A Way Away uses the mode of correspondence course to explore ideas around distance – spatial and temporal, physical and social, imagined and real.
Publication on the artistic research platform aiming to explore family relationships within the context of migration and to contribute to the development of telepresence (technologically mediated presence) as an artistic idiom.
Part of Library of Performing Rights (P3041).
Celebrates whales in verse and photographs, and in an anthology of prose writings from the worlds of science and literature.
Combining philosophy and aesthetics, this is a unique exploration of creative practice as a form of thinking.
This Study Room Guide is concerned with journeys as an emerging trend in Live Art. A significant number of artists, practitioners and companies are currently incorporating travel into their work and using journeys in a variety of different ways.
Through the summer of 2002, members of Forced Entertainment undertook a series of journeys, each travelling alone to locations in the UK to complete tasks determined only partially in advance.
This item is referenced in the Making Routes Study Room Guide (P1964).
Handbook of recollections and practical exercises exploring the art of walking and its modern uses. This item is referenced in the Making Routes Study Room Guide (P1964).
Documentary film telling the story of the 2009 journey Heave. This item is referenced in the Making Routes Study Room Guide (P1964).
Performance Research Journal edition concerning the foot. Articles featured: CARL LAVERY & NICOLAS WHYBROW Editorial ‘Pas de deux’ MARTIN WELTON Getting Things Off the Ground: Pedestrain Feelings ALEXANDER KELLY [artist’s pages] The Distance Between Us ADRIAN KEAR Thinking Limping: Richard Maxwell’s ‘Neutral Hero’ and the tragic impediment of contemporary theatre ESTHER PILKINGTON & MARTIN NACHBAR We Always Arrive in the Theatre on Foot: A walk to the theatre in sixteen steps and eighteen footnotes JOHN HALL Foot, Mouth and Ear: Some thoughts on prosody and performance MATTHEW GOULISH & LIN HIXSON On Foot Commonplace Book JASON GROVES Before the Law of Human Motor Functions: Walter Benjamin’s poetics of the step KIFF BAMFORD Acconci’s Pied-a-terre: Taking the archive for a walk STEPHEN HODGE ‘Before I compose a piece, I walk around it several times, accompanied by myself’ DEE HEDDON Turning 40: 40 Turns: Walking and friendship TOWNLEY AND BRADBY Conversations After Dark HAYDEN LORIMER Surfaces and Slopes MIKE PEARSON Warplands: Alkborough PERDITA PHILLIPS Walk ’til You Run Out of Water GREGG WHELAN Running Through a Field: Performance and humanness MARGARET AMES Memory, Identity and a Desire to Dance ADRIAN HOWELLS [artist’s pages] Foot Washing for the Sole JOHANNES BIRRINGER The Un-Seeing Eyes of the Foot: In memoriam Kazuo Ohno SIMON PERSIGHETTI A Mis-Guide Walks to the Shoe Museum. This item is referenced in the Making Routes Study Room Guide (P1964). This item is part of the Study Room Guide to Remoteness (P2600).
Beatrice Pepper Velloso, visual artist and professor at the School of Fine Arts, Federal University of Rio de Janeiro. Language: Portuguese
Curated by the Live Art Development Agency for Liveworks, at Performance Space Sydney 10 – 14 November 2010.
‘Talking Heads’ are short presentations by artists to camera about their practice and approaches to making. The ‘Talking Heads’ films are part of the Agency’s ‘Documentation Bank’ Collection, which consists of an extensive range of artists’ ‘Talking Heads’ films, documentation of artists’ works and a selection of Agency projects: http://www.thisisliveart.co.uk/resources/collections/documentation-bank.
This item is referenced in the Making Routes Study Room Guide (P1964). This item is part of the Study Room Guide to Remoteness (P2600).
This article can be found in miscellaneous article folder number 3This item is referenced in the Making Routes Study Room Guide, catalogue no. P1964.