Captured during a weekend-long workshop held in Glasgow as part of DIY16.
Part of the Library of Performing Rights (P3041)
Explains how Latinx political identities are tied to a long Latin American history of mestizaje—“mixedness” or “hybridity”—and that this border thinking is both a key to understanding bilingual, bicultural Latin cultures and politics and a challenge to America’s infamously black–white racial regime.
Explores the development of South Asian dance and the changing priorities it has been given by funding agencies.
Khan describes her unusual mixed family background and the pioneering role she played from the sixties onwards in the recognition of ethnic and minority arts.
A collection of Wodiczko's writings on his projects.
Part of the Library of Performing Rights (LPR) (P3041).
How have avant-gardes been shaped by racism and contributed to racist power and imperialism? How have the claims made by avant-garde political and artistic groups to liberate humanity been indebted to religious intolerance? And how has the vanguard commitment to radical cultural action contributed to war, terror, and destruction?
A collection of polemical writings, assaults, comments and theoretical discussions and analysis that appeared in reaction to the eponymous video, made in Belgrade, in 2007.
In Serbian and English.
Part of the Library of Performing Rights (LPR) (P3041).
Exhibition catalogue: Intensity of Affect: performances, actions, installations – retrospective of Zoran Todorovic. Accompanies the project, Warmth, at the the 53rd Biennale di Venezia, held in Venice, at the Serbian Pavilion, June 7-Nov. 22, 2009.
In Serbian and English.
Includes production stills and performance text.
Part of the Library of Performing Rights (LPR) (P3041).
Documentation from the performance at the ASU mainstage.
Part of the Library of Performing Rights (LPR) (P3041).
Despite the problematic politics of cultural exchange in the theatre, interculturalism is not a one-sided process. Using the metaphor of the hourglass to discuss the transfer between source and target culture, Pavis asks what happens when the hourglass is turned upside down, when the `foreign’ culture speaks for itself.
Part of the Library of Performing Rights (LPR) (P3041).
Presents a thematic history; every chapter explores a specific theme through pictures, offers explanations to contextualize them while offering additional bibliographic references in relation to the theme, for further research. In French and English.
Part of the Library of Performing Rights (LPR) (P3041).
Profiles established ensemble groups from inner-city Los Angeles, small-town northern California, African-American South, multicultural southern Texas, low-income central Appalachia, economically struggling South Bronx New York, and cross-continental Native America.
Part of the Library of Performing Rights (LPR) (P3041).
On Project O’s performances at the Forest Fringe Microfestival, Progress Festival, Theatre Centre, Toronto, Canada, February 2016
Includes: Foreign Sky, Beast of Me, Still Hear the Wound
Catalogued with a spanned DVD.
Nicolae, himself a Romanian Roma, gives voice to the Roma cause, offering a precise and candid look at their current situation.
Part of the Study Room Guide on Live Art and Displacement (P3107).
Inquires into the contemporary moment through the lens of Roma artistic and intellectual practices, gathering knowledge from the Roma way of life.
Part of the Study Room Guide on Live Art and Displacement (P3107).
Rooted in Anzaldua’s experience as a Chicana, a lesbian, an activist, and a writer, the essays and poems in this volume profoundly challenge how we think about identity. Borderelands remaps our understanding of what a “border” is, presenting it not as a simple divide between here and there, us and them, but as a psychic, social, and cultural terrain that we inhabit, and that inhabits all of us.
Part of the Study Room Guide on Live Art and Displacement (P3107).
A look at how those outside the racial and sexual mainstream negotiate majority culture—not by aligning themselves with or against exclusionary works but rather by transforming these works for their own cultural purposes. Muñoz calls this process “disidentification,” and through a study of its workings, he develops a new perspective on minority performance, survival, and activism.
Editor Chon A. Noriega collects ephemera gathered from Gamboa’s three-decade-long dadaistic career. The book includes interviews with artists, poetry, fiction, collaged images, documentation of public and staged performances, photographic portraits of Chicano men, and political writings, including an essay on public schools reflecting his son’s first year in kindergarten.
An illustrated account of the development of alternative theatre in Britain over the 60s and 70s.
Audio CD accompanying the publication Temple of Confessions (see REF. P2002), a confessional mail-in post-card, and a temporary tattoo.
Part of the Library of Performing Rights (LPR) (P3041).
Michael McMillan, Cultural Grounding, Live Art and Cultural Diversity: Action Research Project. This report was commissioned to discover how the Arts Council might widen its view of Performance or Live Art, recognise the importance of interdisciplinary work and give a place to innovatory Black performance work. Introduced by Sandy Nairne.
Find article in misc. folder 2
Gómez-Peña and Roberto Sifuentes, in collaboration with local artists and audiences create a poetic interactive ritual that explores the post-9/11 “body politic.”
This item is part of the Study Room Guide: The More You Ignore Me The Closer I Get by Robert Pacitti (P1100).Part of the Library of Performing Rights (LPR) (P3041).
Book about the erasure of tens of thousands of people from the register of permanent residents, which took place after Slovenia gained independence.
Part of the Library of Performing Rights (LPR) (P3041).
A selection of experimental and documentary photo, film and video work produced by Asian Canadians. It includes artists and producers of Chinese, Japanese, Korean, Vietnamese and Filipino origins. This item is part of the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)