Catalogue > By Keyword > Vito Acconci
42 results | Page 1 of 4
PLAYING UP: A Live Art Game for Kids and Adults (second edition)
Second edition of the artwork exploring the potential of Live Art to bridge generations.
Body and self: Performance art in Australia 1969-92
Charts the historical course of performance in Australia from the happenings of the 1960s, through body art in the 1970s, towards a more political body in the 1980s.
Part of Library of Performing Rights (P3041)
Artists in the Archive: Creative and Curatorial Engagements with Documents of Art and Performance
Explores the agency and materiality of the archival document through a collection of critical writings and original artworks,
On Innovative Performance(s): Three Decades of Recollections on Alternative Theater
A collection of essays from the leading avant-garde critic of the era focuses on individual performances and performers, providing a unique critical record of their work and of the movement.
From Acting to Performance: Essays in Modernism
Surveys the changes in acting and performance during the crucial transition from the ecstatic theatre of the 1960s to the ironic postmodernism of the 1980s.
Performance by Artists
A collection of essays, documents, & bibiliography reagrding performance art edited by people associated with a Toronto-based arts organization.
PLAYING UP: A Live Art Game for Kids and Adults
Exploring the potential of Live Art to bridge generations andrawing on key Live Art themes and seminal works, PLAYING UP takes the form of a game played by adults and kids together.
PLAYING UP: A Live Art Game for Kids and Adults (German)
Exploring the potential of Live Art to bridge generations andrawing on key Live Art themes and seminal works, PLAYING UP takes the form of a game played by adults and kids together. In German.
Catalogue - Venice International Performance Art Week 2014: Ritual Body - Political Body
Festival catalogue.
art is (speaking portraits)
The volume is drawn from the ongoing video work art is/poetry is/music is (Speaking Portraits), which features over 1000 artists–painters, poets, musicians, dancers, actors, video-/filmmakers–in eleven countries saying what art is. art is offers an intimate view of seventy of those engaged in art as performance.
Patricia Azevedo and Clare Charnley collection
Includes:
Dual performance to Skype camera
Blood, 2013 (1:47); Block, 2013 (1:48); Lançar- to throw 2013 (0:39); Alinhar – to Align, 2013 (0:58); Cloud try 3, 2013 (0:51); Red line, 2015 (0:50); A short story, 2015 (1:04); Annunciation 1 & 2, 2015 (2:08)
Dual performance to the camera
Skull-line, cranial suture, 2014 (0:46); Measuring the room, 2014 (1:27); Tables, 2015 (2:05); To do with you, 2016 (2:20); Push, 2011 (1:25); Dictionario (excerpt), 2011; And –And, 2016 (3:44)
Six Years: The Dematerialization of the Art Object from 1966 to 1972
Lucy R. Lippard documents the chaotic network of ideas that has been labeled conceptual art. The book is arranged as an annotated chronology into which is woven a rich collection of original documents–including texts by and taped discussions among and with the artists involved.
