Catalogue > By Keyword > Claire Bishop

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Empty Stages, Crowded Flats: Performativity as Curatorial Strategy

Editor: Florian Malzacher and Joanna Warsza | Reference: P3272 | ISBN: 978-3-89581-443-3 | Type: Publication

Investigates an array of staged situations, from choreographed exhibitions, immaterial museums, theatres of negotiation, and discursive marathons, to street carnivals and subversive public-art projects, and asks how ‘theatre-like’ strategies and techniques can in fact enable ‘reality making’ situations in art, and how, as a consequence, curating itself becomes staged, dramatised, choreographed, and composed.

How to Frame - On the Threshold of Performing and Visual Arts

Editor: Barbara Gronau and Matthias von Hartz | Reference: P3162 | ISBN: Sternberg Press | Type: Publication

From 2012 to 2016, Foreign Affairs, the international performing arts festival of Berliner Festspiele, and the Berlin University of the Arts (UdK) have been investigating the relations between the performing and visual arts. The festival has continuously produced projects with international artists that experiment with various institutional frameworks. This book is both a question and a manual, collecting ideas, knowledge and experiences that stem from the theory and practices developed over the past few years.

What We Made: Conversations on Art and Social Cooperation

Artist/Author: Tom Finkelpearl | Reference: P3119 | ISBN: 978-0822352891 | Type: Publication

Examines the activist, participatory, coauthored aesthetic experiences being created in contemporary art.  In a series of fifteen conversations, artists comment on their experiences working cooperatively, joined at times by colleagues from related fields, including social policy, architecture, art history, urban planning, and new media.

Part of the Study Room Guide on Live Art and Displacement (P3107).
 

The Live Art Almanac Volume 4

Editor: Harriet Curtis, Lois Keidan and Aaron Wright | Reference: P3082 | ISBN: 978-1-78319-322-6 | Type: Publication

A collection of ‘found’ writings about and around Live Art that were originally published, shared, sent, spread and read between January 2012 and December 2014. Selected through recommendations and an open call for submissions, Volume 4 reflects the dynamic, international contexts that Live Art and radical performance-based practices occupy.

Protesting Exhibit B in London: Reconfiguring Antagonism as the Claiming of Theatrical Space

Artist/Author: Caoimhe Mader McGuinness | Reference: A0674 | ISBN: 1048-6801 | Type: Article

The article analyses discourses surrounding the cancellation of Brett Bailey's performance by the Barbican in September 2014.

Revolutionary Time and the Avant Garde

Artist/Author: John Roberts | Reference: P2810 | ISBN: 978-1781689134 | Type: Publication

The first book of its kind to look at the legacy of the avant-garde in relation to the deepening crisis of capitalist non-reproduction.

The Fun: The Social Practice of Nightlife in NYC

Editor: Jake Yuzna | Reference: P2460 | ISBN: 9781576876596 | Type: Publication

Surveys the evolving and diverse nature of nightlife in New York profiling over 30 artists

The Live Art Almanac: Volume 3

Editor: Lois Keidan, Aaron Wright | Reference: P2250 | ISBN: 9781849433969 | Type: Publication

A collection of ‘found' writings about and around Live Art that were originally published, shared, sent, spread and read between January 2010 and December 2011

Living as Form : Socially engaged art from 1991 - 2011

Artist/Author: Various | Editor: Nato Thompson | Reference: P1920 | ISBN: 978-0-262-01734-3 | Type: Publication

Living as Form grew out of a major exhibition at Creative Time in New York City. Like the exhibition, the book is a survey of more than 100 projects that use aesthetics to affect social dynamics. Invited artists, organisers, and groups include: Ai Weiwei; Ala Plástica; Jennifer Allora and Guillermo Calzadilla; Lara Almarcegui and Begoña Movellán; Alternate ROOTS; Francis Alÿs; Appalshop; Claire Barclay; Barefoot Artists; Basurama; Marilyn Douala Bell and Didier Schaub; BijaRi; Stephen Biko and partners; Bread and Puppet Theatre; CAMP; Cemeti Art House; Mel Chin; Chto delat? (What is to be done?); Colectivo Cambalache; Phil Collins; Complaints Choir; Céline Condorelli and Gavin Wade; Cornerstone Theater Company; Minerva Cuevas; Cybermohalla Ensemble; Decolonizing Architecture; Jeremy Deller; Mark Dion, J. Morgan Puett, and collaborators; Fallen Fruit; Finishing School; Free Class Frankfurt/M.; Frente 3 de Fevereiro; Theaster Gates; Paul Glover; Josh Greene; Federico Guzmán and Alonso Gil; Fritz Haeg; Haha; Harlem (Election Night 2008); Jeanne van Heeswijk; Helena Producciones; Stephen Hobbs and Marcus Neustetter; Fran Ilich; Farid Jahangir and Sassan Nassiri, Bita Fayyazi, Ata Hasheminejad, and Khosrow Hassanzedeh; Kein Mensch Ist Illegal (No One Is Illegal); Amal Kenawy; Suzanne Lacy; Steve Lambert, Andy Bichlbaum of The Yes Men, and collaborators; The Land Foundation; Long March Project; Los Angeles Poverty Department; Rick Lowe; Mammalian Diving; Reflex/Darren O’Donnell; Mardi Gras Indian Community; Eduardo Vázquez Martín; Angela Melitopoulos; Zayd Minty; The Mobile Academy; Mongrel; Anthea Moys and Bronwyn Lace; Mujeres Creando; Vik Muniz; NSK (Neue Slowenische Kunst); Nuts Society; John O’Neal; Oda Projesi; Wendelien van Oldenborgh; Marion von Osten and collaborators; Park Fiction, part of the Right to the City Network Hamburg; Pase Usted; Piratbyrån (The Bureau of Piracy); Platforma 9.81; Public Movement; Pulska Grupa; Navin Rawanchaikul; Pedro Reyes; Laurie Jo Reynolds; Athi-Patra Ruga; The San Francisco Cacophony Society; Katerina edá; Chemi Rosado Seijo; Michihiro Shimabuku; Andreas Siekmann and Alice Creischer; Buster Simpson; Slanguage; Apolonija Sustersic; Tahrir Square (2011); Taller Popular de Serigrafía (TPS); Mierle Laderman Ukeles; Ultra-red; United Indian Health Services; Urban Bush Women; The U.S. Social Forum; Voina; Peter Watkins; WikiLeaks; Elin Wikström; WochenKlausur; Women on Waves.

The ‘do-it-yourself’ artwork: Participation from Fluxus to new media

Artist/Author: various | Editor: Anna Dezeuze | Reference: P1523 | ISBN: 9780719081446 | Type: Publication

The ‘do-it-yourself’ artwork: Participation from Fluxus to new mediaThis volume consists of fifteen essays by art historians, critics and curators, which are divided into three sections. Part 1 addresses the emergence of spectator participation in the 1960s, whilst Part 2 brings together in-depth case studies of specific participatory practices in the 1960s, 1970s and 1990s, analysing the issues that they raise in their very modes of operation. The more general critical essays in Part 3 map out a range of theoretical approaches to the ‘do-it-yourself’ artwork.