Explores representations of cancer in fictional worlds and autobiographical performances while also highlighting work that reimagines and reinvigorates the genre of ‘Cancer Performance’.
Part of Library of Performing Rights (P3041).
Do you have to think that prostitution is good to support sex worker rights? How do sex worker rights fit with feminist and anti-capitalist politics? Is criminalising clients progressive – and can the police deliver justice?
On curating psychedelic experience.
The Dance cub as the 'happening'.
Documents the crisis in American urban housing policies and portrays how artists have fought against government neglect, shortsighted housing policies and unfettered real estate speculation.
Part of the Library of Performing Rights (LPR) (P3041).
Analyzes artistic performances, social performances, archival remains, and memoirs of the underground theater scene in 1960s New York.
Challenging and re-positioning the traditional exhibition catalogue as an artwork and commission in its own right, the pub;ication takes its inspiration from the classic Pedro Almodóvar film on the occasion of the group exhibition, La Movida at HOME, Manchester (14 April – 17 July 2017).
Documentary about the gender-bending San Francisco performance group who became a pop culture phenomenon in the early 1970s. Includes deleted scenes, interview with directors and a booklet with Damon Wise film notes.
100 minutes
Part of a series of law packs intended to address questions about legal limits related to free expression and the arts.
Forward by Dominic Johnson.