10 is the latest and last publication from The Institute for the Art and Practice of Dissent at Home (2008 – 2018) and looks at 10 persisting problems of the past 10 years, featuring an array of critical and inspiring voices The Institute has worked with over the last decade.
Documentation of the event in which Dr Duckie – aka Ben Walters – explained ünt examined his just-completed PhD with Queen Mary University of London on Duckie in the Community. A Library of Performing Rights Open event.
Documenting the eponymous six year project as well as the current research and thinking around the subject with contributions by prominent artists, academics, activists and chefs.
Part of the Library of Performing Rights ( P3041).
Materials from the activation day against the Hostile Environment policy. Organised by Migrants in Culture and Keep it Complex.
In the oversize cabinet.
Examines fandom as a set of practices for approaching and writing about art.
Anti-manifesto for changing a world while exploring it: a tool for playful debate, collaboration, and intervention.
The fifth of 10 differently themed performance series and journals, aiming to invigorate and make globally visible Los Angeles’s performance art community.
The fifth of 10 differently themed performance series and journals, aiming to invigorate and make globally visible Los Angeles’s performance art community.
The fourth of 10 differently themed performance series and journals, aiming to invigorate and make globally visible Los Angeles’s performance art community. Looks at the artists who consider the aesthetics and play of communication, distribution of politicized actions, and working in multiple channels and platforms to be an integral part of their performance practice.
The fourth of 10 differently themed performance series and journals, aiming to invigorate and make globally visible Los Angeles’s performance art community. Looks at the artists who consider the aesthetics and play of communication, distribution of politicized actions, and working in multiple channels and platforms to be an integral part of their performance practice.
The third of 10 differently themed performance series and journals, aiming to invigorate and make globally visible Los Angeles’s performance art community.
The third of 10 differently themed performance series and journals, aiming to invigorate and make globally visible Los Angeles’s performance art community.
The second of 10 differently themed performance series and journals, aiming to invigorate and make globally visible Los Angeles’s performance art community. Looks at the people and agencies that make space for performance artists and dancers to meet, experiment, and dance together in LA.
The second of 10 differently themed performance series and journals, aiming to invigorate and make globally visible Los Angeles’s performance art community. Looks at the people and agencies that make space for performance artists and dancers to meet, experiment, and dance together in LA.
The first of 10 differently themed performance series and journals, aiming to invigorate and make globally visible Los Angeles’s performance art community.
The first of 10 differently themed performance series and journals, aiming to invigorate and make globally visible Los Angeles’s performance art community.
On Forced Entertainment, prediction, and the community of audience.
An invitation to encounter work and thinking that is in motion. Taking two years of projects and initiatives by Heart of Glass, a national agency for collaborative and social practice based in St Helens, as its starting point, the publication explores the interface between theory and practice.
A recipe book produced following a series of public events involving local South Essex foods, their source, preparation and consumption.
Documenting more than seven years of social practice and research by Lucy Wright.
On Taylor Mac: a 24-Decade History of Popular Music
Publication on the Summer School delivered by Create (Dublin) and Counterpoints Arts (London).
Report about the Arts and Humanities Resarch Council funded prject.
All appointment negatives and notes from the first year of the Vorticist project (Oct 2007 – Dec 2008) printed in a cloth bound and embossed book.
Signed and numbered edition of 100 (77/100).
The culmination of a year-long project at BalinHouseProjects (BHP), an artist-run, not-for-profit space by Eduardo Padilha at his flat in Tabard Gardens North Estate.
Part of Library of Performing Rights (P3041).
This front line queer theatre tells first hand stories of how it is to be LGBT/Queer in Serbia and reveals the underlying issues of war, closed borders, neofascism and a country in the process of change.
In English and Serbian.
Part of Library of Performing Rights (P3041).
A study of post-millennial solo performance in the UK and Western Europe that explores the contentious relationship between identity, individuality and neoliberalism.
Part of Library of Performing Rights (P3041).
Publication documenting the 18 months in which Ann Bean left London and settled in Newark-on-Trent, creating a different, unfamiliar life structure.
Essays on the concept of total theatre, which emerged from the Bauhaus as a new aesthetic of stage design and presentation.
Includes:
The Fables of la Fontaine 5 (2007)
Walking Around Planet (2005)
Suspended Moments (2007)
Toubabou… Toubabou… (2007)
Farafin a ni Toubabou (2007)
The Small Clouds Crossing the Sky of the Soul (2007)
Critical analyses of cultural spectacle and social identity by eighteen major Australian scholars and practitioners.
Focuses on the intersection of social and public projects, and the possibilities of art practice in public space.
Part of Library of Performing Rights (P3041)
Tells the stories of minoritarian artists who mobilize performance to produce freedom and sustain life in the face of subordination, exploitation, and annihilation.
Part of the Library of Performing Rights (P3041).
Invited to exhibit at the 56th Venice Biennale, e-flux journal produced a single issue over a four-month span, publishing an article a day both online and on site from Venice.
Berlin is once more capital of queer arts and tourism. Queerness is more visible today than it has been for decades, but at what cost? This book argues that queer subjects have become a lovely sight only through being cast in the shadow of the new folk devil, the ‘homophobic migrant’ who is rendered by society as hateful, homophobic and disposable.
Part of the Library of Performing Rights (P3041)
Resisting the control of the image, transcending from the 2-dimensional, practicing being-a-body-in-the-world.
Includes documentation of:
– Someting Tender
– 3 : 3: 3
– For Always
Project publication. Explores possibilities of queer hospice concepts, and what they could mean for their wider surroundings. Reflections on the future correspond sharply with the spaces of their respective residency, the Diakonie, which aids people in very direct questions concerning their present situation.
Part of the Library of Performing Rights (P3041).
A free survival guide for queer and trans* young people; by Scottee, Travis Alabanza, Selina Thompson and Emma Frankland.
A supplement in St Helen’s Star, sharing and documenting the project which has been taking place in the town since for 12 years.
Part of the Library of Performing Rights (P3041).
Programme for the Afrikaans language festival that forges creative connections with English and Sotho cultures; 18-22 July 2017.
A guide exploring how to embed democratic practice within arts and cultural organisations. In misc folder 7.
Published on the occasion of the eponymous exhibition Ludwig Museum, Budapest, 30 January – 18 March. Presents the programmes implemented during the four-year CAPP project.
In Hungarian and English.
Celebrates Scottee as a maker, and marks both the achievement and the influence of his work, the fact he not only survived the violence and traumas so much of his work depicts, but thrived.
The Library of Performing Rights (P3041).
Combines performance analysis with contemporary political philosophy to advance new ways of understanding both political performance and the performativity of the politics of the street.
A collection of black and white photographs of the wooded area between the Fire Island communities of Cherry Grove and The Pines.
Describes the framework in which Deveron Projects works and contributes to the social wellbeing of Huntly.