The second volume of the landmark trilogy consent not to be a single being.
Zine of the project documenting and tracing the Ambedkarite movement in the 1970s.
A collection of case studies from Live Art UK, the publication responds to the recent successes of Live Art and highlights those artists, projects and initiatives which are re-politicising and re-energising our arts spaces, sharing radical works and ideas with a public who are themselves being forced to do more with less.
Part of the Library of Performing Rights (P3041).
Zine focusing on the questions that speculative fiction can ask which are especially important now.
Key intellectuals—inspired by the new movements and by the seminal work of the scholar Cedric J. Robinson—recall the powerful tradition of Black radicalism while defining new directions for the activists and thinkers it inspires.
Combines performance analysis with contemporary political philosophy to advance new ways of understanding both political performance and the performativity of the politics of the street.
The first scholarly book to focus exclusively on theatre and learning disability as theatre, rather than advocacy or therapy.
Part of the Library of Performing Rights (LPR) (P3041).
Surveys the changes in acting and performance during the crucial transition from the ecstatic theatre of the 1960s to the ironic postmodernism of the 1980s.
One to One performance that takes place in a public café and explores surveillance and profiling in “the war on terror.” The eight minute video includes an interview with the artist.
Publicaition in honor of the 10th anniversary of FemLink-Art.
Part of the Library of Performing Rights (LPR) (P3041).
The essential reader for today's creative leaders and cultural practitioners, including original contributions by artists, scholars, activists, critics, curators and writers who examine the historical precedent of South Africa; the current cultural boycott of Israel; freedom of speech and self-censorship; and long-distance activism. It is about consequences and causes of cultural boycott.
Interviews with squatters, eco-activists, musicians, and anarchists of all kinds in England and Scotland.
Part of the Library of Performing Rights (LPR) (P3041).
In this follow-up to his influential 2010 book, Dark Matter: Art and Politics in the Age of Enterprise Culture, Sholette engages in critical dialogue with artists' collectives, counter-institutions, and activist groups to offer an insightful, firsthand account of the relationship between politics and art in neoliberal society.
Programme for a multi-media composition, based on the book I Never Saw Another Butterfly. Featuring poems and drawings by Jewish children imprisoned in Terezin, composer Jocelyn Pook draws inspiration from the children’s creative spirit.
Explores the processes through which specific populations are figured as ‘revolting’ as well as the practices through which these populations ‘revolt’ against their subjectification.
Part of the Study Room Guide on Live Art and class and cultural privilege. (P3152)
A catalogue of one of the most important contemporary Roma artists: a comprehensive overview of her oeuvre and a concise insight into the complex questions of the life of ethnic minorities. In Slovenian, Roma and English.
Part of the Study Room Guide on Live Art and Displacement (P3107).
First of the four special editions of the journal, focusing on Documenta 2017. Compiling research, critique and literature, the publicaparallels the work on the exhibition and helps frame its concerns.
Part of the Study Room Guide on Live Art and Displacement (P3107).
A series on Performance and the Creative Transformation of Conflict, describing peacebuilding performances in regions beset by violence and internal conflicts. The first volume emphasizes the role theatre and ritual play both in the midst and in the aftermath of direct violence.
Part of the Study Room Guide on Live Art and Displacement (P3107).
The book looks at theatre and performances that often occur quite literally as bombs are falling, as well as during times of ceasefire and in the aftermath of hostilities. Includes interviews with artists, short play extracts, and photographs.
Part of the Study Room Guide on Live Art and Displacement (P3107).
Assemblage reflects interdisciplinary aesthetic practices that call attention to displacement as a disruption in the continuity of place, relationships, identity, movement, memory, and time resulting in a collage of preserved artefacts and mediated possibilities.
In misc folder 7.
Part of the Study Room Guide on Live Art and Displacement (P3107).
Artist book on the performance artist and body builder who uses their own body in a sculptural fashion, thereby interrogating feminism, body art, and gay male aesthetics.
Short and long trailer for Performing Rights, a festival of creative dialogues between artists, academics, activists, and audiences investigating relationships between human rights and performance.
Anderson analyzes self-starvation as a significant mode of staging political arguments across the institutional domains of the clinic, the gallery, and the prison.
Tracing a dynamic genealogy of performance from the nineteenth to the twenty-first century, Uri McMillan contends that black women artists practiced a purposeful self- objectification, transforming themselves into art objects.
The first book of its kind to look at the legacy of the avant-garde in relation to the deepening crisis of capitalist non-reproduction.
Special Issue; Volume 25, Issue 3.
Recording of an event dedicated to Manuel Vason’s publication Double Exposures, a collaboration with 40 of the most visually arresting artists working in performance in the UK. With Manuel Vason, Hugo Glendinning, Lois Keidan, Alastair MacLennan, Aine Phillips, Marisa Carnesky and the Famous Lauren Barri Holstein.
Between the Borders are a collective of people with and without citizenship in the UK, who produce diverse publications and events. This folder contains Between the Borders episode #2 and #3, two zine publications which aim to open up a dialogue about the complex structures surrounding asylum and migration. It also includes an informative leaflet and a DVD.
The Disagree. magazine is a result of the cooperation between a changing group of artists, curators, and theoreticians operating fully independently. They join forces under the name of the Disagree. Art assembly. Those who write for the Disagree. magazine automatically become part of the editing team and thus of the assembly. The editors of the first issue are Jeff Poak, Jean Gotthard, Harald Pogel, Nazim Besikci, Jana Tupivic, Anna Siegel.
Video documentation of an interactive performance designed for a single audience member set in a busy café environment.
herst. Theorie Zur Praxis follows the path of the festival (21 September – 14 October 2012) in Austria, by providing reflections, portraits and interviews by or on participants of the festival.
Engages critical dance studies, philosophy, performance studies, cultural and post-colonial studies to propose new and creative dialogues between these disciplines.
A two-DVD collection of 22 performances selected from those presented at the festival between 2010 and 2012.
Examination of the artistic enterprises of the past decade that reclaim the use of lived time as a material in the creation of visual art.
This anthology of essays, images and dialogues exploring contemporary art’s engagements with risk–physical, social, political and aesthetic–brings readers into the conference from which the book takes its title, a third annual collaboration between the Getty Research Institute and the Southern California Consortium of Art Schools (SoCCAS).
Publication contains 2-page event discussion and 2 stickers.
Introduces the collective’s work. See also booklet ‘Performance Video Intervention’ catalogued under P1537.
Publication in French
Edited by Josefina Alcazar. Press index to start (invisible files)
Catalogue accompanying the homonymous exhibition.
Part of the Library of Performing Rights (LPR).
In Slovenian and English.
The essential introduction to the most important texts in post-colonial theory and criticism.
This item is part of the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)
Part of the Library of Performing Rights (LPR) (P3041).