Through personal essays, interviews, and poetic verse, punk musician and cultural icon Lydia Lunch claws and rakes at the reader's conscience in this powerful, uninhibited feminist collection.
An interview with The Guerrilla Girls. Liquid damage on publication.
Part of The Library of Performing Rights (P3041).
Female artists; suggestions to Nick Serota, as Tate expands to a fourth London gallery.
Liquid damage on publication.
Ruminates on the significance of physical and mental roaming for black freedom.
Part of the Library of Performing Rights (P3041).
Reveals a tradition of queer environmentalism in contemporary literature and film from the Americas.
Each essay shares two fundamental premises. First, that the oppression of gays and lesbians is not an isolated case, and therefore their struggle is necessarily part of a larger movement for social liberation. And, second, that the experience of gays and lesbians uphold the basic tenets of a foundational Marxism, and that they are uniquely placed to contribute to a revitalisation of Marxist theory.
Shows how feminist theory is generated from everyday life and the ordinary experiences of being a feminist at home and at work.
Combining the energy of the early seventies feminist movement with the perceptive analyses of the trained theorist, this is one of the most influential socialist feminist statements of its time.
Examines how Hannah Wilke explored the relationship between sexual and gustatory taste in her performance Super-T-Art (1974), which she created for Jean Dupuy’s event Soup & Art held at the Kitchen in New York Cit
Since its inception nearly 25 years ago, the feminist art movement has transformed the art world. Now, two professors of art history bring together 18 influential historians, critics, and artists to create this landmark volume.
Part of the Library of Performing Rights (LPR) (P3041).
Depicts a history of demonstrations, sit-ins and similar steps taken by ACT UP and other groups.
Part of the Library of Performing Rights (LPR) (P3041).
Take a romp through the last two thousand years of Western Art and find out the real who, what, when, and why of art history.
Part of the Library of Performing Rights (LPR) (P3041).
The article explores the way in which humour is being used by contemporary women performance artists to state the obvious.
Review of the performance in which Finley delivers a lecture called Life of a Glamour Girl in the character of Jackie Kennedy.
*currently unavailable*
A dark and ribald physical commentary on cultural mores, forays and sexual taboos. Aggiss places herself centre stage in this solo performance in a vociferously moving and disorientating display of contradictions and interpretations, on girls, ladies, women, mummys, mothers, bitches and dogs, pensioners and senior citizens.
A brief taxonomy that attempts to theorise why “Fuck You” has been such an indispensable survival strategy for feminist and avant-garde artists.
In Misc folder 6.