This book is packed with thoughtful exercises distilled from twenty-five years of interdisciplinary artist workshops and teaching devising and performance making at universities in the United States and the United Kingdom. Created and curated by Leslie Hill and Helen Paris, artists who work internationally at the interface of academia and professional practice, this collection provides exercises for devising, composing, and editing original works.
Documentation from the evening in which the first recipient of the Arthole Artists’ Award, Marcia Farquhar, handed over the baton to the second recipient, Stacy Makishi.
Report about the Arts and Humanities Resarch Council funded prject.
Resisting the control of the image, transcending from the 2-dimensional, practicing being-a-body-in-the-world.
An anthology of Edward’s creative practice-led projects. Through the innovative practice of ‘mesearch’, in which the author is both theoriser and theorised, this study delivers a personal, creative narration, combining reflections and emotions in relation to self and performance.
Exhibition / project programme. Tempting Failure, 17-21 July 2018.
Combining philosophy and aesthetics, this is a unique exploration of creative practice as a form of thinking.
Based upon the Lexicon of Tanjas Ostojić (2011-17), an interdisciplinary participatory research art project that included academic and artistic research, five creative workshops, a number of public events, one group performance, and two exhibitions involving more then 30 women.
Case studies, workshops and surveys analyse the barriers and opportunities arts organisations face in playing a civic role.
Stages a beyond-disciplinary, inter-subjective encounter between the lines of choreography, drawing and writing, for exploring those forms of thinking-feeling-knowing produced through collaborative exchange, in the slippage and deviation as different modes of practice enter into dialogue, overlap, collide.
Examines the frustrations and limitations of conventional Western academic research on social change and describes the struggle to fashion a new approach based on the principle that people have a universal right to participate in the production of knowledge that directly affects their lives.
Part of the Library of Performing Rights (LPR) (P3041).
Special edition of performing arts magazine Frakcija, covering the Goat Island project When Will September Roses Bloom? Last Night was Only a Comedy.
Part of the Library of Performing Rights (LPR) (P3041).
Drawing threads from the meta to the micro level inevitably leads to a conversation about power – who has it, who doesn’t, who should have it, how it is adjudicated. TransActions #2 picks up on this context and sets out to pose questions for the field of socially-engaged art and education practice in 2017.
Lansley offers unique insight into the processes behind independent choreography and paints a vivid portrait of a rigorous practice that combines dance, performance art, visuals, and a close attention to space and site.
Correspondences exchanged between the two authors as part of the Performance and the Maternal project.
Includes essays by Phil Smith and Cathy Turner of Wrights and Sites, and a transcript of the talk given at the Hidden City Symposium in October 2008.
This richly illustrated catalogue presents a series of sequential color stills from each of twenty-one original Super 8 films that have been newly preserved and digitized in high definition for the 2015 exhibition, combined with related photographs, and reference still images from all of the artist’s 104 filmworks; together these illustrations sample the full range of the artist’s film practice from 1971 to 1981.
Exhibition dates: Katherine E. Nash Gallery, University of Minnesota: September 15 – December 12, 2015.
Published to mark the 20th century of the Arts Catalyst, this article showcases some of the institution's landmark projects. In misc folder 5A.
This report brings together the findings of a series of public and private meetings with artists, creative and cultural professionals, economists, business leaders and other stakeholders, backed up by targeted research.
Publication of the project Reloading Images: Damascus / Work in Progress 2008 bringing together cultural practitioners from Syria, Germany, Argentina, Spain, Italy, Turkey, USA, Egypt and Slovakia to discuss forms of artistic agency and work together on artistic projects taking the city of Damascus as a starting point.
In this publication, Platform draw together three compelling arguments for the withdrawal from BP-funding.
Catalogue documenting the work of American dancer and choreographer Richard Siegal and the artistic network called THE BAKERY.
Documents created by Open Dialogues at SHOW TiME no.3.
An interactive research model for creative practices.
Six international performance artists collaborate on a project exploring invisible disability through ‘living art' practice. CAUTION includes one DVD of video works and one CD of talking text.
Panel discussion: Part of PSi18 at University of Leeds 2012. Can be found in Digital Videos 12 folder
Documentation of the performances and presentations at Accion / Action MAD 09 festival in Spain. Participants: Eva Pérez (Valencia), Ryszard Piegza (Polonia), Antonio Gómez (España), nna Kalwajtys (Polonia), Isabel León (Cáceres), Angela García (Valencia), Guy Sioui Durand (Canadá), Carlos Felices (Madrid), J.M. Calleja (Mataró), Catie de Balmann (Francia) María Marticorena (A Coruña) John G. Boheme (Canadá), Esther Ferrer (España), Monika GUnther y Ruedi Schill (Suiza) AC La Muga Caula (Girona) Kai Lam (Singapur), Fernando Baena (Madrid) Kurt Johannessen (Noruega), Nezaket Ekici (Alemania) Denys Blacer (Reino Unido)
Documentation of the performances and presentations at Accion / Action MAD 08 festival in Spain. Participants: jacques van Poppel (Paises Bajos), Iris Nava (Mexico/Madrid), Helge Meyer (Alemania), Veltet & Crochet (Madrid), Eugenie Kuffler (Francia/USA), Carlos Llavata (Valencia), Nieves Correa (Madrid), Ben Patterson (Alemania/USA), Denys Blacker (Reino Unido/España), Pere Noguera (Girona), Angie Dight (Escocia), Pancho López (México), Mary Brennan (Escocia), Joan Casellas (Barcelona), Paco Nogales (Madrid), Analía Beltrán (Madrid), Belén Cueto (Madrid), Nikki Milican (Escocia)
Documentation of the performances and presentations at Accion / Action MAD 10 festival in Spain. Participants: Joan Casellas (Barcelona), Catie de Balmann (Francia), Guiuseppe Dominguez (Madrid), Marco Teubner (Alemania), Ana Matey (Madrid), Edu Hurtado (Bilbao), Revista Efímera (Madrid), Ornic’Art (Francia), Christopher Hewitt (Reino Unido), El Gato con Moscas (Madrid), Fiacha O’Donnell (Madrid), Federico Guardabrazo (Madrid), Beatriz Hoyos y Sara Laguna (Madrid), Darío Buñuel Fanconi (Madrid), Borja Gómez (Madrid), Zhou Bin (China), Rubén Barroso (Sevilla), Elvira Santamaría (México), Anti Festival (Kuopio, Finlandia), Gaetan Rusquet (Bélgica), Sandra Johnston (Irlanda del Norte), María Cosmes (Barcelona), Sierra Centro Arte (Huelva), Adina Bar On (Israel), Gwendoline Robin (Belgica), Domix Garrido (España), 10×10+1 Acción, Bartolomé Ferrando, Fabien Montmartin (Francia), Rosa Mesa (Canarias), Ana Oliva Higueras (Castellón), Isidoro Valcarcel Medina (Madrid), Llorens Barber (Valencia), Antti Laitinen (Finlandia), Rosa Galindo (Canarias), Concha Jerez y José Iges (Madrid)
SymbioticA is an artistic laboratory dedicated to the research, learning, critique and hands-on engagement with the life sciences. This item is referenced in the Dreams for an Institution Guide (P2313).
Collected during research trip to China and Hong Kong.
Collected during research trip to China and Hong Kong. February 2004.
This item is part of the Study Room Guide On Performance in China by Adele Tan (P1114)
TransLab Dialogues was a one-day forum organised by Performance Space, Sydney which took place at CarraigeWorks on 5 November 2009. 2 copies archived.
A collection of essays by international scholars that addresses the global development of performance research in the late twentieth and early twenty-first centuries. The collection functions as a critical reader on diverse approaches to studying performance that contest dominant paradigms of performance studies.