‘The book, that started four years ago as a possible form in which my ephemeral works could live on, gradually developed into an intensive writing project about movement and the imaginative power of language.’ Toine Horvers
This Zine was produced as an accompaniment to Playing With Fire- live reading from survivor writers- an online event on April 24th 2021 hosted by Live Art Development Agency.
Artists book accompanying the exhibition Tongue-tied at Matt’s Gallery, 2-24 November 2019.
The second volume of the landmark trilogy consent not to be a single being.
An occasional publication that aims to collate and investigate ideas around place, or more specifically: “indeterminate geographies”. In the second issue, the topic is ‘suburb’.
The first in Levy’s essential three-part ‘Living Autobiography’ on writing and womanhood.
Second issue of the journal devoted to reinventing the life of plays on the page.
First issue of the journal devoted to reinventing the life of plays on the page.
Third issue of the journal devoted to reinventing the life of plays on the page.
Fourt issue of the journal devoted to reinventing the life of plays on the page.
Newspaper created and published through the four-day programme exploring the interconnections of art, activism, performance, politics, health and print.
Marks the finissage of Abboud’s solo exhibition The Horse, the Bird, the Tree and the Stone at Bildmuseet (Sweden, 21 May – 17 September 2017) and the inauguration of her solo show The pomegranate and the sleeping ghoul at Darat al Funun-The Khalid Shoman Foundation (Jordan, 10 October 2017 – 11 January 2018).
Comprehensively examines the life and art of David Wojnarowicz (1954-1992), who came to prominence in New York’s East Village art world of the 1980s, actively embracing all media and forging an expansive range of work both fiercely political and highly personal.
Part of the Library of Performing Rights (P3041)
Drawing on over five years worth of her own published and unpublished writing, the author has produced a sustained argument about the way in which history writing belongs to the currents of thought shaping the modern world.
Witchy femmes, queer conjurers, and magical rebels on summoning the power to resist.
A dual catalogue and archival exposé that explores the pivotal exhibition, Coming to Power: 25 Years of Sexually X-Plicit Art By Women, originally curated by the late artist, Ellen Cantor, in 1993, along with its re-staging in 2016 by curator Pati Hertling and artist Julie Tolentino.
Part of the Library of Performing Rights (LPR) (P3041).
The contributors to this book, writing from a variety of subject disciplines and interests, explore a range of the uses of autobiography from the nineteenth-century to the present day, and from Africa, USA, the Middle East, France, New Zealand, as well as Britain.
In each annual volume, contributors document works made in the previous year. By including performances regardless of their country of origin, genre, aims, or popularity, INDEX reveals the breathtaking variety of practices used in performance work today.
Commissioned by Newlyn Art Gallery to mark their extension and the opening of The Exchange Gallery in Penzance, in 2007. The book is the outcome of an extensive process of cataloging and extracting repeated words and phrases from the gallery visitors book from a three year period.
Includes: It’s an Earthquake in My Heart: Reading Companion; The Sea & Poison: Reading Companion; North True South Free; The Lastmaker
Zine from the long term project led by Victoria Sin featuring artists using speculative fiction as a productive medium for intersectional queer experience.
Collects theoretical dramas written by some of the leading scholars and artists of the contemporary stage. These dialogues, prose poems, and microfictions describe imaginary performance events that explore what might be possible and impossible in the theatre.
Existing in the space between imaginative proposition and a call to action, the book is an assemblage of provocations, proposals and potential ways of operating — ranging from navigating the city and inhabiting the margins to errant acts of reading; from preparing for the unexpected to learning how to ‘not know’, from minor acts of singular sedition to collective expressions of an insurgent ‘we’.
In each annual volume, contributors document works made in the previous year. By including performances regardless of their country of origin, genre, aims, or popularity, INDEX reveals the breathtaking variety of practices used in performance work today.
Catalogue for the 2014 Flat Time House exhibition, which comprised of elements of the many modes of Reedy’s production across decades, including video and audio works unseen and unheard since the 1970s and 80s.
*currently unavailable*
A catalogue of new writing on performance including essays and dialogues around emergency.
10 practitioners from different backgrounds to reflect on the broad themes of participation, audience, criticality and writing in a series of short essays and provocations inspired by their own practice and numerous works in Compass Festival 2014. Contributors include Andy Abbott, Emma Cocker, Patrick Coyle, Victoria Gray, Gillie Kleiman, Annie Lloyd, Gill Park, Harold Offeh, Nathan Walker, Adam Young. A limited edition hard copy.
This interview explores connections within editor Bonnie Marranca’s work and considers the way in which it has developed in conversation with artists in and around New York.
Documenting 20 years of performance art in Quebec and Canada, the authors describe its beginnings in relation to the artistic, institutional, and political realities prevailing in the early 1970s.
Richard Ashrowan considers the geopoetics of the Anglo/Scots borderline, travelling to several points on the border and beginning a meditation into the meanings that might be revealed within its landscape
Contains essays and interviews by late leading art critic Stuart Morgan with a foreward by Thomas McEvilley
This item is part of the ‘Glimpses of before: 1970s UK Performance Art’ Study Room Guide by Helena Goldwater (P2497)
A comprehensive selection of Vito Acconci's works, including a DVD of three 20 min videos in which he speaks about his realized and unrealized projects.
This monograph includes both extensive visual documentation from throughout Vito Acconci's career and a wide selection of his writings.
Vito Acconci began his career as a poet: this book showcases the artist's early experimental writing work, much of which remains unknown. Edited by Craig Dworkin.
Diaries of the artist David Wojnarowicz, capturing the emotional, sexual and political chaos of modern urban life.
David Wojnarowicz explores memory, the longing for love and sexuality in the specter of AIDS. Cartoons, paintings and writings.
*currently unavailable*
Texts, documents, illustrations, photographs and commentaries regarding TOPY, the most influential magikal commune of the 80s and 90s. Contributors: Carl Abrahamsson, Jason Louv, Malik, Coyote 37, Jean-Pierre Turmel, Chloe, Hilmar orn Himarsson, The Abominable TV Snowman, Eden 211, Eden, Andi Brechen, sexuality, sex, Coyote Two, Simon Woodgate, Jay Kinney, Brother Words, Lady Jaye Breyer P-Orridge, Desmond Hill
Selected writings of French surrealist Georges Bataille.
Sarah Lehrer-Graiwer explores one of Lee Lozano’s most challenging and elusive works, ‘Dropout Piece’.
A collection of prose by Frank Moore, covering from the late 1970s until the artist's death in 2013.
Fireworks is a short collection of provocational essays aimed at generating debate inside the cultural sector regarding its current practice and possible future(s).
Tim Etchells’ project Unsound Method (after Conrad), responds to Joseph Conrad’s novel Heart of Darkness and comprises several discrete works including: two versions of the novel, a musical score for violin and trumpet, and a video featuring a live performance of the score. In the second publication – Unsound Method II – the pages of Heart of Darkness are again redacted, this time in black, and leaving only words associated with darkness – night, gloom, shadow, black and so on – as visible traces on the page.
What distinguishes Pagnes and Stenke from other artists is that besides their continuing practice, which has taken them to major art centres around the world, they are also interested in the theoretical aspects of communication, in decoding the hidden fabric of art and of artistic activity. This book is divided into two sections, one devoted to theoretical aspects and the other is devoted to artistic practice.
Tim Etchells’ project Unsound Method (after Conrad), responds to Joseph Conrad’s novel Heart of Darkness and comprises several discrete works including: two versions of the novel, a musical score for violin and trumpet, and a video featuring a live performance of the score. In the first publication – Unsound Method I – the pages are redacted in white and only words associated with light – day, bright, sun, morning and so on – remain visible, carving out a poem which was always present in the material of the original novel.
This journal can be found in ‘Miscellaneous’.
Pamphlet from Harmsworth’s Magazine, August 1899. Illustrated short story pamphlet.