Videos by artists about the Live Art Development Agency. Including 10 commissioned films by artists marking LADA’s 10th anniversary in 2009.
Brochure for the Live Art programme at the Liverpool Biennial 2002 (18-21 September).
Challenging and re-positioning the traditional exhibition catalogue as an artwork and commission in its own right, the pub;ication takes its inspiration from the classic Pedro Almodóvar film on the occasion of the group exhibition, La Movida at HOME, Manchester (14 April – 17 July 2017).
A collection of ‘found’ writings about and around Live Art that were originally published, shared, sent, spread and read between January 2012 and December 2014. Selected through recommendations and an open call for submissions, Volume 4 reflects the dynamic, international contexts that Live Art and radical performance-based practices occupy.
On Thursday October 2, 2014, LADA presented ALAG, its first-ever fundraising event, which took place at the Royal Vauxhall Tavern in London.
1:41
Review of Vason's book, published by the Live Art Development Agency and Intellect Books.
This anthology examines the expanded field of the moving image in recent art, tracing the genealogies of contemporary moving image work in performance, body art, experimental film, installation and site-specific art from the 1960s onwards.
Programme for home's comissions, exploring the multicultural richness of cooking in the UK.
The present interview is a discussion about Oreet Ashery’s diverse body of work with a focus on the most recent work Party for Freedom. It offers a clear trajectory of the artist’s early stages of work till the present and gives an account of certain creative strategies that Ashery has developed through her practice.
Double Exposures is a new collaborative venture between Manuel Vason and forty of the most visually arresting artists working with performance in the UK.
Documentation of The Subjectivity and Feminisms Research Group's Performance Dinners, in which artists and academics are invited to 'perform' their response to the evening's theme, addressing the relationship between subjectivity and the artwork, particularly in regard to feminist theories. Contributors: Mo Throp, Maria Walsh, Verina Gfader, Georgina Starr, Kate Smith, Leda Papaconstantinou, Monika Oechsler, Katherine Meynell, Despina Meimaroglou, Rebecca Fortnum, Sutapa Biswas, Laura Malacart, Catherine Maffioletti, Claire MacDonald, Dominika Kieruzel, Susan Kelly, Rebecca Hallifax, Lucy Gunning, Fran Cottell, Brian Dawn Chalkley, Jo Bruton, Katie Baker, Gill Addison, Claudia Kappenberg, Celestin Edwards, Maria Walsh, Sarah Tremlett, Ana Laura Lopez de la Torres, Sissu Tarka, Sarah Smith, Lucy Reynolds, Anita Ponton, Susannah Pal, Jo Mitchell, Catherine Maffioletti, Claire Walsh, Marcia Farquhar, Sharon Bennett, Oreet Ashery, Yolande Burgin, Rose Cronin, Elisha Foust, Oriana Fox, Dominika Kieruzel, Elena Loizidou, Kristen Lovelock, Caroline Smith
A small selection of study boxes curated by Live Art Development Agency for the Live Collision Festival in Dublin, April 2014. Boxes were based around live art history, disability, activism, bodily functions, race, queer performance.
Themed collections of performance documentation and works for camera projects addressing issues of borders/border crossings
Boxset contains 40 DVDS documenting public events with contextualising texts. Shelved in Oversize section.
This Study Room Guide is concerned with journeys as an emerging trend in Live Art. A significant number of artists, practitioners and companies are currently incorporating travel into their work and using journeys in a variety of different ways.
Sacred at Chelsea Theatre: Bodily Functions – The Body in Performance, selected highlights of documentation of the body in performance from the Live Art Development Agency Study Room and Documentation Bank. This item is part of the Study Room Guide On shit, piss, blood, sweat and tears by Lois Keidan (P2195)
Part of the Trashing Performance programme – the second year of Performance Matters – 25-29th October 2011.
Art Gwangju 2011 Live Art Development Agency screening programme – a small selection of artist’s films from LADA’s documentation bank
*currently unavailable*
2nd-21st March 2010
Part of the ‘Documentation Bank’ Collection, an extensive range of artists’ ‘Talking Heads’, documentation of key works, and a selection of Agency projects: http://www.thisisliveart.co.uk/resources/collections/documentation-bank.
‘Talking Heads’ are short presentations by artists to camera about their practice and approaches to making. The ‘Talking Heads’ films are part of the Agency’s ‘Documentation Bank’ Collection, which consists of an extensive range of artists’ ‘Talking Heads’ films, documentation of artists’ works and a selection of Agency projects: http://www.thisisliveart.co.uk/resources/collections/documentation-bank.
One thing that all Kontejner’s projects have in common, at least from an entirely subjective viewpoint, is precisely that very direct, unequivocal focus on that which is “human, all too human” or phenomena that coexist with the standards of humanity. In this sense, Kontejner’s work is a permanent cabaret with acts that deal with the transgression of social conventions, with passions and fears related to machines and cybernetic mechanisms, obsessions with sensual pleasures and obstacles that prevent us from indulging in them…- Maroje Mrduljas, architecture and design critic, Zagreb.
National Review of Live Art: The 30th Edition,
Audio CD of Symposium and performances for Performing Idea.Track List:
Publication in French
Programme for Orduithe: [email protected] Galway, Ireland 2010. Curated by Andrew Mitchelson.
Curated by the Live Art Development Agency for Liveworks, at Performance Space Sydney 10 – 14 November 2010.
‘Talking Heads’ are short presentations by artists to camera about their practice and approaches to making. The ‘Talking Heads’ films are part of the Agency’s ‘Documentation Bank’ Collection, which consists of an extensive range of artists’ ‘Talking Heads’ films, documentation of artists’ works and a selection of Agency projects: http://www.thisisliveart.co.uk/resources/collections/documentation-bank.
Offers a series of reflections on a number of performances created by artists for an 'audience of one'.
Presented in a specially designed box and cellophane wrapped. Shelved in Oversize publications section.
This item is part of the Study Room Guide On shit, piss, blood, sweat and tears by Lois Keidan (P2195)
Guide to UK companies and artists creating work available for international touring.
Guide to UK companies and artists creating work available for international touring.
Video documentation of a debate exploring the ways in which artists can create new work with individuals and groups understood to be socially excluded and vulnerable.
Part of Sacred Season at the Chelsae Theatre, 28 April – 10 May 2008 (For full programme see REF. P1132).
This item is referenced in the Making Routes Study Room Guide (P1964) and the Study Room Guide in Search of a Documentology by Marco Pustianaz (P1115)
This item is part of the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)
Series of 3 calendars: It can only be attributable to human error, A Different Space For A Different Body and …under my skin.
Shelved in Oversize publications section.