Newspaper format catalogue. White Columns, New York, 13 September – 20 October 2002.

Embraces the messiness and daily action of the maternal and strives to nurture an understanding of daily maternal practice.

Publication on four walks commissioned by SPACE, which provided the chance to discuss the many and varied viewpoints related to the commons, including resource, community and the process of commoning. This edition includes an essay written by Maru Rojas in response to the project and the commons.

Examines the activist, participatory, coauthored aesthetic experiences being created in contemporary art.  In a series of fifteen conversations, artists comment on their experiences working cooperatively, joined at times by colleagues from related fields, including social policy, architecture, art history, urban planning, and new media.

Part of the Study Room Guide on Live Art and Displacement (P3107).
 

The first work to critically examine the dilemmas and promises of representing feminist motherhood in contemporary art and visual culture.

Part of Live Art and Motherhood: A Study Room Guide on Live Art and the Maternal (P3025).

This publication charts very different tactics and strategies, written by practitioners from all over the world, mapping the broad field of engaged art and artistic activism in our times. Essays by Stephen Duncombe & Steve Lambert, Alanna Lockward, Florian Malzacher, Chantal Mouffe, Gerald Raunig and Jonas Staal.

A detailed study of the role women artists played in the develpment and expansion of performance art

Book examining the changing attitudes toward the city as the site for public art.

Confronts the effects of modernism on society and proposes a remedy based on a redefinition of our art and culture.

This item is referenced in the Dreams for an Institution Guide (P2313).

This item is part of the 'Glimpses of before: 1970s UK Performance Art' Study Room Guide by Helena Goldwater (P2497)

Part of LADA Professional Development Program Restock, Rethink, Reflect

Survey of key work by artists who have used their own body to create their art, from the 1940s to the 1990s. With introductory essays by Tracey Warr and Amelia Jones. Includes biographical information on contributors. This item is part of the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)