A short video derived from the photographs, rehearsal footage and other documentation of And I – a single channel eight-hour video of Marcia Farquhar speaking without edits of sustained pauses.
Part of LADA Screens 7.The film was availble online between 24 Feb and 9 March on the LADA Screens Channel.
An idyllic location, a perfect spot, but something just isn't quite right, something doesn't fit.
Part of LADA Screens 14. The film was available online 23 August – 6 Spetember 2016 on the LADA Screens Channel.
A collection of essays from the leading avant-garde critic of the era focuses on individual performances and performers, providing a unique critical record of their work and of the movement.
The author’s concerns – which include the social meaning of illusion and the cultural manifestation of power – take the reader from Eleanora Duse to Laurie Anderson; from the puppet theatre of Kleist to Kantor’s theatre of the dead; and from the Kutiyattam temple dancers in Kerala to Womanhouse in Los Angeles.
While considering repetition in relation to the difficult pleasures we derive from the theatre, this book explores ways of accounting for such experiences of theatre in memory and writing.
Documents the artist’s two-year (2015-2017) experimental site-specific art project. The project involved Chen’s visits to 168 locations set out as squares on a Google map of Greater London, and used the city as a stage and open space for the execution of Chen’s experiments.
This text explores how performers offer conscious-and unconscious-portrayals of the spectrum of age to their audiences. It considers a variety of media, including theatre, film, dance, advertising, and television, and offers critical foundations for research and course design, sound pedagogical approaches, and analyses.
Part of the Know How: The Study Room Guide on Live Art Live Art and working with older individuals and communities. (P3140)
The book conceives of traditional dramatic theater as a place for taming the future and then conceptualizes how performance beyond this paradigm might stage the unruly nature of futurity.
Investigates sound art and its various manifestations through historical, theoretical, polemical and critical analyses of artistic, musical and literary works
A collection of critical essays and artist reflections considering some of the richest and most important developments to take place in contemporary Irish theatre and performance.
British Library Sound Archive recording and documentation of the “Performance Matters” events, 30 April 2010. A Play For Offstage Voices is a score composed entirely of lines written to be spoken from off stage. Voices authored by well-known writers to call, shout, cry and exclaim from somewhere, above and within have been collected and choreographed into an ‘event score’ in which voices such as Beckett’s V, Lorca’s Voz and Stoppard’s voice (in the darkness) encounter each other in the marked off space they share. Also see ref. D1920; D1922-3 and D1316-D1319.
Begins with Samuel Beckett and considers failure in performance as a hopeful strategy.
Analyses the dramatic works of modern German, American, English, French, and Spanish writers within their historical and cultural contexts.
Investigations of failure as a key concern—as theme, strategy, and world view—of recent art.
The booklet contains some of the resources that Janine Antoni donated to LADA Open Night.
Part of LADA Professional Development Program Restock, Rethink, Reflect