Newspaper format catalogue. White Columns, New York, 13 September – 20 October 2002.

Embraces the messiness and daily action of the maternal and strives to nurture an understanding of daily maternal practice.

Publication on four walks commissioned by SPACE, which provided the chance to discuss the many and varied viewpoints related to the commons, including resource, community and the process of commoning. This edition includes an essay written by Maru Rojas in response to the project and the commons.

Examines the activist, participatory, coauthored aesthetic experiences being created in contemporary art.  In a series of fifteen conversations, artists comment on their experiences working cooperatively, joined at times by colleagues from related fields, including social policy, architecture, art history, urban planning, and new media.

Part of the Study Room Guide on Live Art and Displacement (P3107).

The first work to critically examine the dilemmas and promises of representing feminist motherhood in contemporary art and visual culture.

Part of Live Art and Motherhood: A Study Room Guide on Live Art and the Maternal (P3025).

This publication charts very different tactics and strategies, written by practitioners from all over the world, mapping the broad field of engaged art and artistic activism in our times. Essays by Stephen Duncombe & Steve Lambert, Alanna Lockward, Florian Malzacher, Chantal Mouffe, Gerald Raunig and Jonas Staal.

A detailed study of the role women artists played in the develpment and expansion of performance art

Book examining the changing attitudes toward the city as the site for public art.

Living as Form grew out of a major exhibition at Creative Time in New York City. Like the exhibition, the book is a survey of more than 100 projects that use aesthetics to affect social dynamics.

Confronts the effects of modernism on society and proposes a remedy based on a redefinition of our art and culture.