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Exploding Galaxies: The Art of David Medalla

Artist/Author: Guy Brett | Reference: P2834 | ISBN: 978-0947753061 | Type: Publication

A book on the multi-disciplinary and experimental practice of artist David Medalla, who was born in the Philippines. Based in London since the 1960s, he has made an effort to remain independent of the art market and the institutional structure. Artist biography, bibliography and illustrated documentation of works included.

This item is part of the 'Glimpses of before: 1970s UK Performance Art' Study Room Guide by Helena Goldwater (P2497)

Magazine

Artist/Author: David Hoyle | Type: Publication

Documentation of David Hoyle's Magazine. 

Marina Abramovic: Live Culture Talk

Artist/Author: Marina Abramovic | Digital Reference: EF5098 | Type: Digital File

For over 20 years Marina Abramovic has collected materials from film, dance, theatre, music, rituals and performance. For her lecture at Live Culture she wound through a personal visual archive of performance related materials focused around the performing body, its mental and physical limits.This documentation has since been presented with the permission of the artist as part of the Performance Matters, Performing Idea, Performance Lecture Archive; an interactive video archive housed at the Whitechapel Gallery between 2-9 October 2010. The archive looked at examples of the performance lecture as a form of artistic and critical expression and its potential to address a broad range of cultural issues and philosophical ideas.

The Steve Rogers Memorial Lecture 1990

Artist/Author: Neil Bartlett | Reference: D1993 | Digital Reference: eD1993 | Type: Digital File

Neil Bartlett delivers the inaugural Steve Rogers Memorial Lecture: ‘Getting Up in the Dark’.Part of the Neil Bartlett Collection. Donated to the British Library and the Live Art Development Agency Study Room from Neil Bartlett’s personal collection.

The Artist is Present

Artist/Author: Marina Abramovic | Reference: D1895 | Type: DVD

Feature-length documentary film following Marina Abramovic as she prepares for a major retrospective of her work, taking place at the Museum of Modern Art in New York.

Performance Lecture Archive: Lecture on Public Discourse

Artist/Author: William S. Burroughs with Allen Ginsberg | Reference: D1544 | Type: DVD

Performance Matters, Performance Lecture Archive, Lecture on Public Discourse, William S. Burroughs with Allen Ginsberg

Live Culture Lecture series: Performing Body

Artist/Author: Marina Abramovic | Reference: D1532 | Type: DVD

For over 20 years Marina Abramovic has collected materials from film, dance, theatre, music, rituals and performance. For her lecture at Live Culture she wound through a personal visual archive of performance related materials focused around the performing body, its mental and physical limits.This documentation has since been presented with the permission of the artist as part of the Performance Matters, Performing Idea, Performance Lecture Archive; an interactive video archive housed at the Whitechapel Gallery between 2-9 October 2010. The archive looked at examples of the performance lecture as a form of artistic and critical expression and its potential to address a broad range of cultural issues and philosophical ideas.

Lecture on Public Discourse

Artist/Author: William S. Burroughs, Allen Ginsberg | Reference: D1533 | Type: DVD

A lecture by William S. Burroughs on public discourse, with an introduction by Allen Ginsberg. Topics included are nuclear weapons, disarmament, the Equal Rights Amendment, aliens, dreams function of the artist, mind-altering drugs, reincarnation, space travel, television, and economics. Keywords: beat generation, literature and the state, technology and literature, literature and society, protest literature.This audio is part of the collection Naropa Poetics Audio Archives. It also belongs to collection: Audio Books and Poetry, www.archive.org/details/audio_bookspoetryArtist/Composer:Burroughs, William S.;Ginsberg, Allen.Date 1980-08-11. Label / Recorded by: Jack Kerouac School of Disembodied Poetics. Creative Commons license: Attribution-NoDerivs-NonCommercial creativecommons.org/licenses/by-nd-nc/1.0/www.archive.org/details/naropa This documentation has been presented under the stipulations of its Creative Commons license as part of the Performance Matters, Performing Idea, Performance Lecture Archive; an interactive video archive housed at the Whitechapel Gallery between 2-9 October 2010. The archive looked at examples of the performance lecture as a form of artistic and critical expression and its potential to address a broad range of cultural issues and philosophical ideas.

I Am 1984

Artist/Author: Barbara Matijevic, Giuseppe Chico | Reference: D1502 | Type: DVD

Tracks

Artist/Author: Barbara Matijevic, Giuseppe Chico | Reference: D1501 | Type: DVD

This Is Performance Art: Performed Sculpture and Dance

Artist/Author: Mel Brimfield | Reference: D1485 | Type: DVD

Also see P1517 and P1518This Is Performance Art: Performed Sculpture and Dance8th April 2010 – 06 June 2010Camden Arts Centre, co-commissioned by the Yorkshire Sculpture ParkAlso presented as part of Performance Matters: Performing IdeaPerformance Lecture Archive at Whitechapel GalleryMel Brimfield’s residency, This is Performance Art, will be a historical reappraisal of performance art of the 20th Century. Through a series of discussions, documentary research, re-enactments and live performance she will undertake an examination of what can be said to constitute the ontology of ‘live art’ within current discourse. This research will form the basis for a documentary film, the first in a series, charting the new narrative through the fragmented and often unreliable documentary record of this elusive art form. The final film will be screened in the Artists’ Studio at Camden Arts Centre at the culmination of the residency along side a series of live performances and re-enactments. Mel Brimfield’s complex practice takes a skewed and tangled romp through the already vexed historiography of performance art, simultaneously revealing and inventing a rich history of collaboration between artists, dancers, theatre makers, political activists and comedians. Meticulously drawn and painted posters and programmes for fictional interdisciplinary cabarets, together with costumes and props, are produced alongside documentary-style films and live works that playfully associate performance art with most significant cultural developments of the last 100 years.Following the residency, the next phase of This is Performance Art will be shown at Yorkshire Sculpture Park in 2011.The final performance will take place three times on 02 JuneThis documentation has since been presented with the permission of the artist as part of the Performance Matters, Performing Idea, Performance Lecture Archive; an interactive video archive housed at the Whitechapel Gallery between 2-9 October 2010. The archive looked at examples of the performance lecture as a form of artistic and critical expression and its potential to address a broad range of cultural issues and philosophical ideas.

Lecture in a Stair Shape Diminishing: 366 Sentences for Vienna

Artist/Author: Goat Island | Reference: D1462 | Type: DVD

DVD – AUDIO ONLYThis documentation has since been presented with the permission of the artist as part of the Performance Matters, Performing Idea, Performance Lecture Archive; an interactive video archive housed at the Whitechapel Gallery between 2-9 October 2010. The archive looked at examples of the performance lecture as a form of artistic and critical expression and its potential to address a broad range of cultural issues and philosophical ideas.

The Last Performance (A Lecture)

Artist/Author: Jerome Bel | Reference: D1456 | Type: DVD

“Invited at the same time by the Hebbel Theatre in Berlin, the Tanz-Quartier in Vienna and the Centre National de la Danse in Paris to perform The Last Performance (D0624) I decided, instead of presenting the piece, to make a lecture about its issues. I had the feeling that this difficult piece had not been really understood. Maybe the piece was bad. But I believe that the issues of this piece were relevant, which is why I would like to change my medium and to use the tool of the lecture to try to articulate better the stakes of The Last Performance. I will re-contextualise the piece in its theoretical level through the texts of Roland Barthes and Peggy Phelan and in my artistic situation at that time.”Jérôme Bel www.jeromebel.fr This documentation has since been presented with the permission of the artist as part of the Performance Matters, Performing Idea, Performance Lecture Archive; an interactive video archive housed at the Whitechapel Gallery between 2-9 October 2010. The archive looked at examples of the performance lecture as a form of artistic and critical expression and its potential to address a broad range of cultural issues and philosophical ideas. This item is part of the Study Room Guide On shit, piss, blood, sweat and tears by Lois Keidan (P2195)

Marina and Lee

Artist/Author: Forced Entertainment | Reference: D1278 | Type: DVD

Babylon Europe - Boundless Languages International Conference Proceedings

Artist/Author: Various | Reference: P1236 | Type: Publication

Publication documenting the first public meeting of the institutions that engendered the ENPARTS project (European Network of Performing Arts).