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The Minor Gesture

Author: Erin Manning | Reference: P4127 | ISBN: 978-0822361213 | Type: Publication

Manning extends her previous inquiries into the politics of movement to the concept of the minor gesture.

From Brass Bands to Buskers: Street Music in the UK

Author: Elizabeth Bennett, George McKay | Reference: P4013 | Type: Publication

Report about the Arts and Humanities Resarch Council funded prject.

Queer Lovers and Hateful Others: Regenerating Violent Times and Places

Author: Jin Haritaworn | Reference: P3720 | ISBN: 978-0745330617 | Type: Publication

Berlin is once more capital of queer arts and tourism. Queerness is more visible today than it has been for decades, but at what cost? This book argues that queer subjects have become a lovely sight only through being cast in the shadow of the new folk devil, the ‘homophobic migrant’ who is rendered by society as hateful, homophobic and disposable. 

Part of the Library of Performing Rights (P3041)

Deep Mapping

Author: Brett Bloom and Nuno Sacramento | Reference: P3536 | ISBN: 9-780952-890133 | Type: Publication

Develops and encourages you to inhabit — through narratives or spatialized experiences — Deep Maps of places you want to understand in a robust, inclusive, and expansive ways, which is not possible with traditional mapping. 

Thought in the Act

Author: Erin Manning,‎ Brian Massumi | Reference: P3534 | ISBN: 978-0816679676 | Type: Publication

Combining philosophy and aesthetics, this is a unique exploration of creative practice as a form of thinking. 

Destruction of Art: Iconoclasm and Vandalism Since the French Revolution

Author: Dario Gamboni | Reference: P3452 | ISBN: 978-1861893161 | Type: Publication

nitially galvanized by the sweeping obliteration of architecture and art under the Communist regimes of the Soviet Union and eastern bloc countries, Gamboni investigates other instances of destroyed art and architecture around the globe, uncovering a disquieting and surprisingly widespread phenomenon. 

Against The Romance Of Community

Author: Miranda Joseph | Reference: P3325 | ISBN: 978-0816637966 | Type: Publication

Explores sites where the ideal of community relentlessly recurs, from debates over art and culture in the popular media, to the discourses and practices of nonprofit and nongovernmental organizations, to contemporary narratives of economic transformation or “globalization.” 

Visual Cultures as Seriousness

Author: Gavin Butt and Irit Rogoff | Editor: Jorella Andrews | Reference: P3253 | ISBN: 978-3-943365-39-9 | Type: Publication

What is seriousness exactly, and where does it reside? Is it a desirable value in contemporary culture? Or is it bound up with elite class and institutional cultures?

Delirium and Resistance: Activist Art and the Crisis of Capitalism

Author: Gregory Sholette | Reference: P3217 | ISBN: 978-0745336848 | Type: Publication

In this follow-up to his influential 2010 book, Dark Matter: Art and Politics in the Age of Enterprise Culture, Sholette engages in critical dialogue with artists' collectives, counter-institutions, and activist groups to offer an insightful, firsthand account of the relationship between politics and art in neoliberal society. 

Beyond Immersive Theatre: Aesthetics, Politics and Productive Participation

Author: Adam Alston | Reference: P3101 | ISBN: 978-1137480439 | Type: Publication

Does immersive theatre model a particular kind of politics, or a particular kind of audience? What’s involved in the production and consumption of immersive theatre aesthetics? Is a productive audience always an empowered audience? And do the terms of an audience’s empowerment stand up to political scrutiny?

Embracing the Elusive or the necessity of the superfluous

Author: Frie Leysen | Reference: A0638 | Type: Article

Belgian festival director and curator Frie Leysen challenges Australian artists and arts organisations to be bold, and to challenge an increasingly ossified status quo in her closing keynote address at the 2015 Australian Theatre Forum (ATF). Miscellaneous folder #5A.

Unsustainable Acts of Love and Resistance: The Politics of Value and Cost in One-on-One Performances

Author: Deborah Pearson | Reference: A0623 | Type: Article

In this article, the author contends that politically themed one-on-one performances provide value because their budgets do not fit into a comfortable capitalist model of exchange. To be found in Miscellaneous Articles Folder #4.

Paying Artists – Securing a future for visual arts in the UK

Author: a-n The Artists Information Company | Reference: P2687 | Type: Publication

This report defines practical steps and frameworks for good practice of collaboration between visual artists, publicly-funded institutions, communities and audiences.

Performance Matters – Potentials of Performance – Minimum-being

Author: Lisa Alexander with The People Speak | Reference: D2022 | Type: DVD

British Library Sound Archive recording and documentation of Potentials of Performance events (26-27 October 2012). This third themed year of the Performance Matters project features a vibrant series of commissions exploring and exploding the dialogue as a potential format for thinking through and testing possible futures. These two sessions of Minimum-being take the form of a pop-up talk show in collaboration with The People Speak, on the experience of time, labour, value and wage.

How John Browne, BP and the Old Boys Network keep the arts well-oiled.

Author: Jane Trowell | Reference: A0517 | Type: Article

This article is referenced in the Platform Study Room Guide (P1820) and can be found in the Miscellaneous Articles 4 Binder.

Take the money and run?

Author: Jane Trowell | Reference: A0516 | Type: Article

This article is referenced in the Platform Study Room Guide (P1820) and can be found in the Miscellaneous Articles 4 Binder.

Art For Sale

Author: La Ribot, Ray Newe | Reference: A0395 | Type: Article

Sacred Symposium: A Make Believe World

Author: Sarah Jane Bailes, Sara Juli, Richard Foreman | Reference: D1523 | Type: DVD

Symposium programme notes:This symposium will consider questions of performance, belief, and credit.One way in which some kinds of performance distinguishes itself from other kinds – that sometimes go under the name of ‘theatre’ – is by emphasising that what it is doing is ‘real’, as opposed to the acting and pretending that goes on elsewhere. ‘Performing the Real’ was the subject of the 2009 symposium held as part of SACRED. This time we are turning away from the ‘real’ to think about the many ways in which performance is still interested in make-believe, and how make-believe itself might turn out to be part of the ‘real’.The current financial crisis has revealed how the system upon which we supposedly all depend is itself dependent upon how much we believe in it. Value is an expression of belief: if we believe that such and such a company, or bank, possesses the assets it purports to possess, then, in effect, those assets exist. The moment we stop believing, the value of the company or bank collapses, and the assets in question cease to exist.A credit crunch is what happens when people suddenly stop believing in the financial system – or when we start to wonder why we believe what we are seeing on stage. How might performance engage us in thinking and feeling our relationship to money, magic, pretending, imagination: what is it we are looking for in the make-believe world we live in? The symposium will feature: * a discussion with Richard Foreman (Ontological-Hysteric Theater); * keynote presentations from performance scholars Sara Jane Bailes, Jen Mitas, and Nicholas Ridout; * performative provocations from artists Karen Christopher and Sara Juli, also presenting work in the SACRED season; * break-out panels from a range of researchers and artists; * a Long Table discussion hosted by Lois Weaver; * the attendance of Richard Maxwell (New York City Players) and PS122 Director Vallejo Gantner; * the UK premiere of New York City Players’ ADS.

Sacred Symposium: A Make Believe World

Author: Aoife Monks, Sophie Nield, | Reference: D1524 | Type: DVD

Value is an expression of belief: if we believe that such and such a company, or bank, possesses the assets it purports to possess, then, in effect, those assets exist. The moment we stop believing, the value of the company or bank collapses, and the assets in question cease to exist.A credit crunch is what happens when people suddenly stop believing in the financial system – or when we start to wonder why we believe what we are seeing on stage. Symposium Notes

The Social Impact of The Arts: An Intellectual History

Author: Eleonora Belfiore and Oliver Bennett | Reference: P1538 | ISBN: 9780230273511 | Type: Publication

Performing Idea: Other Durations

Author: Janine Antoni, Matthew Goulish | Reference: D2104 | Type: DVD

Performance Matters, Performing Idea – Other Durations5th October 3:00-7:30pmToynbee StudiosWith: Janine Antoni, Matthew Goulish, Bojana Kunst, Boyan Manchev, Fred Moten and Lara ShalsonTime in Western Cultures continues to accelerate and a slower unregulated life is seemingly nowhere to be found. Contemporary art has seen a resurgence of performances of long and short durations and a re-valuation of historical works of duration. Artists are increasingly playing with, inhabiting and transforming the time of the artwork. Speakers will address questions of how we can now think of the time of performance? What are the relations between performance, time and cultural value? How is performance reconfiguring and othering our understandings and experiences of time?

Performance Matters Launch Event

Author: Various | Reference: D1319 | Type: DVD

British Library Sound Archive recording and documentation of the “Performance Matters event on 30 April 2010. Evening launch event featuring Walid Raad, Irit Rogoff, Gavin Butt, Adrian Heathfield and Lois Keidan. Four of four (D1316 – D1319).

Performance Matters - Performing Idea Laboratory - Part Three

Author: Adrian Heathfield and Dominic Johnson | Reference: D2104 | Type: DVD

British Library Sound Archive recording and documentation of the “Performance Matters Lab” event, 30 April 2010. The daytime Performance Laboratory shows experimental durational and scheduled performances by some of the PhD researchers associated with the project at Goldsmiths and Roehampton University, Dr Gavin Butt from Goldsmiths, University of London, Prof. Adrian Heathfield from Roehampton University, and Lois Keidan of the Live Art Development Agency. Part three of four (D1316 – D1319).

Performance Matters - Performing Idea Laboratory - Part Two

Author: Fabrizio Manco, Jungmin Song, Terry O'Connor, Mathias Danbolt, R. Justin Hunt, Victoria Chalklin, Oriana Fox, Augusto Corrieri, Owen Parry | Reference: D2104 | Type: DVD

British Library Sound Archive recording and documentation of the “Performance Matters Lab” event, 30 April 2010. The daytime Performance Laboratory shows experimental durational and scheduled performances by some of the PhD researchers associated with the project at Goldsmiths and Roehampton University. The day will feature responses and discussions with invited thinkers around issues of duration, transmission, materiality,process, ideas and value.performance aesthetics, critical theory and cultural studies, Dr Gavin Butt from Goldsmiths, University of London, Prof. Adrian Heathfield from Roehampton University, and Lois Keidan of the Live Art Development Agency. performance aesthetics, critical theory and cultural studies, Dr Gavin Butt from Goldsmiths, University of London, Prof. Adrian Heathfield from Roehampton University, and Lois Keidan of the Live Art Development Agency. Fabrizio Manco, Jungmin Song, Terry O’Connor, Mathias Danbolt, R. Justin Hunt, Victoria Chalklin, Oriana Fox, Augusto Corrieri, Owen ParryPart two of four (D1316 – D1319).

Performance Matters - Performing Idea Laboratory- Part One

Author: Various | Reference: D2104 | Type: DVD

Part one of four (D1316 – D1319). British Library Sound Archive recording and documentation of the “Performance Matters Lab” event, 30 April 2010. The daytime Performance Laboratory shows experimental durational and scheduled performances by some of the PhD researchers associated with the project at Goldsmiths and Roehampton University. The day will feature responses and discussions with invited thinkers around issues of duration, transmission, materiality,process, ideas and value.

Hancock and Kelly Live

Author: Richard Hancock and Traci Kelly | Reference: D0194 | Type: DVD

Documentation of the duo's work.
Part of the Library of Performing Rights (LPR).

Distance or Intimacy?- The Arm’s Length Principle, the British Government and the Arts Council of Gr

Author: R B M Quinn | Reference: A0518 | Type: Article

This article is referenced in the Platform Study Room Guide (P1820) and can be found in the Miscellaneous Articles 4 Binder.

Letter to Liz Forgan, Chair, Arts Council England, on Spending Review.

Author: Jeremy Hunt | Reference: A0515 | Type: Article

This article is referenced in the Platform Study Room Guide (P1820) and can be found in the Miscellaneous Articles 4 Binder.

Measuring intrinsic value - how to stop worrying and love economics

Author: Hasan Bakhshi, Alan Freeman and Graham Hitchen | Reference: A0514 | Type: Article

This article is referenced in the Platform Study Room Guide (P1820) and can be found in the Miscellaneous Articles 4 Binder.