Brings together established and emerging practitioners who work with light, as material or subject.
Ten transformative local arts projects come alive in this comics-illustrated training manual for youth leaders and teachers.
Part of the Library of Performing Rights (LPR) (P3041).
Report by the 2016 Travel Fellowship holder.
Report by the 2016 Travel Fellowship holder.
Examines the activist, participatory, coauthored aesthetic experiences being created in contemporary art. In a series of fifteen conversations, artists comment on their experiences working cooperatively, joined at times by colleagues from related fields, including social policy, architecture, art history, urban planning, and new media.
Part of the Study Room Guide on Live Art and Displacement (P3107).
Leading scholars, artists, and activists examine the role of the arts in articulating the social agendas of urban mega-events like Olympic Games and World Expos.
Catalogue from the first retrospective to present the wide-ranging work of the Chicano performance and conceptual art group Asco. Exhibition held at the Los Angeles County Museum of Art (September – December 2011) and Williams College Museum of Art (February – July, 2012).
Volume largely focused on funding and the survival of the arts.
This visual report is the result of a series of public works wherein Jonas Staal and Harmen de Hoop used each other as performers for their work.
Recording of William Pope.L’s intervention at Live Culture, a programme of Live Art performances, debates and presentations curated by Lois Keidan and Daniel Brine of the Live Art Development Agency and Adrian Heathfield.
Collection of images and documentation for Choi Jeong Hwa's first UK solo show in Wolverhampton Art Gallery, 2007. Shelved in Oversize publications section.
Artist-in-residence project on Cabot Circus building site, Bristol. Includes DVD.
Artist book documenting the Wrights and Sites’s public art project commissioned as part of Sea Change programme, a national initiative to support the rivitalisation of British seaside towns in 2010. Includes found material, photographs and conversations exploring the context of regeneration in contemporary art practices. Includes press release leaflet.
The CD includes a powerpoint presentation of the work by the Irish/Canadian artist and a short biography and artist statement.
Documentation of a public art project on the Greenwich Peninsula, created by artist Kerry Morrison in collaboration with local residents, schoolchildren and their families, as part of Stream’s Peninsula programme of commissions.
Book examining the changing attitudes toward the city as the site for public art.
A critical framework for understanding and interpreting the new public art that has emerged over the last two decades. Featuring twelve essays from editor Suzanne Lacy: and eleven eminent artists, curators, and critics. Chapters titled as follows: An Unfashionable Audience, Public Constructions, Connective Aesthetics: Art After Individualism, To Search for the Good and Make It Matter, From Art-mageddon to Gringostroika: A Manifesto against Censorship, Looking Around: Where We Are, Where We Could Be, Whose Monument Where? Public Art in a Many-Cultured Society, Common Work, by Jeff Kelley, Success and Failure When Art Changes, Word of Honor, Debated Territory. This item is referenced in the Dreams for an Institution Guide (P2313).
Investigation into collective and collaborative creative practice of marginalised artists of the art world.Reverend Billy Talent and the political economy of the art world. This article is referenced in the Platform Study Room Guide (P1820) and can be found in the Miscellaneous Articles 4 Binder.
Practice Based Research into Cultural Democracy and the Commissioning of Art to Effect Social Change.
Presentation transcript. In Miscellaneous Articles 3.
Beatrice Pepper Velloso, visual artist and professor at the School of Fine Arts, Federal University of Rio de Janeiro. Language: Portuguese
On the nature of public art. Shelved in Oversize publications section (1 of 2 boxes)
On the nature of public art. Shelved in Oversize publications section (1 of 2 boxes)
Notes, essays and interviews are arranged under three headings, ‘Under Consideration’, ‘Artists in their Own Words’, and ‘Notes from the Studio’.
As the Creative City model for urban regeneration founders on the rocks of the recession, and the New Labour public art commissioning frenzy it triggered recedes, the authors take stock of an era of highly instrumentalised public art making.
single page, double sided – find in misc. folder 2
Documentary of the workshop programme at South London Gallery. 16:23 mins.
Documentary of the workshop programme in Rio. 17:23 mins.
On public art in the YSP.
Short extracts from the artist’s work between 2003 and 2006.
Audio recordings taken from the homonymous project by poet Simon Armitage. Accompanying publication REF. P1208.
Documentation of four performance interventions at various sites in London
Publication accompanying the permanent public realm sculpture project for Shoreditch Park and Mabley Green. Accompanying video documentation REF. D1038.
Limited edition print of an artwork commissioned by In Certain Places, a temporary public art programme. Second in a set of three.
Guide accompanying the exhibition and auction of works dedicated to the 100th anniversary of the roundel.
Limited edition print of an artwork commissioned by In Certain Places, a temporary public art programme. First in a set of three.
Publication documenting the projects and proposals for the installation of permanent and temporary public art on stations, trains and public spaces.
Shelved in Oversize publications section. This item is part of the Study Room Guide On Social Engagement and Participation by FrenchMottershead (P1290)
Produced for Spasm II public art festival /XXXmissing/
An anthology from High Performance Magazine 1978 – 1998.