Exploration of violence and trauma in needcompany’s Marketplace 76.
*currently unavailable*
Takes as a starting point the premise that art is best understood in dialogue with the social sphere, and examines how the exchange between art, knowledge and use has historically been set up and played out.
Includes the pieces: Hoke’s Bluff, Slap Talk, Watch Me Fall, A Western, Frontman and Extraordinary Rendition.
A stimulated debate on notions of trust and dialogue and their interrelations
Part of the Trashing Performance programme – the second year of Performance Matters – 25-29th October 2011.
Article on Tadeusz Kantor.