Includes: Pride (poem), Alter treego (poem), Fat Kid Manifesto (poem, extract from Fat Kid Running), Daring the City to Fall into it (poems + a short story), No guilt in Pleasure (zine)

Drawing together communiques, covert interviews and underground histories of introvert struggles (Introfada), here for the first time is a detailed documentation of the political demands of shy people. 

Signed copy.

Maps the vast stretch of urban settlement outside London bounded by the M25.

The 7th issue of the newspaper is the first one to focus on a region; it commits to reconsidering Americas colonial stories and their marks on its present global condition. In multiple languages.

Part of the Library of Performing Rights (P3041)

Doctoral thesis printed in limited edition of 20 copies; focuses on performative practices and the performativity of artists and their activist counterparts in the Umbrella Movement (2014).

Part of the Library of Performing Rights (P3041)

Invited to exhibit at the 56th Venice Biennale, e-flux journal produced a single issue over a four-month span, publishing an article a day both online and on site from Venice.

The universal basic income idea is, overall, profoundly performative, in that it attempts to model the ultimate pragmatism of wider social nets of generosity, and does so by representing the embodied conditions that might be brought into being by such generosity. In this way, the utopian heuristic of an unconditional, guaranteed income is said to be an ‘instrument of freedom’ and a ‘device for economic sanity’. The question is though, as is often the case: freedom and sanity for whom?

Part of the Library of Performing Rights (P3041).

Provides a historical overview of feminist strands among the modern revolutionary movements of Russia, China and the Third World.

The essential reader for today's creative leaders and cultural practitioners, including original contributions by artists, scholars, activists, critics, curators and writers who examine the historical precedent of South Africa; the current cultural boycott of Israel; freedom of speech and self-censorship; and long-distance activism. It is about consequences and causes of cultural boycott.

An offline version of the website www.justfornow.net in March 2004. 

Part of the Library of Performing Rights (LPR) (P3041).

This publication examines the connection between Fluxus artists such as George Maciunas, Geoffrey Hendricks, Al Hansen and Ben Patterson, and Romantics such as Caspar David Friedrich and Ludwig Tiek.

Documentation of projects investigating environments for societal production of civic understanding through a series of durational performances that encouraged discursive public encounters in civic squares and related urban environments.

This publication offers a record of the counterculture work of the The San Francisco Diggers – a troupe of anarchists, with roots in the Theater of the Absurd, Existentialism, and strategies of direct action.

British Library Sound Archive recording and documentation of Potentials of Performance events (26-27 October 2012). This third themed year of the Performance Matters project features a vibrant series of commissions exploring and exploding the dialogue as a potential format for thinking through and testing possible futures. This project examines the ‘potentials’ of fat bodies in terms of the cultural and medical discourses that surround and speak of, for, and over them. The audience is invited to take a journey with three fat activists through a number of imagined ‘fat futures’ – both dystopian and utopian, that take the current Obesity Epidemic to its extremes.

A book-film – text with DVD. NOTE: text is in French, DVD in both English and French.

Booklet published in occasion of ‘justfornow' an exhibition by Monica Ross at The Hatton gallery, March-May 2004. This item is part of the Study Room Guide in Search of a Documentology by Marco Pustianaz (P1115)

Part of the Library of Performing Rights (LPR) (P3041).

A recitation of the Universal Declaration of Human Rights as an act of memory.

National Review of Live Art, February 2008; Disc 2 of 2, see REF. D1101/D1102.

A recitation of the Universal Declaration of Human Rights as an act of memory.

National Review of Live Art, February 2008;

Disc 1 of 2, see REF. D1101/D1102.