In each annual volume, contributors document works made in the previous year. By including performances regardless of their country of origin, genre, aims, or popularity, INDEX reveals the breathtaking variety of practices used in performance work today.
Captures a series of remarkable collaborative art works instigated by visual artist Janine Antoni, in alliance with preeminent dance-maker and community activist Anna Halprin and pioneer choreographer Stephen Petronio.
Contains Courts drawings, notes, sketches and ideas for performance from his notebooks over a period of five years.
Playing cards, for a performance/card game in which players are dealt body parts instead of numbers in suit. Players will combine their own cards and reproduce the combinations with their own body. When a combination is impossible to be made alone the player may borrow a part of someone else’s body to be able to continue to play.
Published on the occasion of the LEER-GUT, an exhibition held at the Kadenz/Geldern Gallery in November 1992.
In German.
A Performance Poem from the Series “Documented/Undocumented”.
Explores attention structures that invite one-to-one encounters in digitally informed practice.
A anguage, a tool to articulate a series of ideas: how outrage and prejudices can be performed; perceptions of the savage and barbaric heathens; tribal nuances and thinking about the Paris of the 1920s as a site of inequality; the spate of negrophilia there; how a change of circumstance for women was reinforced by the war; cultural diversity and tolerance; exoticism and anti-colonial; therefore, transgressive behaviours.
Documentation from the DIY 13 project, interrogating how re-‘creation’ impacts the creative process.
Documentation from the DIY13 project: a collective process of devising and then performing a public action, over the course of a weekend.
Part of the Library of Performing Rights (LPR) (P3041).