Examines fandom as a set of practices for approaching and writing about art.
A presentation of over 100 new works by the renowned Belgian painter.
One of the world s most celebrated art writers, takes us through centuries of drawing and painting, revealing his lifelong fascination with a diverse cast of artists.
Celebrates the bird in art with an elegant, international collection of paintings, illustrations and photographs, featuring all kinds of birds from the smallest tits and wrens to colourful exotics.
Nigel Spivey takes on one of the greatest taboos in Western culture in this original work of cultural history: why is so much pain depicted in the art of the West?
Since its inception nearly 25 years ago, the feminist art movement has transformed the art world. Now, two professors of art history bring together 18 influential historians, critics, and artists to create this landmark volume.
Part of the Library of Performing Rights (LPR) (P3041).
How have avant-gardes been shaped by racism and contributed to racist power and imperialism? How have the claims made by avant-garde political and artistic groups to liberate humanity been indebted to religious intolerance? And how has the vanguard commitment to radical cultural action contributed to war, terror, and destruction?
Crisis of Representation and Destruction in the Arts from the 1950s to the End of the Century.
Catalogue of an exhibition held June 17 to August 20, 2000 at the Palazzo Bonaguro, Bassano del Grappa
In English and Italian.
Published on the occasion of the exhibition at the Hammer Museum, LA. 15 September – 31 December 2017.
Take a romp through the last two thousand years of Western Art and find out the real who, what, when, and why of art history.
Part of the Library of Performing Rights (LPR) (P3041).
Drawn from empirical and extensive experience and research, the book provides a curriculum and framework for thinking about the complexity of socially engaged practices. Locating the methodologies of this work in between disciplines, Helguera draws on histories of performance, pedagogy, sociology, ethnography, linguistics, community and public practices.
Part of the Study Room Guide on Live Art and class and cultural privilege. (P3152)
The book suggests new narratives about canonical artworks of the British Black Art movement, such as Lubaina Himid's Freedom and Change, Eddie Chambers' Destruction of the National Front and Sonia Boyce's Lay Back Keep Quiet and Think of What Made Britain So Great, interrogating their critical agency from an art-historical perspective.
Where can Art go from here and who will be the next modern master? To help answer this question we are taken on an enlightening and entertaining journey through the story of modern cubism to now.
Beginning with discussions of the pioneering generation of artists such as Ronald Moody, Aubrey Williams and Frank Bowling, Chambers candidly discusses the problems and progression of several generations, including contemporary artists such as Steve McQueen, Chris Ofili and Yinka Shonibare.
The first publication to address queer feminist politics, methods and theories in relation to the visual arts, including new media, installation and performance art. Despite the crucial contribution of considerations of 'queer' to feminism in other disciplines of the humanities, and the strong impact of feminist art history on queer visual theory, a visible and influential queer feminist art history has remained elusive.
This double-sided catalogue accompanied the solo exhibition of the same title first held at Dolhousie Art Gallery, Halifax, Canada in 2009.
Exhibition catalogue, explores the relationship between technology, machines and the Bauhaus Stage. Contributors: Hortensia Volckers, Alexander Farenholtz, Philipp Oswalt, Juliet Koss, Sascha Forster, Peter W. Marx, Joachim Krausse, Gabriele Brandstetter, Jienne Liu, Karin Harrasser
A comprehensive bibliography of writings on 'Action Art' in the twentieth century.
The Visual Force is the sixth instalment in the series Collective Histories of Northern Irish Art. Taking Joseph Beuys’ visit to Belfast, in 1974, as a starting point, Sverakova’s exhibition looks at the works of artists across three generations, whose works were in some way landmarks in their field. Featured artists: John Aiken; Vivien Burnside; John Carson; Brian Connolly; Martina Corry; Lynne Davies-Jones; Ciara Finnegan; Adrian Hall; Tony Hill; Ronnie Hughes; Steve Hurst; Sharon Kelly; Fiona Larkin; Alistair MacLennan; Paddy McCann; Moira McIver; Peter Richards; Dan Shipsides; Theo Sims; Una Walker and Charles Walsh.
Art historian Claire Bishop discusses creative solutions for the politicised representation of the contemporary in today’s art implemented at the Van Abbemuseum in Eindhoven, the Museo Nacional de Reina Sofía in Madrid and MSUM in Ljubljana.
Critical exploration of feminist art investigating femininity as a relationship to time
Collection of texts on Actionism in Vienna, including biographies and images.
Pacific Standard Time is the culmination of a long-term Getty Research Institute initiative that focuses on postwar art in Los Angeles. Through archival acquisitions, oral history interviews, public programming, exhibitions, and publications, the Research Institute is responding to the need to locate, collect, document, and preserve the art historical record of this period. This is a small collection of mixed printed material from related events.
Interviews with artists by students from the MA Curating Contemporary Art at the Royal College of Art
DVD in the back sleeve of the book, entitled, The Future of Art: A Film.
CIRCA (Contemporary Visual Culture in Ireland); this article offers some thoughts on a history of time-based art in Irish contexts. See also, Brutal Silences Study Room Guide, catalogue ref. no. P1661.
George Chakravarthi, Selected Works, Aradhana – The Wish, The Longing, Remotecontrol, Shakti, Olympia, Genesis. This item is part of the Study Room Guide On shit, piss, blood, sweat and tears by Lois Keidan (P2195)
'Talking Heads' are short presentations by artists to camera about their practice and approaches to making. The 'Talking Heads' films are part of the Agency's 'Documentation Bank' Collection, which consists of an extensive range of artists' 'Talking Heads' films, documentation of artists' works and a selection of Agency projects: http://www.thisisliveart.co.uk/resources/collections/documentation-bank. This item is part of the Study Room Guide On shit, piss, blood, sweat and tears by Lois Keidan (P2195)
This Is Performance Art: Performed Sculpture and Dance8th April 2010 – 06 June 2010Camden Arts Centre, co-commissioned by the Yorkshire Sculpture ParkAlso see D1485 and P1517Mel Brimfield’s residency, This is Performance Art, will be a historical reappraisal of performance art of the 20th Century. Through a series of discussions, documentary research, re-enactments and live performance she will undertake an examination of what can be said to constitute the ontology of ‘live art’ within current discourse. This research will form the basis for a documentary film, the first in a series, charting the new narrative through the fragmented and often unreliable documentary record of this elusive art form. The final film will be screened in the Artists’ Studio at Camden Arts Centre at the culmination of the residency along side a series of live performances and re-enactments. Mel Brimfield’s complex practice takes a skewed and tangled romp through the already vexed historiography of performance art, simultaneously revealing and inventing a rich history of collaboration between artists, dancers, theatre makers, political activists and comedians. Meticulously drawn and painted posters and programmes for fictional interdisciplinary cabarets, together with costumes and props, are produced alongside documentary-style films and live works that playfully associate performance art with most significant cultural developments of the last 100 years.
This item is referenced in the Dreams for an Institution Guide (P2313).
Chinese edition of Butt’s book addressing issues of the ‘performing’ of art’s histories; the consequences for criticism of embracing boredom, distraction and other ‘queer’ forms of (in)attention; and the importance of exploring writerly process in responding to aesthetic experience. Language: Chinese only
a collection of Chakravarthi's early photographic self-portraits. Mostly unseen and made with low costs and in low conditions, he speaks about them for the first time and reveals how and why these early portraits were created and informed his current artistic practice. In conversation with Andrew Mitchelson, Chakravarthi talks about his early influences and experiences of being raised in India, childhood experiences in London and being an outsider in both cultures. An on-demand dvd, published by Live Art Development Agency, 2009, DVD-PAL, 65 minutes. This item is part of the Study Room Guide On shit, piss, blood, sweat and tears by Lois Keidan (P2195)
This item is part of the Study Room Guide On shit, piss, blood, sweat and tears by Lois Keidan (P2195)
Includes: Shakti, Aradhana, A blend of Red and Blue, Genesis, Remotecontrol, The Last Supper (live), Barflies – Clips of – , Maureen, Claire, Jasmine. This item is part of the Study Room Guide On shit, piss, blood, sweat and tears by Lois Keidan (P2195) and the Study Room Guide: The More You Ignore Me The Closer I Get by Robert Pacitti (P1100)