptual, narrative and logistical concerns, how to encourage participation and how to best promote this work.
The essential reader for today's creative leaders and cultural practitioners, including original contributions by artists, scholars, activists, critics, curators and writers who examine the historical precedent of South Africa; the current cultural boycott of Israel; freedom of speech and self-censorship; and long-distance activism. It is about consequences and causes of cultural boycott.
Catalogue published to accompany the Serpentine Galleries Spring Season exhibitions (2 March – 21 May 2017).
Where does our current obsession for interactivity stem from? After the consumer society and the communication era, does art still contribute to the emergence of a rational society? Bourriaud attempts to renew our approach toward contemporary art by getting as close as possible to the artists works, and by revealing the principles that structure their thoughts: an aesthetic of the inter-human, of the encounter; of proximity, of resisting social formatting.
Challenging and re-positioning the traditional exhibition catalogue as an artwork and commission in its own right, the pub;ication takes its inspiration from the classic Pedro Almodóvar film on the occasion of the group exhibition, La Movida at HOME, Manchester (14 April – 17 July 2017).
Festival catalogue.
*currently unavailable*
Takes as a starting point the premise that art is best understood in dialogue with the social sphere, and examines how the exchange between art, knowledge and use has historically been set up and played out.
Examines the activist, participatory, coauthored aesthetic experiences being created in contemporary art. In a series of fifteen conversations, artists comment on their experiences working cooperatively, joined at times by colleagues from related fields, including social policy, architecture, art history, urban planning, and new media.
Part of the Study Room Guide on Live Art and Displacement (P3107).