Catalogue > By Keyword > curating

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Franko B

Editor: Adam Young | Reference: P3572 | ISBN: 9781906470159 | Type: Publication

A new collection of images and texts depicting the artist's recent activities and project with Live Art Bistro, East Street Arts and Leeds Beckett University.

Critical Interruptions Vol I: Steakhouse Live

Editor: Critical Interruptions | Reference: P3550 | Type: Publication

Brings together artists, curators and producers, writers and critics to think through their relationship with criticism, revealing passionately held and often conflicting opinions on what criticism is and where it resides. Follows Steakhouse: Live Writing, a pilot project undertaken as part of the 2016 Steakhouse Live Festival of Live Art and Performance.
 

British Art: Defining the 90s

Editor: Nicola Kearton | Reference: P3545 | ISBN: 978-1854902290 | Type: Publication

Highlights the various aspects of particular interest and activity which make the British scene distinctive and exciting. 

One Man’s Writing is Another Man’s Walrus

Author: Sandra Hockey | Reference: A0795 | Type: Article

An assessment of experimental work in the early years of Dance Umbrella (1978-1983).

I WON’T DO WHAT YOU TELL ME

Editor: Amelia Beavis-Harrison | Reference: P3264 | ISBN: 978-82-690675-0-7 | Type: Publication

Part project part catalogue: split into three distinct sections the book brings together artists and academics to explore the impact of gentrification and the possibility of resistance.

Personal mapping whose responsibility is it?

Author: Veronica Wiman | Reference: A0741 | Type: Article

Discusses outcomes of the author's curatorial and research project Fear and Gender in Public Space.

Joined Forces: Audience Participation in Theatre

Editor: Anna R. Burzyńska | Reference: P3165 | ISBN: 978-3-89581-427-3 | Type: Publication

Four interviews and ten essays, case studies, manifestos and anti-manifestos by theatre makers, curators, critics, and scholars, presenting various examples of audience participation in theatre and linking them to problems of participation in democracy and to socially engaged art.

Education for Socially Engaged Art: A Materials and Techniques Handbook

Author: Pablo Helguera | Reference: P3154 | ISBN: 978-1934978597 | Type: Publication

Drawn from empirical and extensive experience and research, the book provides a curriculum and framework for thinking about the complexity of socially engaged practices. Locating the methodologies of this work in between disciplines, Helguera draws on histories of performance, pedagogy, sociology, ethnography, linguistics, community and public practices.

Part of the Study Room Guide on Live Art and class and cultural privilege. (P3152)
 

Symbiotic beasts

Author: Kirsten Lloyd and Juliana Capes | Reference: A0700 | Type: Article

A report from the StabilityMobility Sharing conference held in Rotterdam.

Risk yields new forces

Author: Jana Perkovic | Editor: Keith Gallasch, Virginia Baxter | Reference: A0695 | Type: Publication

Review from New Wave – a biennial project comissioning and developing work by young artists.

In the Flow

Author: Boris Groys | Reference: P3042 | ISBN: 978-1784783501 | Type: Publication

Groys explores art in the age of the thingless medium, the internet. He claims that if the techniques of mechanical reproduction gave us objects without aura, digital production generates aura without objects, transforming all its materials into vanishing markers of the transitory present.

Performing Borders: A Study Room Guide on physical and conceptual borders within Live Art.

VERBO 2005-2015

Reference: P2965 | ISBN: 978-85-64324-07-7 | Type: Publication

An overview of the first 10 years of the VERBO festival, featuring texts by Brazilian and foreign authors.

In Portuguese and English; some text in Spanish.

Monica Mayer: When in Doubt ... Ask - A Retrocollective Exhibit

Editor: Ekaterina Alvarez Romero | Reference: P2957 | ISBN: 978-8416282562 | Type: Publication

This is the first book on Mexican artist's broad range of production, bringing together two- and three-dimensional works, records of actions, sound and film recordings and archival materials, enabling a reading of Mayer's place in the construction of feminist practice in Mexico. In Spanish and English.

Australia: Nine contemporary artists

Reference: P2911 | ISBN: 978-0938132097 | Type: Publication

Exhibition catalogue; Los Angeles Institute of Contemporary Art, June-August 1984. Artists: John Davis, John Dunkley-Smith, Marr Grounds, Lyndal Jones, John Nixon, Mike Parr, Redback Graphix, Stelarc

Time, Words and the Camera: Photoworks by British Artists

Editor: Jasia Reichardt | Reference: P2914 | Type: Publication

Exhibition catalogue. Original exhibition: Graz, Künstlerhaus, October – November 1976. Further exhibitions: Innsbruck, Vienna, Bochum. In English and German.

Artwash: Big Oil and the Arts

Author: Mel Evans | Reference: P2872 | ISBN: 978-0745335889 | Type: Publication

Published on the fifth anniversary of the BP Deepwater Horizon disaster, Artwash is an intervention into the unsavoury role of the Big Oil company’s sponsorship of the arts in Britain.

Otherwise: Imagining Queer Feminist Art Histories

Editor: Amelia Jones and Erin Silver | Reference: P2820 | ISBN: 978-0719096426 | Type: Publication

The first publication to address queer feminist politics, methods and theories in relation to the visual arts, including new media, installation and performance art. Despite the crucial contribution of considerations of 'queer' to feminism in other disciplines of the humanities, and the strong impact of feminist art history on queer visual theory, a visible and influential queer feminist art history has remained elusive.

Beaconsfield: Chronic Epoch

Editor: Margaret Garlake | Reference: P2812 | ISBN: 978-1908966575 | Type: Publication

The first major book on the more than 20-year history of Beaconsfield, an important artists association in London founded by two trained painters David Crawforth and Naomi Siderfin.

A Cut A Scratch A Score

Editor: Ajay Hothi and Sophia Yadong Hao | Reference: P2807 | ISBN: 978-1906832223 | Type: Publication

A a set of reflections and annotations on the eponomous performance and exhibition project by preeminent British sculptor, Bruce McLean.

Playing by the Rules: Alternative Thinking/ Alternative Spaces

Editor: Steven Rand, Heather Kouris | Reference: P2780 | ISBN: 978-1933347431 | Type: Publication

The perceived rules of the development and running of alternative spaces, and where those rules came from, are among the questions answered by the authors. The underlying message in the publication is the importance of critical thinking as well as the need for alternative thinking.

The Curator’s Handbook

Author: Adrian George | Reference: P2667 | ISBN: 978-0500239285 | Type: Publication

The essential practical handbook for all those involved in, or studying, the dynamic field of curating

Creative Interactions

Author: Norman Frisch and Tom Sellar | Reference: A0591 | Type: Article

Dramaturg and curator Norman Frisch discusses qualities that distinguish theater from other “time-based art,” highlighting connections to mystery and classicism. 

Do You Remember It - Or Weren’t You There?

Author: various | Editor: Cally Trench, Philip Lee | Reference: P2145 | ISBN: 978-0-9550951-7-7 | Type: Publication

Do you remember it – or weren’t you there? was an exhibition of work by artists and writers whose starting point was live performance. It was curated by Philip Lee and Cally Trench and presented at the London Gallery West, University of Westminster in 2013.

Imagining the Audience: Viewing Positions in Curatorial and Artistic Practice

Editor: Magdalena Malm & Annika Wik | Reference: P2163 | ISBN: 978-91-979985-5-0 | Type: Publication

How do artists and curators imagine the audience in their work? How do they weave a picture of the individual viewer’s mental, physical, and emotional experience into the production of art events and what impact do these conceptions have on the finished artworks or exhibitions? Which new perspectives are useful in explaining the changes that have occurred in the art field and the concomitant new viewing positions? These are some of the questions that are the basis for Imagining the Audience.
Text in Swedish and English.

Null Object: Gustav Metzger thinks about nothing

Author: Gustav Metzger, Bruce Gilchrist, Jo Joelson, London Fieldworks | Reference: P2147 | ISBN: 978-1-908966-12-4 | Type: Publication

Curating and the Educational Turn

Author: Various | Editor: Paul O'Neill and Mick Wilson | Reference: P1903 | ISBN: 978-0-949004-18-5 | Type: Publication

Writings around the incorporation of pedagogy into art and curatorial practice. Text contributions by: 16 Beaver Group Peio Aguirre Dave Beech David Blamey & Alex Coles Daniel Buren & Wouter Davidts Cornford & Cross Charles Esche Annie Fletcher & Sarah Pierce Liam Gillick Janna Graham Tom Holert William Kaizen Hassan Khan Annette Krauss, Emily Pethick, & Marina Vishmidt Stewart Martin Ute Meta Bauer Marion von Osten & Eva Egermann Andrea Phillips Raqs Media Collective Irit Rogoff Edgar Schmitz Simon Sheikh Sally Tallant Jan Verwoert Anton Vidokle Tirdad Zolghadr

The Right Dissonance

Editor: Gareth Evans and Karen Alexander | Reference: P1852 | ISBN: 978-1-907342-45-5 | Type: Publication

Interviews with artists by students from the MA Curating Contemporary Art at the Royal College of Art

A Brief History of Curating

Author: Hans Ulrich Obrist | Reference: P1194 | ISBN: 978-2-84066-287-7 | Type: Publication

Publication dedicated to pioneering curators; presents a collection of interviews.

Issues in Curating Contemporary Art and Performance

Author: various | Editor: Judith Rugg & Michele Sedgwick | Reference: P1006 | ISBN: 978-1-84150-162-8 | Type: Publication

This item is referenced in the Dreams for an Institution Guide (P2313).