Contemporary Theatre Review, Volume 31 Issue Number 4 November 2021
Surveying the history of art, technology and information systems the books reveals the dark clouds that gather over discussions of the digital sublime.
Examining the opportunities presented by the real-time generation of new, relatively unregulated content online, this publication evaluates the prominent role that new media has come to play in artistic practices – and social movements – in the Arab world today.
Part of the Study Room Guide on Live Art and Displacement (P3107).
Examines the activist, participatory, coauthored aesthetic experiences being created in contemporary art. In a series of fifteen conversations, artists comment on their experiences working cooperatively, joined at times by colleagues from related fields, including social policy, architecture, art history, urban planning, and new media.
Part of the Study Room Guide on Live Art and Displacement (P3107).
Lonergan argues that social media is itself a performance space, analysing how it's used by both theatres and audiences and also in connection with each other.