Audio documentation of a lecture given by Malik Nashad Sharpe, on the subject ‘Horror for the Live Context’ on 8th March 2025 at The Garrett Centre.

Culminating his Study Room residency, this talk highlighted some of the utility of making horror as a performance practice, and explored the genre’s potential as a framework for seeing, reading and working with contemporary live performance. During his residency he approached horror as a research tool to tease out an alternative tradition of choreographic practice that contains social resonance and fantastical outcomes, and constitutes a suggestive and speculative lens through which performance can be contextualised.

Artworks referenced and shared in this talk:

‘Shoot’, Chris Burden, 1971, ‘Carcasse’, Piotr Pavlensky, 2013, ‘Rhythm 0’, Marina Abramovic, 1974, ‘American Psycho’, directed by Mary Harron, 2000, ‘Nope’, Directed by Jordan Peele, 2022, ’10 Cloverfield Lane’, directed by Dan Trachtenberg, 2016,  ‘Saw’, directed by James Wan, 2004, ‘Le Manoir de Diable’, directed by George Meillies, 1890, ‘All of us are Dead’, directed by Lee Jae-kyoo; Kim Nam-su, 2022, ‘Untitled Nostalgia 3’, Tiraan Willemse, 2025, ‘Presage’, Elie Autins, 2022, ‘Goner’, Malik Nashad Sharpe, 2024

This is an audio file. For a version with closed captions, please visit our vimeo channel

Featuring conversations, essays, drawings and photographs, Bodies of Knowledge(Ed. Laura Purseglove) reflects and builds on an interdisciplinary project involving artists, amateur and professional dancers, wrestlers, members of a trans community group and academic researchers interrogating how our bodies are both produced by and productive of knowledges.

This is a book about falling as a means of reconfiguring our relationship with living and dying. Dancer, choreographer, educator and therapist Emilyn Claid draws inspiration from her personal and professional experiences to explore alternative approaches to being present in the world.

Bringing together thirty authors variously invested in dance, performance and/or choreography; This Container is a zine for texts produced through and alongside dance, performance and choreography.

One of the first books to examine Somatics in detail and to analyse how and what it teaches in the dance studio, The Natural Body in Somatics Dance Training considers how dancers discover and assimilate new ways of moving and also larger cultural values associated with those movements.

“Writing the body with the body” consists of fragments taken from performance texts by Stefanie Knobel, which are juxtaposed with a series of pictures created for this volume

Kindly donated for the Swiss live Art Study Room Guide.

La Ribot, Exhibition catalogue. 11/8-2/9 2017, Berlin.

Second edition of Material concerns itself with in/visibility in contemporary artistic practice, especially dance.

Publication on a new entity of events as part of ANTI Festival, where the artists shortlisted for the International Prize of Live Art present their work.

In English and Finnish.