A survey of new dance in Germany and the USA.
On the politics of disinterestedness.
A collection of essays from the leading avant-garde critic of the era focuses on individual performances and performers, providing a unique critical record of their work and of the movement.
While considering repetition in relation to the difficult pleasures we derive from the theatre, this book explores ways of accounting for such experiences of theatre in memory and writing.
Attempts to describe how artistic imagination can produce new situations, based on the potentials of the singular ‘body’ within its environment.
A look at the radical, experimental dance presented during the early 1960s at Judson Memorial Church in downtown Manhattan.
Documenting Festival D’Avignon, 12 July 2003.
First English language publication dedicated to Raimund Hoghe, operating as a collage,drawing together a variety of international voices to create a fragmented portrait of the artist
*currently unavailable*
Investigates the implications of technology on identity in embodied performance.
Documents of Contemporary Art series.