15 writers explore the experimental, interdisciplinary and radically transgressive field of contemporary live art in South Africa.
Part of the Library of Performing Rights (P3041).
The essays in Women, the Arts and Globalization demonstrate that women in the arts are rarely positioned at the centre of the art market, and the movement of women globally (as travelers or migrants, empowered artists/scholars or exiled practitioners), rarely corresponds with the dominant models of global exchange. Rather, contemporary women’s art practices provide a fascinating instance of women’s eccentric experiences of the myriad effects of globalization.
The essential reader for today's creative leaders and cultural practitioners, including original contributions by artists, scholars, activists, critics, curators and writers who examine the historical precedent of South Africa; the current cultural boycott of Israel; freedom of speech and self-censorship; and long-distance activism. It is about consequences and causes of cultural boycott.
The illustrated volume examines the creation of stories, accounts, images, songs, street theatre, paintings, and ideas that pay witness to authoritarian pasts.
Part of the Library of Performing Rights (LPR) (P3041).
The London-based artist whose family immigrated to England from Russia discusses naming, identity, place and memory in relation to her work, and how we are all each other’s archives and legacies.
Actor Dan Furst on the life and work of South African poet and performer Mzwakhe Mbuli