A collection of historical essays, critical papers, case studies, interviews, and comments from scholars and practitioners that shed new light on the field of collaborative art.

Focuses on the intersection of social and public projects, and the possibilities of art practice in public space.

Part of Library of Performing Rights (P3041)

Since its inception nearly 25 years ago, the feminist art movement has transformed the art world. Now, two professors of art history bring together 18 influential historians, critics, and artists to create this landmark volume.

Part of the Library of Performing Rights (LPR) (P3041).

A limited edition publication exploring a series of innovative live performances and events.

Interview with the Los Angeles-based artist Suzanne Lacy.

Living as Form grew out of a major exhibition at Creative Time in New York City. Like the exhibition, the book is a survey of more than 100 projects that use aesthetics to affect social dynamics.

Documents and critically examines one of the most fecund periods in the history of live art.

Confronts the effects of modernism on society and proposes a remedy based on a redefinition of our art and culture.

Exhibition at LACE, Los Angeles, 27 September 2011-29 January 2012

Exhibition at the Ben Maltz Gallery, Otis Art Institute Los Angeles, 1 October 2011-28 January 2012

Programme listing 11 days of performances and public works. 19-29 January 2012

Richard Drain, Twentieth Century Theatre: A Sourcebook, performance studies, featuring performance texts and critical essays from a range of sources.

This item is part of the ‘Glimpses of before: 1970s UK Performance Art’ Study Room Guide by Helena Goldwater (P2497)

Through the notion of ‘multicentricity’, Cheng surveys performance art in Los Angeles from the 1960s through the 1990s.

Part of the Library of Performing Rights (LPR) (P3041).

An anthology from High Performance Magazine 1978 – 1998.