Catalogue > By Keyword > La JohnJoseph

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In Other Words

Editor: Kate Marsh | Reference: P4193 | ISBN: 978-1-8380229-1-4 | Type: Publication

In Other Words is a collection of urgent reflections, created by 49 artists over 4 months in 2020 exploring their hopes and fears for the future at a time of global crisis. Through prose, poetry, drawing, collage and photography it is a clarion call for change from a diverse group rich in wisdom, shared experience, and what it means to be marginalised in the UK.

Dark Habits

Editor: Bren O’Callaghan and Sarah Perks | Reference: P3238 | ISBN: 9780993591235 | Type: Publication

Challenging and re-positioning the traditional exhibition catalogue as an artwork and commission in its own right, the pub;ication takes its inspiration from the classic Pedro Almodóvar film on the occasion of the group exhibition, La Movida at HOME, Manchester (14 April – 17 July 2017).

Live!Art

Editor: Owen G. Parry | Reference: P2828 | Type: Publication

Zine by Fan Riot Press, which explores the intersection of fan fiction, criticism and performance documentation.

Performance Matters – Potentials of Performance – PoP Responses and a conversation between the Perfo

Artist/Author: Nicola Cinibere, La JohnJoseph, Eirini Kartsaki, Harun Morrison, Joe Kelleher, Gavin Butt, Lois Keidan, Adrian Heathfield. | Reference: D2031 | Type: DVD

British Library Sound Archive recording and documentation of Potentials of Performance events (26-27 October 2012). This third themed year of the Performance Matters project features a vibrant series of commissions exploring and exploding the dialogue as a potential format for thinking through and testing possible futures. Specially invited respondents working across the creative and critical field of performance (Nicola Cinibere, La JohnJoseph, Eirini Kartsaki, Harun Morrison, Joe Kelleher) gather to reflect upon the works experienced over the two days. Following, an informal conversation between the projects co-directors (Gavin Butt, Lois Keidan, Adrian Heathfield) looking back at the three-year project, its insights and paradoxes, and looking forward to the future of performance.