The first substantial survey of its kind, the publication brings together documentation of performances, drawings, videos, installations, and sculptures, as well as writings, interviews and visual essays by the artist. A series of commissioned critical essays show her to be a prolific maker of acts, objects, and multiple ‘selves’.
A rough cut of the first ever documentary about the life and work of Franko B. Part of LADA Screens 16.
On creating a short series of monologue pieces for the camera.
Twenty-five leading artist duos and collectives give insight into how and why to work collaboratively.
Includes documentation of:
– Someting Tender
– 3 : 3: 3
– For Always
A monograph produced and designed in close collaboration with the artist; forms a personal scrapbook of her life and influences, ranging from Buddhism, the aboriginals of Australia and religious iconography, to Western artists such as Joseph Beuys.
Documentation from the DIY 13 project, setting and testing ways of getting together to show unfinished work.
The dancers develop movements in response to a photo – creating in real time.
Part of the Library of Performing Rights (LPR) (P3041).
Reversing the common understanding of annotation as a posterior act of adding information to already existing sources, this article argues that annotation also serves as a pre-performance procedure facilitating artistic creation.
This article proposes an expanded understanding of Romeo Castellucci's radical performance work as a genuine theatre of ruins.