a little 46 page book of homemade lockdown porn, paired perfectly with crossbreed worlds instagram quarantine confessions series.
‘All the content in the book has been submitted by our community, it is entirely homemade. All profits from the sale of said book will be going to the charity
Refuge’
limited edition of 150 copies.
This story is a product of lockdown, of not being able to create gatherings and experiences with, and for, other people. It is an account of intensely personal histories and experiences, that usually stay behind the screens. It is also a document of the Heteraclub project and the safe space created there, in which hundreds of women shared their stories of love and pleasure.
Documentation of the event marking World AIDS Day. Included a screening of Ron Vawter’s performance at the ICA in 1993 as part of LIFT and a conversation between Neil Bartlett and Nancy Reilly.
Documentation of the evening which featured a screening of short films and performance documentation by artists working around ritual, performance and queer futurity.
Feminist science fiction that anticipates a post-patriarchal future.
A heady brew of feminist critique of the art world and extreme body horror.
Recounts Preciado’s transformation from Beatriz into Paul B., and examines other processes of political, cultural and sexual transition.
A document showing ways to prevent sexual violence and support survivors of sexual abuse.
Seeking to overthrow all constraints on what can be done with and to the body, Preciado offers a provocative challenge to even the most radical claims about gender, sexuality, and desire.
Draws on Wojnarowicz’s work to explore the role of abandoned landscape in this explosion of queer culture in NYC.
Part of the Library of Performing Rights (P3041).
Pleading in the Blood: The Art and Performances of Ron Athey presents the first critical overview of this major artist’s work. It demonstrates how Athey foresaw and precipitated the central place afforded they body and identity politics in art and critical theory in the 1990s and beyond.
Asking urgent questions about drag today, Louche takes a critical and constructive approach to queer performance culture: its past, present and future. Featuring contributions from over thirty artists, writers and illustrators.
Draws strength from conversations with the performance artist Ron Athey and readings from Illness as Metaphor, by Susan Sontag.
Please note that Queen Mary University of London holds the entire archive of the late artist.
A romantic exploration performance about love and human relationships.
Please note that Queen Mary University of London holds the entire archive of the late artist.
Fourth edition of the journal of sexuality and erotics.
A specially filmed conversation between Ron Athey and writer Jennifer Doyle. Filmed in LA for LADA Screens by Brittany Neimeth.
Part of LADA Screens 6.
Super 8 film was made at the Festival de l’Etrange, Vidéotheque de Paris. Produced by Homemade FIlms.
Part of LADA Screens 6.
A collection of secret stories exploring sexuality, vulnerability and desire, taken from interviews with butches, masculine women and gender rebels living worldwide.
Part of the Library of Performing Rights (P3041)
Edited in conversation with Krist Gruijthuijsen, the director of KW Institute for Contemporary Art in Berlin, to accompany the exhibitions ‘David Wojnarowicz Photography & Film 1978–1992’, ‘Reza Abdoh’, and ‘TIES, TALES AND TRACES: Dedicated to Frank Wagner, Independent Curator (1958–2016)’.
Asks whether, and how, it is possible to re-appropriate pornography and think through it critically and creatively for a project of liberation.
A graphic novel adaptation of the performance Splat! by The Famous.
A collection of texts and images on the bodies of artists and writers who battled with the frustration of their own physicality and whose work reckoned with these limitations and continued beyond them.
A unique resource for LGBT+ spiritual seekers who want to experience the sustaining energy and strength of the worldwide queer community.
Carolee Schneemann in conversation with Bonnie Marranca and Claire MacDonald
An important addition to Miller’s existing body of work, picking up from his show Lay of the Land and moving into his more recent piece, Rooted.
Part of Library of Performing Rights (P3041).
Examines how artists have combined performance and moving image in their work since the 1960s, and how this work anticipates our changing relations to images since the advent of smart phones and the spread of online prosumerism.
Includes a document with translations and the following performances:
1. En un fist fast
2. La caida del ser
3. Vigilia sex
4. Varios perfos expo
5. De docta ignor lombrices
6. De docta ignor desentarrarme
7. Pepafono 3 versiones
8. Ponme la mano aquí macorina
9. Sea anemone and the hermit crab
10. Embajadora de la buena voluntad
11. ¡Ah no!
12. Violence and tenderness
13. Cagandola a diestra y siniestra
14. Sweet sixteen
15. Times goes by and I can not forget you
Draws on the experiences and expertise of a wide range of lesbian practitioners and theorists to explore the impact and influences of sexuality and gender on performance.
Part of Library of Performing Rights (P3041).
The audience mingle with the performers on the performance floor, which might be a kind of soirée or Don Giovanni’s ball. In the glass cabinet.
A survey of visual art and alternative sexualities from the late nineteenth century to the present.
Examines sexuality, gender and race in Australia’s vibrant independent theatre and performance culture.
Part of Library of Performing Rights (P3041)
Features images from Yang’s personal archive and explores his self-portraiture across photography, performance and documentary.
Part of Library of Performing Rights (P3041)
Provides a survey of the history of first wave feminism in British theatre, from the London premiere of Ibsen’s A Doll’s House in 1889 through the militant suffrage movement.
Part of the Library of Performing Rights (P3041).
Highlights the critical role that performance played in the development of Latina/o queer public culture in the United States during the 1990s and early 2000s.
Part of the Library of Performing Rights (P3041).
Ruminates on the significance of physical and mental roaming for black freedom.
Part of the Library of Performing Rights (P3041).
The recent surge of interest in 1980s AIDS activists, shows how art can effect real change. Looking back also reveals how narrow current definitions of healthcare are and encourages us to agitate for a more diverse future.
Part of Library of Perfmorming Rights (P3041)
Discusses sex, desire and dating with leading figures from the trans and non-binary community.
Shows why cognitive injustice underlies all other dimensions; global social justice is not possible without global cognitive justice.
Cataloguing Pfahler's recent projects for the 2008 Whitney Biennial, the volume also features her most notorious body-art performances and pieces. Numerous full-bleed photographs capture the making of the Biennial artworks, the preparation for her live show, the performance itself and the aftermath.
Publication accompanying a survey exhibition of image-making, community activism and public works produced by the seminal AIDS activist art collective Gran Fury between 1987 and 1995.
In misc. folder 7.
Part of the Library of Performing Rights (P3041).
Four books published as part of STRONG LANGUAGE, published by Tim Etchells:
M John Harrison: Real Dreams
Courttia Newland: That Small Death
Joolz Denby: Dandelion
Selina Thompson: 12 Race Card Answers
Project publication. Explores possibilities of queer hospice concepts, and what they could mean for their wider surroundings. Reflections on the future correspond sharply with the spaces of their respective residency, the Diakonie, which aids people in very direct questions concerning their present situation.
Part of the Library of Performing Rights (P3041).
A free survival guide for queer and trans* young people; by Scottee, Travis Alabanza, Selina Thompson and Emma Frankland.
The final anthology in the trilogy looking at contemporary queer lives.
A programme of events exploring blood in performance for BLOOD: Life Uncut, a season of work for the new Science Gallery, London. Includes:
Janez Janša: Ron’s Story (5 minutes, 2001)
Ernst Fischer and Nicola Hunter: Passion/Flower (2012, 4 minutes)
Regina Jose Galindo: Who Can Erase the Traces (2003, 2 minutes), La
Sangre del Cerdo (2016, 8 minutes)
Franko B: I Miss You! (2003, 2 minutes)
Marisa Carnesky: Dr Carnesky’s Incredible Bleeding Woman (2016, 3 minutes)
jamie lewis hadley: this rose made of leather (2012, 10 minutes)
Kira O’Reilly: Wet Cup (2000, 3 minutes)
Martin O’Brien: If It Were The Apocalypse I’d Eat You To Stay Alive (2015, 8 minutes)
La Ribot: Another Bloody Mary (2000, 10 minutes)
Rocio Boliver: Times Go By and I Can’t Forget You: Between Menopause and Old Age (2013, 4 minutes)
31 artists, poets, performers and writers consider the experience of loneliness.