The first major survey of the artist’s interdisciplinary practices. Bringing together newly commissioned and other writings by major thinkers in and beyond visual and performance studies, and extensive documentation of the artist’s work from two decades of practice, it navigates through and between performance, biotechnical practices, image-making, and writing.
A fat activist with more than 30 years experience, lifts the lid on a previously unexplored social movement and offers a fresh perspective on one of the major problems of our times.
The contributors to this book, writing from a variety of subject disciplines and interests, explore a range of the uses of autobiography from the nineteenth-century to the present day, and from Africa, USA, the Middle East, France, New Zealand, as well as Britain.
Catalogue published in conjunction with the exhibition by Yongsoon Min ;13 August to 12 September 2004 at the SSamzie Space Galleries. In English and Korean.
Part of the Library of Performing Rights (LPR) (P3041).
Profiles established ensemble groups from inner-city Los Angeles, small-town northern California, African-American South, multicultural southern Texas, low-income central Appalachia, economically struggling South Bronx New York, and cross-continental Native America.
Part of the Library of Performing Rights (LPR) (P3041).
Ten transformative local arts projects come alive in this comics-illustrated training manual for youth leaders and teachers.
Part of the Library of Performing Rights (LPR) (P3041).
Volume 1, Issue 4.
Part of the Library of Performing Rights (LPR) (P3041).
An Investigation into the political efficacy of Pussy Riot’s art.
Links avant-garde performance practices with religious histories in the United States, setting contemporary performances of endurance art within a broader context of prophetic, religious discourse in the United States
Examines the activist, participatory, coauthored aesthetic experiences being created in contemporary art. In a series of fifteen conversations, artists comment on their experiences working cooperatively, joined at times by colleagues from related fields, including social policy, architecture, art history, urban planning, and new media.
Part of the Study Room Guide on Live Art and Displacement (P3107).
Over the course of seven weeks, the Stanley Picker Gallery in Kingston handed over its exhibition space to host a series of week-long Live Art residencies.
Includes documentation of individual weeks, plus a compilation video.
A report on artistis-in-resdiency, art projects, educational events, creative village, inernational cooperation; includes end of year results.
A collection of lengthy interviews with indie-media luminaries Henry Rollins, Billy Childish, Jello Biafra and Lawrence Ferlinghetti
An anthology that explores the rise of activist public art that agitates for social change.
*currently unavailable*
First published in 1979, then in 2000, and this new edition published in 2008. Translated from Spanish by Charles A. & Maria-Odilia Leal McBride, and Emily Fryer.
Archive of the work by the art activist collective exploring the role of creative intervention in social change
Article and interview by Paterson and Weinberg with Boal.
Director and community performance worker Richard Owen Geer on the topic of community performance.
Copy 15 of unlimited edition.
A collection of dynamic ideas which explore how we can build radical and meaningful social change, ourselves, here and now.
Gathers together artists’ proposals, manifestos, theoretical texts and public declarations that focus on the questions of political engagement and change.
Pamphlet with interviews.
Pamphlet. Features texts on psychedelia.
Pamphlet series.
Pamphlet. Features various texts including text on the ‘necrocards’ project.
A4 pamphlet/magazine style.
The Art strike Papers collects accounts and papers relating to the Art Strike International action and propaganda during the period 1990-1993. The Neoist Manifesto is a series of texts on the Generation Positive, Karen Eliot, Cantsin, Neoist Network, as well as poems by S. Home
Addresses fundamental questions about the social and political purposes of performance through an investigation into post-war alternative and community theatre. It proposes a theory of performace as ideological transaction, cultural intervention and community action, which is used to illuminate the potential social and political effects of radical performance practice.
This item is part of the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)
Part of the Library of Performing Rights (LPR) (P3041).