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Catalogue > By Keyword > Claire Bishop

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Empty Stages, Crowded Flats: Performativity as Curatorial Strategy

Editor: Florian Malzacher and Joanna Warsza | Reference: P3272 | ISBN: 978-3-89581-443-3 | Type: Publication

Investigates an array of staged situations, from choreographed exhibitions, immaterial museums, theatres of negotiation, and discursive marathons, to street carnivals and subversive public-art projects, and asks how ‘theatre-like’ strategies and techniques can in fact enable ‘reality making’ situations in art, and how, as a consequence, curating itself becomes staged, dramatised, choreographed, and composed.

How to Frame - On the Threshold of Performing and Visual Arts

Editor: Barbara Gronau and Matthias von Hartz | Reference: P3162 | ISBN: Sternberg Press | Type: Publication

From 2012 to 2016, Foreign Affairs, the international performing arts festival of Berliner Festspiele, and the Berlin University of the Arts (UdK) have been investigating the relations between the performing and visual arts. The festival has continuously produced projects with international artists that experiment with various institutional frameworks. This book is both a question and a manual, collecting ideas, knowledge and experiences that stem from the theory and practices developed over the past few years.

What We Made: Conversations on Art and Social Cooperation

Artist/Author: Tom Finkelpearl | Reference: P3119 | ISBN: 978-0822352891 | Type: Publication

Examines the activist, participatory, coauthored aesthetic experiences being created in contemporary art.  In a series of fifteen conversations, artists comment on their experiences working cooperatively, joined at times by colleagues from related fields, including social policy, architecture, art history, urban planning, and new media.

Part of the Study Room Guide on Live Art and Displacement (P3107).

The Live Art Almanac Volume 4

Editor: Harriet Curtis, Lois Keidan and Aaron Wright | Reference: P3082 | ISBN: 978-1-78319-322-6 | Type: Publication

A collection of ‘found’ writings about and around Live Art that were originally published, shared, sent, spread and read between January 2012 and December 2014. Selected through recommendations and an open call for submissions, Volume 4 reflects the dynamic, international contexts that Live Art and radical performance-based practices occupy.

Protesting Exhibit B in London: Reconfiguring Antagonism as the Claiming of Theatrical Space

Artist/Author: Caoimhe Mader McGuinness | Reference: A0674 | ISBN: 1048-6801 | Type: Article

The article analyses discourses surrounding the cancellation of Brett Bailey’s performance by the Barbican in September 2014.

Revolutionary Time and the Avant Garde

Artist/Author: John Roberts | Reference: P2810 | ISBN: 978-1781689134 | Type: Publication

The first book of its kind to look at the legacy of the avant-garde in relation to the deepening crisis of capitalist non-reproduction.

The Fun: The Social Practice of Nightlife in NYC

Editor: Jake Yuzna | Reference: P2460 | ISBN: 9781576876596 | Type: Publication

Surveys the evolving and diverse nature of nightlife in New York profiling over 30 artists

The Live Art Almanac: Volume 3

Editor: Lois Keidan, Aaron Wright | Reference: P2250 | ISBN: 9781849433969 | Type: Publication

A collection of ‘found’ writings about and around Live Art that were originally published, shared, sent, spread and read between January 2010 and December 2011

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