The contributors to this book, writing from a variety of subject disciplines and interests, explore a range of the uses of autobiography from the nineteenth-century to the present day, and from Africa, USA, the Middle East, France, New Zealand, as well as Britain.
Documents the crisis in American urban housing policies and portrays how artists have fought against government neglect, shortsighted housing policies and unfettered real estate speculation.
Part of the Library of Performing Rights (LPR) (P3041).
Volume 1, Issue 4.
Part of the Library of Performing Rights (LPR) (P3041).
An Investigation into the political efficacy of Pussy Riot’s art.
In this follow-up to his influential 2010 book, Dark Matter: Art and Politics in the Age of Enterprise Culture, Sholette engages in critical dialogue with artists’ collectives, counter-institutions, and activist groups to offer an insightful, firsthand account of the relationship between politics and art in neoliberal society.
This collection of essays sheds new light on the political, ethical and aesthetic potential of participatory artworks and tests the very latest theoretical approaches to this subject.
Catalogue including a selection of the most representative projects developed by the Mexican artist between 2000-2005.
*currently unavailable*
This publication explores the ethical challenges with which performance art confronts its viewers speak to the reimagining of the audience.
Based on real events, the performance centres on a notebook in which Mroué has collected everything published in local papers about the disappearance of a government employee in Beirut.
Part of PSI 12.
Part of the Library of Performing Rights (LPR) (P3041).