Eight issues of the interview zine about performance.
A presentation of over 100 new works by the renowned Belgian painter.
Exhibition catalogue. Hayward Gallery, 12 June – 8 September 2019
Part of the Library of Performing Rights (P3041).
On Kollwitz's reception in America, 1900-1960
Liquid damage on publication.
A tribute to Tadeusz Kantor.
A booklet which accompanies the solo exhibition of the artist, who during this section sat the last section of Visual Arts exam for the Hong Kong Certificate of Education Examination (HKCEE) due to the upcoming reform in exam mechanism within the education system in Hong Kong. She obtained a grade D.
In Chinese and English.
Publication that emerged from, and was inspired by, an exhibition held across Southampton’s John Hansard Gallery and SeaCity Museum in 2014.
Featuring rarely seen multimedia works, this book shows how Lynch applies his powerful imagination and visual language across genres. Exhibition publication: November 30, 2018–April 28, 2019, Bonnefantenmuseum.
Celebrates the bird in art with an elegant, international collection of paintings, illustrations and photographs, featuring all kinds of birds from the smallest tits and wrens to colourful exotics.
In this collection of diverse worksessays, short stories, poems, translationswhich spans a lifetimes engagement with art.
Comprehensively examines the life and art of David Wojnarowicz (1954-1992), who came to prominence in New York's East Village art world of the 1980s, actively embracing all media and forging an expansive range of work both fiercely political and highly personal.
Part of the Library of Performing Rights (P3041)
A collection of dog art and illustration by artists around the world.
A collection of feline art and illustration by artists from around the world.
Complete archive of Tsitsopoulos' “Is Art Lonely?” project, including artist CV; video of performance at LADA; curatorial texts; drawings; Is Art Lonely? (video), video and photo documentation.
In glass cabinet.
Exhibition catalogue; 22/10/2017 – 15/04/2018. The exhibition was a follow-up of The SEA – salut d’honneur Jan Hoet (2015).
Highlights the various aspects of particular interest and activity which make the British scene distinctive and exciting.
A dual catalogue and archival exposé that explores the pivotal exhibition, Coming to Power: 25 Years of Sexually X-Plicit Art By Women, originally curated by the late artist, Ellen Cantor, in 1993, along with its re-staging in 2016 by curator Pati Hertling and artist Julie Tolentino.
Part of the Library of Performing Rights (LPR) (P3041).
Exhibition catalogue; Hirshhorn Museum and Sculpture Garden, Smithsonian (24 October – 26 May 2014); Musée d'art moderne Grand-Duc Jean (5 July – 12 October 2014); Kunsthaus Graz (15 November 2014 – 15 March 2015).
Published on the occasion of the exhibition at the Hammer Museum, LA. 15 September – 31 December 2017.
Catalogue published to accompany the Serpentine Galleries Spring Season exhibitions (2 March – 21 May 2017).
A collection of essays, documents, & bibiliography reagrding performance art edited by people associated with a Toronto-based arts organization.
Article about the Philippine visual art.
In misc folder 7.
Postcard book; presents a performative text of the 18 questions which appear in the diagnostic questionnaire of the adult ADHD Self-Report scale.
Accompanies the first extensive overview of Auto-Destructive art pioneer, organized in 2015–16 at the Centre of Contemporary Art in Torun, Kunsthall Oslo and Stiftelsen Kunstnernes Hus in Oslo.
Kaprow’s sustained inquiry into the paradoxical relationship of art to life and into the nature of meaning itself is brought into focus in this newly expanded collection of his most significant writings.
Offering an incisive rejoinder to traditional histories of modernism and postmodernism, this book examines the 1960s performance work of three New York artists who adapted modernist approaches to form for the medium of the human body.
A catalogue of one of the most important contemporary Roma artists: a comprehensive overview of her oeuvre and a concise insight into the complex questions of the life of ethnic minorities. In Slovenian, Roma and English.
Part of the Study Room Guide on Live Art and Displacement (P3107).
First of the four special editions of the journal, focusing on Documenta 2017. Compiling research, critique and literature, the publicaparallels the work on the exhibition and helps frame its concerns.
Part of the Study Room Guide on Live Art and Displacement (P3107).
Niebisch retraces how the early Avant-Garde movements started out as parasites inhabiting and irritating the emerging mass media circuits of the press, cinema, and wired and wireless communication.
Exhibition catalogue: The Rochester Contemporary, 30/4-23/5 2004. Includes reproductions of artwork, critical essays and fiction.
Part of Live Art and Motherhood: A Study Room Guide on Live Art and the Maternal (P3025).
Publication accompanying the eponymous exhibition at the Transition Gallery, 16 June-15 July 2007; with texts by a number of writers including Iain Sinclair, Charlie Porter and Ruth Jarvis.
Exhibition catalogue. In Welsh and English.
National Museum Cardiff, 14 November 2015 – 20 March 2016.
Catalogue of an exhibition held at the Kunsthalle, Basel, 1981, at the Whitechapel Art Gallery, London, 1982, and at the Stedelijk Van Abbemuseum, Eindhoven, 1982.
This item is part of the 'Glimpses of before: 1970s UK Performance Art' Study Room Guide by Helena Goldwater (P2497)
Explores the inspiration of 30 UK modern artists and how their works illuminate the homes and lives of their owners.
Published to coincide with the 1997 showing at the Art Gallery of New South Wales in Sydney, Australia, of works featuring nudes by around 100 modern and contemporary artists. Includes essays, artists’ bios, bibliography.
This biography tells the fascinating and controversial story of the artist's life and work in graphic format, from her immigration to the US from Cuba to escape the dictatorial regime in 1961, to her groundbreaking artworks which lead to her being one of the only Cuban Americans to have works in museums around the world, to her controversial and tragic death.
Published in conjunction with a major retrospective of the artist's work at the New Museum of Contemporary Art, New York, January – April 1999. Includes excerpts from Wojnarowicz's writings and essays by Dan Cameron, Mysoon Rizk, C. Carr and John Carlin.
Monograph. Includes artworks and writings by Pepe Espaliu, introductory essay by Juan V. Aliaga, with additional essays by Adrian Searle and Marie-Laure Bernadac.
This publication sets out to make Mendieta's figure more public in order to secure her rightful place in the chronicle of contemporary art.
Devoted to the largely forgotten Spanish artist; published for the eponymous exhibition. In Spanish, Catalan, Basque and English.
Beginning with discussions of the pioneering generation of artists such as Ronald Moody, Aubrey Williams and Frank Bowling, Chambers candidly discusses the problems and progression of several generations, including contemporary artists such as Steve McQueen, Chris Ofili and Yinka Shonibare.
A book on the multi-disciplinary and experimental practice of artist David Medalla, who was born in the Philippines. Based in London since the 1960s, he has made an effort to remain independent of the art market and the institutional structure. Artist biography, bibliography and illustrated documentation of works included.
This item is part of the 'Glimpses of before: 1970s UK Performance Art' Study Room Guide by Helena Goldwater (P2497)
Catalogue for the Kunstsammlungen Chemnitz exhibition Andy Warhol: Death and Disaster, curated by Heiner Bastian. November 2014 – February 2015.
The most thorough visual overview of Schneemann’s work to date. Organized by five interrelated categories—Interviews and Correspondence, Painting, Cinema, Sites, and Technological Processes—this volume brings together previously published essays and interviews by authorities on the artist’s work.
The interview aruges for visibility of Reedy as a force of innovation where she is wrongly, and yet expectedly, absent from mainstram cultural institutions.
Rodenbeck offers a rigorous art historical reading of Kaprow's project and related artworks. She finds that these experiential and experimental works offered not a happy communalism but a strong and canny critique of contemporary sociality. Happenings, she argues, were far more ambivalent, negative, and even creepy than they have been portrayed, either in contemporaneous accounts or in more recent efforts to connect them to contemporary art's participatory strategies.
This exhibition booklet looks closely at the performative aspects of the action work by Vienna Actionists Günter Brus, Hermann Nitsch, Otto Muehl, and Rudolf Schwarzkogler contrasted with works by significant international practitioners of performance art, such as Marina Abramovic, Chris Burden, Tomislav Gotovac, Ion Grigorescu, Paul McCarthy, Ana Mendieta, Bruce Nauman, Yoko Ono, Gina Pane, Neša Paripovic, Ewa Partum, Carolee Schneemann, and VALIE EXPORT.
SHIFTwork is the collective name for a series of commissioned performances which focused on the physical act and process of painting as a form of performance art. This catalogue documents the first collaboration, 'Cathedral of Joy', occurred with New York artist Fritz Welsh on a series of paintings in full view of the public whereby the gallery became a public studio revealing in real time and on continuous webcam transmission what is ordinarily the private practice of painting.