On Tino Sehgal’s Ann Lee and the robotisation of the ageing body.
An important addition to Miller’s existing body of work, picking up from his show Lay of the Land and moving into his more recent piece, Rooted.
Part of Library of Performing Rights (P3041).
A collection of music and words created in MiD workshops.
Part of the Library of Performing Rights (P3041)
Explores Englishness, pseudo public space and what it is to be considered an unwelcome migratory visitor in contemporary Britain through the eyes of a particularly pesky Muscovy duck.
Part of the Library of Performing Rights (P3041).
Witchy femmes, queer conjurers, and magical rebels on summoning the power to resist.
A detailed record of the years the artist spent researching professional mourning, which culminated in a performance co-commissioned by the Park Avenue Armory and Artangel.
Part of the Library of Performing Rights (LPR) (P3041).
Compiles the correct answers of six UK naturalisation exams.
Part of the Library of Performing Rights (LPR) (P3041).
On Australian dance.
A collection of Wodiczko's writings on his projects.
Part of the Library of Performing Rights (LPR) (P3041).
Documentation from the DIY 14 project, exploring how personal documents and performance can animate each other within a specific context of travelling and migration.
Documentation (Power Point) from the DIY 12 project, a developmental exercise exploring the concept of returning to what one understands as “home”
A performance based on interviews with migrants to Austria.
Artist book. Text in German.
Part of the Library of Performing Rights (LPR) (P3041).
On Present, a 5 day performance at the Stanley Picker Gallery. Oversized item.
On negotiating consent and ethics in autobiographical performance. With contributions from Mary Pearson.
From the special issue: Cultural Memory and the Remediation of Narratives of Irishness. In misc folder 7.
Examines the activist, participatory, coauthored aesthetic experiences being created in contemporary art. In a series of fifteen conversations, artists comment on their experiences working cooperatively, joined at times by colleagues from related fields, including social policy, architecture, art history, urban planning, and new media.
Part of the Study Room Guide on Live Art and Displacement (P3107).
Artist book published as a follow up to the eponymous exhibition; the book presents around 20 art projects realised between 2000 and 2008.
Kunstpavilion Innsbruck, 19 September – 8 November 2008.
Part of the Study Room Guide on Live Art and Displacement (P3107).
The book suggests new narratives about canonical artworks of the British Black Art movement, such as Lubaina Himid’s Freedom and Change, Eddie Chambers’ Destruction of the National Front and Sonia Boyce’s Lay Back Keep Quiet and Think of What Made Britain So Great, interrogating their critical agency from an art-historical perspective.
Exploring feminist artistic reponses to the specificity of women’s suffering in war, through the work of Sandra Johnston, nichola feldman-kiss and Rehab Nazzal.
An in-depth research on the theme of borders and motherhood.
Part of Live Art and Motherhood: A Study Room Guide on Live Art and the Maternal (P3025).
How are hybrid and diasporic identities performed in increasingly diverse societies? How can we begin to think differently about theatrical flow across cultures?
Short and long trailer for Performing Rights, a festival of creative dialogues between artists, academics, activists, and audiences investigating relationships between human rights and performance.
The London-based artist whose family immigrated to England from Russia discusses naming, identity, place and memory in relation to her work, and how we are all each other’s archives and legacies.
An analysis of Araeen's performance Paki Bastard (Portrait of the Artist as a Black Person) and journal Black Phoenix.
Found in miscellaneous article folder #5A
This item is part of the 'Glimpses of before: 1970s UK Performance Art' Study Room Guide by Helena Goldwater (P2497)
A book on the work of Pakistani artist and writer who has been based in London since 1964. The volume brings together a selection of his articles, essays and correspondence with gallery directors and funding bodies, interspersed with documentation of his multi-disciplinary work. Introduction by art critic Guy Brett.
This item is part of the ‘Glimpses of before: 1970s UK Performance Art’ Study Room Guide by Helena Goldwater (P2497)
Six part anthology with chapters on the work of the Black Theatre Forum and the histories of Black and Asian theatres, histories of the major theatre companies, a document of the Sikh diaspora’s uproar over Behzti and issues of censorship, a critical interrogation of several dramatists and autobiographical essays by theatremakers.
This item is part of the ‘Glimpses of before: 1970s UK Performance Art’ Study Room Guide by Helena Goldwater (P2497)
Sheren explores performance art and politics on the US Frontera since 1984. Beginning with a political history of the border, with an emphasis on the Chicano movement and its art production, Ila Sheren explores the forces behind the shift in thinking about the border in the late twentieth century.
A performance document of a project that took place at West Everton Community Council in Liverpool, April 2011 (funded by Arts Council England). The piece was conceived as a ‘community exam’ where the audience members took the ‘Life in the UK’ test – an obligatory test for all immigrants applying for British citizenship and for Indefinite Leave to Remain.
Part of “Negación y Utopía” (“Nagation and Utopia”), the first National Festival of Performance of Mexico, 6-29 November 2013, a platform showcasing work on Mexican identity and multicultural hybrids. This documentation includes recordings of the performance, exerpts, and interviews with the artist. Spanish language.
Trans Bodies, Trans Selves is a revolutionary resource-a comprehensive, reader-friendly guide for transgender people, with each chapter written by transgender or genderqueer authors
Documentary on artist duo Mau Wal.
Duckie, Royal Vauxhall Tavern, full documentation of 10 critical performance/essays on: Celebrity (3 parts), Cookery (3 parts), Crime & Punishment (3 parts), Immigration (3 parts), Dogging (3 parts), Media Studies (3 parts), HIV unt AIDS (3 parts), The Women's Issue (4 parts), Antiques Roadshow (3 parts), Alcoholism (4 parts). David Hoyle, includes video projections and live performance. This item is part of the Study Room Guide On shit, piss, blood, sweat and tears by Lois Keidan (P2195). This item can be found in the locked glass cabinet.
Part of the ‘Documentation Bank’ Collection, an extensive range of artists’ ‘Talking Heads’, documentation of key works, and a selection of Agency projects: http://www.thisisliveart.co.uk/resources/collections/documentation-bank.
Part of the ‘Documentation Bank’ Collection, an extensive range of artists’ ‘Talking Heads’, documentation of key works, and a selection of Agency projects: http://www.thisisliveart.co.uk/resources/collections/documentation-bank. This item is part of the Study Room Guide On shit, piss, blood, sweat and tears by Lois Keidan (P2195)
This item is part of the Study Room Guide On shit, piss, blood, sweat and tears by Lois Keidan (P2195)
Contaminate the city was a workshop formulated to explore site-specific and participatory performance practice.
Fresh Tips 1 – 8
An unofficial guide for Romanians seeking to enter and work in the United Kingdom illegally. Part of The Irresistible Force, Tate Modern 2007. This item is part of the Study Room Guide On Social Engagement and Participation by FrenchMottershead (P1290)
A Spanglish music drive-by that rifles on media as religion. 10 tracks.
Participants co-create a new passport. Video documentation of NRLA (National Review of Live Art) 2008; 10 Feb 2008
Video documentation of a project using web-cam technology to explore the relationship between the familiar and the uncanny. 2008 S.L.O. Project.