A unique insight into the relationship between Abramovic’s biography and artistic work.
Traces the many ways in which museums have approached performance works from the 1960s onwards, considering the unique challenges of documenting live events.
A dual catalogue and archival exposé that explores the pivotal exhibition, Coming to Power: 25 Years of Sexually X-Plicit Art By Women, originally curated by the late artist, Ellen Cantor, in 1993, along with its re-staging in 2016 by curator Pati Hertling and artist Julie Tolentino.
Part of the Library of Performing Rights (LPR) (P3041).
A study of installation art, from its marginalized beginnings in the late 1950s to its central position in today’s art world.
Whether he’s creating a dance composed solely of everyday actions, working with an ensemble of children, or running a “dancing museum,” Charmatz’s work experiments with the body as a vessel for subjectivity, history, and collective action.
Documenting a six-year relationship with photos, video stills, letters and ephemera, this book is a stunning, intimat, and wholly original visual narrative by two rising artists who put queer consciousness on the front burner.
On Marina Abramović’s Nude with Skeleton and other animations.
Examines the activist, participatory, coauthored aesthetic experiences being created in contemporary art. In a series of fifteen conversations, artists comment on their experiences working cooperatively, joined at times by colleagues from related fields, including social policy, architecture, art history, urban planning, and new media.
Part of the Study Room Guide on Live Art and Displacement (P3107).
Feature-length documentary film following Marina Abramovic as she prepares for a major retrospective of her work, taking place at the Museum of Modern Art in New York.
Interview with Iwona Blazwick. See also 11 Rooms Exhibition Catalogue (P1646) and The Artist is Present publication (P1613).