Published on the occasion of the Idit Elia Natham exhibition at Standpoint Gallery, London. 16 January – 14 February 2015.
Part of the Library of Performing Rights (LPR) (P3041).
The essential reader for today's creative leaders and cultural practitioners, including original contributions by artists, scholars, activists, critics, curators and writers who examine the historical precedent of South Africa; the current cultural boycott of Israel; freedom of speech and self-censorship; and long-distance activism. It is about consequences and causes of cultural boycott.
A kitsch video featuring the artist as a Mexican gunslinger arriving in Bethlehem for a duel with the Israeli Wall. Wearing a big sombrero and a scarf, the artist walks the streets of Bethlehem and greets the locals before taking off for her final showdown.
Part of the Library of Performing Rights (LPR) (P3041).
The essay interrogates Hadas Ophrat's piece Insomnia.
A series on Performance and the Creative Transformation of Conflict, describing peacebuilding performances in regions beset by violence and internal conflicts. The first volume emphasizes the role theatre and ritual play both in the midst and in the aftermath of direct violence.
Part of the Study Room Guide on Live Art and Displacement (P3107).
The book looks at theatre and performances that often occur quite literally as bombs are falling, as well as during times of ceasefire and in the aftermath of hostilities. Includes interviews with artists, short play extracts, and photographs.
Part of the Study Room Guide on Live Art and Displacement (P3107).
Assemblage reflects interdisciplinary aesthetic practices that call attention to displacement as a disruption in the continuity of place, relationships, identity, movement, memory, and time resulting in a collage of preserved artefacts and mediated possibilities.
In misc folder 7.
Part of the Study Room Guide on Live Art and Displacement (P3107).
Exploring feminist artistic reponses to the specificity of women’s suffering in war, through the work of Sandra Johnston, nichola feldman-kiss and Rehab Nazzal.
A collection of contemporary food writing by a star cast of authors, including Nigella Lawson, Anthony Bourdain, Jane Grigson, Umberto Eco, Alice Walker, and Isabel Allende.
Video excerpt of the performance examining the relations between classic plays and the contemporary reality in Israel”.
A collection of essays by international scholars that addresses the global development of performance research in the late twentieth and early twenty-first centuries. The collection functions as a critical reader on diverse approaches to studying performance that contest dominant paradigms of performance studies.
…and Sometimes Doing Something Political Can Become Poetic.
An extension of Alÿs’s previous projects called “Paseos” (Spanish for “walks”), where the artist carries out certain acts while walking through a predetermined location
Book includes a DVD. This item is referenced in the Making Routes Study Room Guide (P1964).
A year long collaboration between the artists supported by British Council’s Creative Collaboration programme and Arts Council England, March 09 – March 10.
Promotional material of the artist’s work.
Booklet documenting the homonymous exhibition. Intro by Maayan Amir.
A gathering especially created for Performing Rights to celebrate a symbolic home coming to all those who can not return home; inspired by 14 months in late 1940s, when 369 Palestinian villages were eradicated.
From PSI 12.
Part of the Library of Performing Rights (LPR) (P3041).
Exhibition catalogue. OK Centre for Contemporary Art, Linz, Austria, 2003