This comprehensive manual outlines copyright law in the UK with special reference to materials relevant to archive and records collections such as maps, legal records, records of local authorities, records of churches and faiths, most notably unpublished works. It also offers advice on rights in the electronic environment and the problems associated with rights clearance; and covers related areas such as moral rights and rights in databases.
The two performers open a book and read it with motion and sound impressions of it. The two characters transit from being two library ghosts to being the contents of books.
Recorded at AREA 10 in 2005.
Part of the Library of Performing Rights (LPR) (P3041).
During 2016 Blast Theory and Tony White worked with a group of young people in libraries in Telford and Wrekin to re-imagine libraries, story telling and their place in the world. On 29 October 2016, over the course of 9 hours from 3pm to midnight, the young people took control of their local libraries, and performed live to a worldwide audience. This book is a result of that process.
Examines the activist, participatory, coauthored aesthetic experiences being created in contemporary art. In a series of fifteen conversations, artists comment on their experiences working cooperatively, joined at times by colleagues from related fields, including social policy, architecture, art history, urban planning, and new media.
Part of the Study Room Guide on Live Art and Displacement (P3107).
Consisting of a rare and valuable collection of diverse curiosities acquired by and for Henry Wellcome with a great variety of books: a compendium of inspiring and intriguing insights from Wellcome Collection and the Wellcome Library.
Exploring the potential of archiving, cataloguing and preservation in establishing new sites of feminist storytelling and political activism.
On public art in London.