The fourteen essays bringing together a unique gathering of artists, many of whome make works which arise out of responses to the situation or the environment in which they find themselves.
A collection of archival materials in the Hemispheric Institute Digital Video Library that represents the historical, cultural, and political legacy of Franklin Furnace Archive, Inc.
A collection of archival materials in the Hemispheric Institute Digital Video Library that represents the historical, cultural, and political legacy of Franklin Furnace Archive, Inc.
When the performer leaves the scene and makes room for the audience.
Newspaper format catalogue. White Columns, New York, 13 September – 20 October 2002.
Questions whether or not focusing on representations of cruelty makes us cruel. In a journey through high and low culture, the visual to the verbal, and the apolitical to the political, Nelson offers a model of how one might balance strong ethical convictions with an equally strong appreciation for work that tests the limits of taste, taboo and permissibility.
Post-event hard cover catalogue documenting the exhibition and live performances presented at the III Venice International Performance Art Week. 10-17 December 2016.
Since its inception nearly 25 years ago, the feminist art movement has transformed the art world. Now, two professors of art history bring together 18 influential historians, critics, and artists to create this landmark volume.
Part of the Library of Performing Rights (LPR) (P3041).
Discusses outcomes of the author's curatorial and research project Fear and Gender in Public Space.
Anderson analyzes self-starvation as a significant mode of staging political arguments across the institutional domains of the clinic, the gallery, and the prison.
Study Boxes contain hand picked selections of DVDs, books and other materials from the LADA Study Room around specific themes. Installed in Festival hubs and other locations, and curated in dialogue with partners, each Study Box can hold between four to ten items and can be used by audiences for a quick browse or a day-long study. After the events the Boxes are returned to the Study Room and listed in this Guide so that users can explore these themes and materials during their visit to the LADA Study Room.
A detailed study of the role women artists played in the develpment and expansion of performance art
A collection of essays on the installation and performance work of Cuban artist Tania Bruguera. Contributors: Domenico Scudero, Lucrezia Cippitelli, Irma Arestizabal, Roberto Pinto, Simonetta Lux
Overview of 'unseen' works by Ana Mendieta
*currently unavailable*
An overview of Mendieta's work published to accompany Galerie Lelong's exhibition 8 September – 8 October 2011. Photographs, film stills, critical texts and interviews.
Catalogue of the exhibition ‘Anti Academy’ at the John Hansard Gallery, which examines the activities of three experiments in art education in the 1960s in Tokyo, Copenhagen and Iowa City, USA
Articles, documentation, blogs, and archive materials from the Pinto mi Raya Archivo Activo between 1991-2001.
Explosion! Painting as Action encompasses an array of approaches to looking at the borderland between painting and performance, covering a whole range of playful experiments to aggressive risk-taking. Published on the occasion of the exhibition of the same name at Moderna Museet, Stockholm, in 2012.
This item is part of the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)
This item is part of the Study Room Guide in Search of a Documentology by Marco Pustianaz (P1115)
See accompanying lecture notes (A0205)Compiled for the Long Table on Performance and Human Rights, April 2005 for PSi 12. Partnership between EEC, Queen Mary Univerity of London and the Live Art Development Agency
This publication sets out to make Mendieta's figure more public in order to secure her rightful place in the chronicle of contemporary art.
(On loan from Franko B) This item is part of the Study Room Guide in Search of a Documentology by Marco Pustianaz (P1115) and the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)
Part of the Library of Performing Rights (LPR) (P3041).
Survey of key work by artists who have used their own body to create their art, from the 1940s to the 1990s. With introductory essays by Tracey Warr and Amelia Jones. Includes biographical information on contributors. This item is part of the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)