Documentation of the performance lecture by Swiss based Brazilian artist about their most recent work Trinta y Dois Igual a 5.
ideo inspired by a Victorian female couple who were collaborative authors and lovers. Contemporaries of Robert Browning and Oscar Wilde, the two were known and published under the same name Michael Field.
2017, 9.46 minutes,
A unique resource for LGBT+ spiritual seekers who want to experience the sustaining energy and strength of the worldwide queer community.
Resisting the control of the image, transcending from the 2-dimensional, practicing being-a-body-in-the-world.
In 1990, Myles chose Rosie from a litter on the street, and their connection instantly made an indelible impact on the writer's way of being. Over the course of sixteen years together, Myles was devoted to the pit bull and their linked quality of life.
Examines five performance/artworks: The Artist is Present (2010) by Marina Abramović; The Deer Shelter Skyscape (2007) by James Turrell; CAT (1998) by Ansuman Biswas; Journey to the Lower World by Marcus Coates (2004); and the work with pollen by Wolfgang Laib.
Part of the eponymous performance art project for the exhibition Intersex 1-0-1, at Neue Gesellschaft für Bildende Kunst, Berlin, June-August 2005.
Part of the Library of Performing Rights (LPR) (P3041).
This memoir spans Abramovic's five decade career, and tells a life story that is almost as exhilarating and extraordinary as her groundbreaking performance art.
An absorbing portrait of an artist whose career spans three decades of American avant-garde performance. Collecting writings by Monk herself, along with significant reviews, essays, interviews, and photographs of Monk's unique performance events, the book establishes her as one of the great treasures of contemporary American culture.
The article examines the appearance of the term ‘charismatic space’ in relation to Marina Abramović’s retrospective at New York’s Museum of Modern Art in 2010.
Citing Howells’ permissive mantra as its title, the book includes new writing from leading scholars and artists, as well as writing by Howells himself, an extensive interview, scores, and visual materials, which together offer new insight into the artist’s ground-breaking process.
A ritual dance created by American choreographer Anna Halprin in 1981. Misha trained at Tamalpa Institute California to lead new incarnations of this ritual dance, which has a 35 year-old legacy with hundreds of happenings worldwide.
Examines the activist, participatory, coauthored aesthetic experiences being created in contemporary art. In a series of fifteen conversations, artists comment on their experiences working cooperatively, joined at times by colleagues from related fields, including social policy, architecture, art history, urban planning, and new media.
Part of the Study Room Guide on Live Art and Displacement (P3107).
Selected images from the exhibition Translated Acts, curated by Yu Yeon Kim at the Haus der Kulturen der Welt and the Queens Museum of Art in 2001.
Compiled by 5 friends of Peace Pilgrim in Santa Fe, New Mexico in 1982, the year after her “glorious transition to a freer life”, the book is composed mainly in her own words. The exceptions are the introduction, reproduced newspaper articles and comments by people she met while on her 28 year pilgrimage for peace.
This interview explores connections within editor Bonnie Marranca's work and considers the way in which it has developed in conversation with artists in and around New York.
Trans Bodies, Trans Selves is a revolutionary resource-a comprehensive, reader-friendly guide for transgender people, with each chapter written by transgender or genderqueer authors
Vol. 33 2014, shelved in publications.