A comprehensive study of queer identities and communities across Asia, re-envisioning the queer through Asian perspectives.
Part of Library of Performing Rights (P3041).
Revisits and resuscitates the forgotten heritage of a politicised theatre group – ‘Al Assifa’.
Part of Library of Performing Rights (P3041)
Key intellectuals—inspired by the new movements and by the seminal work of the scholar Cedric J. Robinson—recall the powerful tradition of Black radicalism while defining new directions for the activists and thinkers it inspires.
Marks the finissage of Abboud’s solo exhibition The Horse, the Bird, the Tree and the Stone at Bildmuseet (Sweden, 21 May – 17 September 2017) and the inauguration of her solo show The pomegranate and the sleeping ghoul at Darat al Funun-The Khalid Shoman Foundation (Jordan, 10 October 2017 – 11 January 2018).
Published on the occasion of the Idit Elia Natham exhibition at Standpoint Gallery, London. 16 January – 14 February 2015.
Part of the Library of Performing Rights (LPR) (P3041).
The essential reader for today's creative leaders and cultural practitioners, including original contributions by artists, scholars, activists, critics, curators and writers who examine the historical precedent of South Africa; the current cultural boycott of Israel; freedom of speech and self-censorship; and long-distance activism. It is about consequences and causes of cultural boycott.
The essay interrogates Hadas Ophrat's piece Insomnia.
This book focuses on this award-winning artist’s relationship to Europe and the Mediterranean and explores how one relates to a particular place. Published to accompany exhibitions at the Whitechapel Gallery (Sept 2015 – Jan 2016) and IMMA (Oct-Dec 2016).Part of the Study Room Guide on Live Art and Displacement (P3107).
Exploring theater works created for, by, and with refugees, this hybrid collection of essays combines newly commissioned scholarly work with examples of writing by refugees themselves.
Part of the Study Room Guide on Live Art and Displacement (P3107).
A series on Performance and the Creative Transformation of Conflict, describing peacebuilding performances in regions beset by violence and internal conflicts. The first volume emphasizes the role theatre and ritual play both in the midst and in the aftermath of direct violence.
Part of the Study Room Guide on Live Art and Displacement (P3107).
Exploring feminist artistic reponses to the specificity of women’s suffering in war, through the work of Sandra Johnston, nichola feldman-kiss and Rehab Nazzal.
Conceived in January 2014, the process-based piece continues Matteo Guidi's and Giuliana Racco's investigation into the ways people bypass restrictions and limitations in their daily lives, moving through systems imposed on them.
Exhibition catalogue; 11/11/2015 – 23/1/2016, Fundacio Sunol
The artist’s account of being denied entry at the country of Bahrain’s border. Miscellaneous folder #4.
…and Sometimes Doing Something Political Can Become Poetic.
An extension of Alÿs’s previous projects called “Paseos” (Spanish for “walks”), where the artist carries out certain acts while walking through a predetermined location
Book includes a DVD. This item is referenced in the Making Routes Study Room Guide (P1964).
Interview with Artur Zmijewski by Daniel Miller
A gathering especially created for Performing Rights to celebrate a symbolic home coming to all those who can not return home; inspired by 14 months in late 1940s, when 369 Palestinian villages were eradicated.
From PSI 12.
Part of the Library of Performing Rights (LPR) (P3041).
The first major survey of one of the world’s most provocative and politically engaged artists.
On the occasion of the eponymous exhibition, May-August 2016, Tate Modern.