Anthology of interdisciplinary essays which critically examines the interlocking themes of artistic authorship, authenticity, and legacy from legal, art market, and art historical perspective.
Programme of the performance which takes the first book of the Old Testament as its inspiration.
Features 16 commissioned contributions from scholars, arts journalists and bloggers, as well as a small selection of innovative critical practice, sharing perspectives on relevant historical, theoretical and political contexts influencing the development of the discipline, as well as specific aspects of the contemporary practices and genres of theatre criticism.
Because of Love tells the story of the artist’s childhood in Italy in an orphanage and at the hands of his abusive family, his journey to London as a young man, his return to Italy many years later as an accomplished artist, and, in between, the story of his life and loves and his becoming an artist.
Post-event hard cover catalogue documenting the exhibition and live performances presented at the III Venice International Performance Art Week. 10-17 December 2016.
This textual and pictorial reader is more than just documentation of an art project. It combines contributions by theorists and a photocomic created from the original project's texts and visuals by Dejan Dragosavac Ruta to reflect on the proposition of Janez Janša's eponymous project.
Part of the Library of Performing Rights (LPR) (P3041).
An account of Western theatre buildings in the 21st century: theatres stripped of their primary purpose, lying empty, preserved as museums, or demolished.
A collection of essays on the installation and performance work of Cuban artist Tania Bruguera. Contributors: Domenico Scudero, Lucrezia Cippitelli, Irma Arestizabal, Roberto Pinto, Simonetta Lux
Includes DVD. Catalogue for a conference in Vercelli and Turin in November 2010, Affective Archives. The catalogue gathers project documents, manifestos and contracts, open calls, addresses to the speakers and self-reflective essays, besides all the abstracts of papers and a selection of images gleaned from the spectatorial documentation that was specifically encouraged.
Live Arts Week is a project by Xing born out the fusion of the experiences of the two Bologna festivals (2000>2011): Netmage – International Live Media Festival and F.I.S.Co. – Festival Internazionale sullo Spettacolo Contemporaneo. Focused on live arts, it offers an international program that reflects an idea of art as experience made of temporalities, postures and the imaginaries. In Italian with some English text.
This item is referenced in the Making Routes Study Room Guide (P1964).
Text concerning the place and function of arts in society.
On Everybody for Berlusconi a democratic answer against weapons of mass seduction.
In Slovenian and English.
From the Unbearable Lightness of (Artistic) Freedom 2 edition. Part of the Library of Performing Rights (LPR) (P3041).