Documentation of the 12 hour group performance in Kilmainham Gaol, Dublin in May 2016. Part of LADA Screens.
Part of the Library of Performing Rights (P3041).
The preeminent posthumanist shows how the history of Western civilization can be read as a suppression and return of rage.
Combines performance analysis with contemporary political philosophy to advance new ways of understanding both political performance and the performativity of the politics of the street.
Published on the occasion of the Idit Elia Natham exhibition at Standpoint Gallery, London. 16 January – 14 February 2015.
Part of the Library of Performing Rights (LPR) (P3041).
The essential reader for today's creative leaders and cultural practitioners, including original contributions by artists, scholars, activists, critics, curators and writers who examine the historical precedent of South Africa; the current cultural boycott of Israel; freedom of speech and self-censorship; and long-distance activism. It is about consequences and causes of cultural boycott.
A kitsch video featuring the artist as a Mexican gunslinger arriving in Bethlehem for a duel with the Israeli Wall. Wearing a big sombrero and a scarf, the artist walks the streets of Bethlehem and greets the locals before taking off for her final showdown.
Part of the Library of Performing Rights (LPR) (P3041).
Exploring theater works created for, by, and with refugees, this hybrid collection of essays combines newly commissioned scholarly work with examples of writing by refugees themselves.
Part of the Study Room Guide on Live Art and Displacement (P3107).
Catalogue of the show Lines of Division at The Rubin Center.
Part of the ‘Documentation Bank’ Collection, an extensive range of artists’ ‘Talking Heads’, documentation of key works, and a selection of Agency projects: http://www.thisisliveart.co.uk/resources/collections/documentation-bank.